Goldsmiths’ Centre for Cultural Studies is a postgraduate teaching and research centre, with a small number (7.5) of academic staff. A great deal of our research is in writing substantial works in cultural theory. In the past year we have published books such as Luciana Parisi’s Contagious Architecture (MIT Press 2013), Matthew Fuller’s co-authored Evil Media (MIT Press 2012), and Scott Lash’s co-authored China Constructing Capitalism (Routledge 2013). Bernard Stiegler, probably the world’s leading media philosopher with some 20 books to his credit, has been a part-time professor at the CCS for a half decade. The work of Julia Ng, who joined our staff after completing a post-doc at Harvard, draws on archival work in path-breaking articles on Mathematics and Literature in the context of Walter Benjamin’s encounter with Gershom Scholem in journals like MLN (Modern Language Notes). Cultural Theory is thus a key focus of the centre and like all our research feeds directly into teaching.
We are engaged in practice and design-based research; for example the work of Graham Harwood, whose politically-infused conceptual and media art is commissioned by Tate and collected by Centre Pompidou amongst others, exemplifies art as a form of enquiry. We develop research with computer scientists, statisticians, architects, artists, global NGOs and urban planners. We see research not just as analysis but as making. We see it, at the same time, as a political intervention in an expanded mode of action research. Our research “outcomes” are texts, technological art, novels, software, architecture/planning interventions, historical and literary texts, contributions to zine cultures, blogs and online forms, as well as books. We work in the areas of postcolonial study, philosophy, software studies, critical theory, subaltern studies, new media, technology and creativity.
The Centre for Cultural Studies has a focused research specialism in emerging global geo-politics as evidenced by Scott Lash’s research on China, and Bhaskar Mukhopadhyay’s work on vernacular globalisation and the invention of markets in India.
We host the Digital Culture Unit, which brings together researchers at the Centre who have a special expertise in digital culture in the broadest sense. Here the focus of our research is using empirical, inventive and speculative methods to take part in and understand the changes computing is making to all forms of life. We have one of the highest concentrations of internationally-reputed scholars in the digital culture field in the UK making it ideal for both Masters and Doctoral students aiming to work in a research intensive environment.
At CCS we have seen, in just over ten years, some 40 PhDs to completion and have a community of over 100 postgraduate students presently enrolled. Our funded research projects have been have been world-leading initiatives, bringing substantial networks of scholars to the college, on Borders, Metadata, Emerging Global Economies, Global Culture Industries, Software Studies and Vernacular Globalisms.
Dr Josephine Berry-Slater is editor of Mute magazine and works on the relation between art, aesthetics and biopolitics with a special expertise on culture and urban space. She is co-director of the Post-Media Lab, a European Regional Development Fund project, at Leuphana University, Germany.
Professor Matthew Fuller works in software studies, art, fiction and media and cultural theory. He currently holds a collaborative research grant from the ESRC analysing the material practices of code-sharing commons in large-scale software repositories.
Graham Harwood is part of the artist group YoHa. Exhibited internationally and winner of numerous awards, their work is often made with collaborators such as scientists, fishermen, miners, free software activists and midwives. A persistent concern of Harwood’s work is the political, social and aesthetic effects of the relational database as a form of governance.
Professor Scott Lash has published some 15 books on cultural change and global capitalism from The End of Organized Capitalism, through Economies of Signs and Space and Reflexive Modernization to Critique of Information and Global Culture Industry. His books are translated into 16 languages. He has held large five large ESRC and Leverhulme grants, in global technological media and political economy. He currently works on China and his work on emerging economies is the fruit of a recent ESRC grant to study ‘Rising Powers’.
Dr Bhaskar Mukhopadhyay has researched vernacular responses to globalization in India and the politics of the multitude. He is currently working on the emergence of the economy as a field of intervention in India in the eighteenth and nineteenth centuries.
Dr Julia Ng works on Benjamin’s mathematical revision of Kant, and on the idea of “posthumous life.” Her new project on ‘Mathematics, Philosophy, Literature’ brings together literary and political theorists, philosophers and intellectual historians in discussion of the operations of the ‘mathematical’ in concepts of history, objectivity, power, and signification.
Dr Luciana Parisi's research focuses on science and philosophy, aesthetics and culture, technology and politics. The philosophical investigation of cybernetics and information theories, evolutionary and complexity theories has informed her writing.
Other staff researchers in the Centre include Camille Barbagallo, as well as a number of visiting researchers, postdoctoral researchers and community activists. More details can be found on http://www.gold.ac.uk/cultural-studies/
Content last modified: 21 May 2014
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