The MA Filmmaking (Producing) will provide you with a thorough training in all aspects of producing – from the conception of an initial idea through to development, financing, production and release.
This Masters, a pathway of the MA Filmmaking, provides excellent training for a successful career as a producer. As part of the programme you'll have the opportunity to specialise in either development, where you will work with writers and directors to develop new ideas, or line producing, where you will focus more on how to run a production and a crew, and how to also take a production manager or assistant director role.
What we offer
The programme is housed in a new purpose-built media facility equipped with state-of-the art teaching spaces including film and photography studios equipped with Arri lighting and Greenscreen, Avid Media Composer, Final Cut Pro and Adobe Premiere Film Editing, Animation, Digital Special Effects, Pro Tools Audio Postproduction and Foley suites.
Our studio spaces, and extensive production facilities and informal rehearsal and meeting spaces create an environment where you can discuss and collaborate with scriptwriters, actors, directors, other producers and your shoot team. We also have established relations with casting directors, agents, production designers and other professionals who will both advise you and provide their skills to enhance your productions.
You work on at least one film per term in your specialist role, culminating in a major production towards the end of the degree. In addition to your specialist area, you attend classes in related disciplines such as Film Directing and Editing and collaborate with students across specialisations on film projects. This framework is designed to stimulate collaborative practice by providing you with a breadth of filmmaking knowledge combined with a high level of expertise in your chosen filmmaking discipline.
Our students say...
"I never thought it was possible to learn so much in a year."
"I am treated with a lot of respect when people know that I am a Goldsmiths graduate! They look up to this institution, for many reasons."
You will have specialist teaching on the larger role of the producer:
- How projects are found and developed and taken to market
- How to work alongside agents, financiers, marketers , legal and rights specialists, publicists and exhibitors
- How to adapt this macro-model to all levels of shoot – from a self-shot indie web documentary to full feature-scale drama
Your studies will be guided by experienced tutors and guests from major industry players including Channel Four, British Film Institute, FilmFour, BBC Films, Film London, Shooting People, Future Shorts and a host of production and distribution companies.
Contact the department
If you have specific questions about the degree, contact the Department of Media & Communications
Modules & structure
For two terms you will spend a full day a week in specialised contact with your specific programme convenor, plus a further day in Screen Lab working with colleagues across the programme in a Talent Campus-style project-led learning structure with:
- Exercises aimed at using your skills specialism in a variety of live shoot situations
You will also have a variety of research projects to undertake, as well as other module options.
The third term will be taken up with your final substantive project, and in writing up a process paper on your work and research over the year.
You will also advance your collaborative skills by working in teams with fiction and documentary producers and directors, cinematography and sound students, on a variety of projects and at least three scheduled films across the year.
You will leave the programme with a diverse portfolio of moving-image work that may span a variety of formats – music video, web series drama, documentary, campaign/commercial, experimental art pieces and short fiction films.
Screen School options
As well as your Editing specialism, you will undertake three short courses to enhance your other skills and critical approaches. Options include:
|Social Activist Film||15 credits|
|Adaptation and Script Editing||30|
|Archaeology of the Moving Image||15 credits|
|Camera Fundamentals||15 credits|
|Contemporary Screen Narratives in Practice and Theory||30 credits|
|Experimental Media - Media Arts pathway||30 credits|
|Filmmakers Make Theory||15|
|Film Producing Fundamentals||15 credits|
|Representing Reality||15 credits|
|Sound Design Fundamentals||15 credits|
|The Ascent of the Image||15 credits|
|Visual Storytelling||15 credits|
|Doctor Holby: Writing for Existing Continuing TV Drama Series||15 credits|
|Media, Law and Ethics||15 credits|
Please note that due to staff research commitments not all of these modules may be available every year.
We are ranked:
27th in the world for communication and media studies**
1st in the UK for the quality of our research***
Media and Communications
We’ve also been ranked by LinkedIn as one of the top graduate universities for media professionals, because so many of our graduates go on to find jobs in the industry.
The department includes some of the top academics in the world for this discipline – the pioneers of media, communications and cultural studies. They actively teach on our programmes, and will introduce you to current research and debate in these areas. And many of our practice tutors are industry professionals active in TV, film, journalism, radio and animation.
We also run EastLondonLines.co.uk – our 24/7 student news website – which gives students the opportunity to gain experience working in a real-time news environment.
And we run regular public events featuring world-renowned writers and practitioners that have recently included Danny Boyle, Gurinda Chadha, Noel Clark and Tessa Ross. So you’ll get to experience the latest developments and debates in the industry.
