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Staff research interests (Theatre and Performance)

The interactivity of physical and meta-physical space in performance; audience-participatory experiential art; interactive art; multi-sensory art; site-specific and environmental art; experimental narrative in film and video; architecture and performance; radical scenography; multidisciplinary art; radical dramaturgy; the dynamics of the spectator-spectacle relationship; cross-cultural art.
Dr Raphael Jay Adjani BA MA PhD

Cultural policy and theory, particularly the relationship between social and cultural inclusion/exclusion, the instrumental use of the arts and how cultural value is determined. Besides community arts forms and practices, his interests also cover popular culture and its articulation with ‘high’ culture. This includes a more general analysis of leisure space and the global impact of mass culture.
Dr Paul Clements BA MA PhD

Space dramaturgy; object dramaturgy; devised theatre and performance; compositional strategies.
Dr Andrea Cusumano BA PhD

Contemporary and historical physicalised performer-training and directorial practices (including embodied experiences in process and performance); directorial practices; devised performance; cross-arts performance; multi-media practice; radical use of text in performance.
Cass Fleming BA MA

Performance training/physical theatre (Grotowski, Artaud, Brook); new theatre/new writing; interdisciplinary performance; dance theatre/new dance; martial arts and performance; the body and scenography; issues of the body; hysteria; women’s theatre/performance.
Dr Anna Furse BA PGTC PhD

Methodologies of rehearsal; new performance writing; innovation in text-based performance practice; children’s theatre; Shakespeare; opera and music theatre.
John Ginman BA

Performance praxis (theories of acting, history of acting and directing, systems of actor training); Restoration and modern English comedy; post-war British theatre; South African theatre; the British and American musical.
Professor Robert Gordon BA MA LTCL FRSA

Irish theatre; the work of J M Synge, W B Yeats and Sean O’Casey; theatre history; theatre and cultural history; politics and nationalism; Irish political history; modernism.
Dr Ben Levitas BA MA DPhil

Theatre and fascism; sport theatre; public spectacle and fascism; 20th-century Catalan, Spanish, French, German and Italian theatre.
Dr John London BA MA PhD

African theatre; Caribbean theatre; postcolonial theatre; theatre-fordevelopment; intercultural/cross-cultural issues in performance.
Dr Osita Okagbue BA MA PhD

Contemporary Black British writing; prison theatre and drama; motherhood and colonial ideology; New Women writers; Australian indigenous writing and performance; women secret agents and war.
Dr Deirdre Osborne PhD

Archetype and archetypal psychology, especially dreams; physical theatre practice and training; Grotowski, Barba, Lecoq: commedia dell’arte, ancient pantomime.
Göze Saner BA

20th-century directors and mise-en-scène, including Ariane Mnouchkine, Peter Brook, Giorgio Strehler and Robert Wilson; French and Russian theatre including Lev Dodin and the Maly; sociology of the theatre; interdisciplinary methodologies; theatre theory, performance and cultural theory; performance analysis; audience analysis; dance; opera.
Professor Maria Shevtsova BA M-ès-L DipEd PhD






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