Goldsmiths - University of London

A.S.M. Asaduzzaman
ICT, Gender and Empowerment: Community Information Centre in the Lives of Three Rural Communities in Bangladesh

Bader Al Saud
The Reporting of Wars in the Middle East: Negotiating the Journalistic Ethos of Aljazeera and Alarabiya

Anat Balint
'Branded Discourse', Commercialization of media content: reality shows as a case study

Loubna Bijdiguen
Veil, Secularism and the ‘Headscarf affair’ in France

Tara Blake Wilson
Necromancing the Wistrand Family Film Collection: Archive, Aura, Assemblage and Auto-ethnography

Pola Bousiou
Constantly displaced from my own? My own self (a quest for auto-methodology)

Dhanveer Brar
Masculinity, Blackness and Performance in mid to late C20th African-American Popular Music

Kenzie Burchell
The Barriers that Bind: Everyday Conventions of Presence and Privacy

Davide Cazzaro
Self-Circulating Cinema: Kuala Lumpur’s Alternative Screen Culture

Victoria Chalklin
Performing Queer Selves: Intersubjectivity and the Affective Publics of Queer Performance

Sabine El Chamaa
The manufacture of the war narrative

Stefania Charitou
Cinematic representations of immigration in the new global city

Pin-Chuan Chen
The Critical History of Taiwanese Independent documentary

Shih-Yun Cheng
The development of media convergence and its influence on consumption--the study of the formation of audience behaviour in Taiwan

Chen-Chun Chiu
I Man the Extension of Media? The Dialectic among the Self, Blog-Writing and the Demarcation of Publicity/Privacy

Apple Changeun Cho
Educational migration of Korean young women in a MA course

Eun Jin Choi
Reconfiguration of the internet- Korean identities and practices are being continued

Ben Craggs
Creating Life and Taking Lives: Identifying the Bios in Bioart

Virginia Crisp
Film Distribution in the Age of the Internet: East Asian Cinema in the U.K.

Kirsten Forkert
Working conditions of artists in post-industrial society

Kathryn Geraghty
Silent, Eloquent or Appropriated? What is happening to women’s online spaces and how does this affect the women who inhabit them?

Seung-Woo Ha
National Cinema after Globalization in Korea

Adnan Hadzi
The author vs. the collective

Lei Hao
Understanding Ethnic Minority identity In China: A case study on the Ethnic minority internet communities

Judy Harris
Howdy, Cinema! Text, Image and America in the work of Vachel Lindsay

Hsiu-Chin Hung
The role of Japanese and Korean trendy dramas (soap operas) in the formation of the national/cultural preferences of the youth in Taiwan

Celia Jameson
Women, brainwashing and the “turn to affect”

Mine Kaylan
Poetics and politics of live interaction/exchange; the poetic present and its documents in time

Daniel Knapp
Everyday life under conditions of pervasive surveillance

Jung Koo Kim
Cinema of Paradox – The Individual and the Crowd in Jia Zhangke’s films