Find out more about the Department of Media and Communications.
**QS World University Rankings by subject 2016
***Research Excellence Framework 2014, Times Higher Education research intensity subject rankings
Skills & careers
If you are passionate about fashioning an exciting career for yourself as a filmmaker in an environment that promotes innovative filmmaking, this course is for you.
On completing the programme, you will have the confidence, skills and hands-on experience to work in the film, television and online industries in the production field, navigating your way through production management and assistant directing roles.
In addition, you will find yourself in a media world that relies heavily on self-starting projects, you will be able to drive innovative new ideas into both established and new formats, strategise funding and marketing, and bring new and exciting opportunities to your creative team.
Possibly the most important skill we will provide you with is the rigorous discipline of working collaboratively under pressure as part of a creative team.
In addition to your practical filmmaking skills, we enable you to develop a variety of transferable intellectual, organisational and communication skills to equip you for a broad range of employment opportunities across the arts and media landscape (film, television, online, the creative arts, advertising and related hybrid forms).
Our producing alumni have gone on to win awards at major international film festivals (including a nomination for Best Short Film Oscar) and are active in the film, media and cultural industries around the world as fiction and documentary producers and production managers.
Find out more about employability at Goldsmiths.
You should have (or expect to be awarded) an undergraduate degree of at least second class standard in a relevant/related subject as well as a level of practical experience from work in the arts or the media.
You might also be considered for some programmes if you aren’t a graduate or your degree is in an unrelated field, but have relevant experience and can show that you have the ability to work at postgraduate level.
Please note that unless you are exempted (Please check your status with our Admissions Team: email@example.com) overseas students require an English language qualification of IELTS 7.0 in order to be considered for a place on the MA Filmmaking programme.
If you have not yet achieved IELTS 7.0, we advise you to sit your IELTS exam at the earliest opportunity and to submit your application immediately after receiving your result. The annual IELTS deadline for the programme is April 30th.
Because funding deadlines and requirements vary around the world, applications are considered on a rolling basis and places on the programme fill up across the recruitment cycle. For this reason, we strongly advise you to submit your completed application as early as you can.
We accept a wide range of international qualifications. Find out more about the qualifications we accept from around the world.
English language requirements
If English isn’t your first language, you’ll need to meet our English language requirements to study with us.
For this programme we require:
IELTS 6.5 with a 6.5 in writing
If you need assistance with your English language, we offer a range of courses that can help prepare you for postgraduate-level study.
How to apply
You apply directly to Goldsmiths using our online application system.
Before submitting your application you’ll need to have:
- Details of your education history, including the dates of all exams/assessments
- The email address of your referee who we can request a reference from, or alternatively an electronic copy of your academic reference
- A personal statement – this can either be uploaded as a Word Document or PDF, or completed online. Please tell us about your passion and aptitude for Filmmaking. What are your dreams and aspirations? How did your engagement with visual media develop, and how has it developed in terms of professional, voluntary and personal work?
- If available, an electronic copy of your educational transcript (this is particularly important if you have studied outside of the UK, but isn’t mandatory)
- Examples of your recent work in a related field (eg moving image samples), preferably via a web link to your online portfolio – please upload this under 'additional' in your online application (NB the maximum file size you can upload is 20MB)
You'll be able to save your progress at any point and return to your application by logging in using your username/email and password.
You should emphasise your practical/theoretical experience in the arts or the media in your application.
Our departmental preference is for referees to upload a confidential reference to the on-line admissions system. Please make sure to select the option for your referees to be automatically notified of the need for them to submit a reference on your behalf.
When to apply
We accept applications from October for students wanting to start the following September.
Application deadline: 30 June
We may consider late applications if there are vacancies. Applications are considered in batches from February onwards so we would advise you to apply as early as possible.
We encourage you to complete your application even if you haven't finished your current programme of study. It's very common to be offered a place that is conditional on you achieving a particular qualification.
If you're applying for funding, you may be subject to an earlier application deadline.
Admission to many programmes is by interview, unless you live outside the UK. Occasionally, we'll make candidates an offer of a place on the basis of their application and qualifications alone.
Please be aware that some pathways of MA Filmmaking tend to be heavily subscribed, so please feel free to apply for more than one pathway to increase your chances of being offered a place. If you do apply for more than one pathway, please indicate in your personal statement your preferred pathway.
Find out more about applying.
Fees, funding & scholarships
Find out more about tuition fees.
The materials and incidentals budget for your film projects is likely to amount to several thousand pounds. Each team member is responsible for raising approximately £600 to cover the material costs of the three films that each team makes on the course.