Cross-Culturalism Multiculturalism and Hybrids
The potential of cross-cultural, multicultural and hybriddrama/performance and their exploration as social processes forms the fourth cluster. Our strategy has involved enhancing and interweaving the theoretical underpinnings and empirical investigation of cross-cultural performance, exploring issues specific to multicultural Britain in the contexts of immigration and globalisation and the hybrid practices characteristic of our practice-as-research which merge live performance with video, interactive technology and the web.
Maria Shevtsova, 'Immigrant Theatre, Multiculturalism and Spectators', Part Four of Sociology of Theatre and Performance, Verona: QuiEdit, 2009, pp. 273-371
Maria Shevtsova, 'National and Cross-cultural Performance' in Sociology of Theatre and Performance, Verona: QuiEdit, 2009, pp. 193-209.
Maria Shevtsova, 'Korean Shakespeare: Globalization and Cultural Misunderstanding' in Sociology of Theatre and Performance, Verona: QuiEdit, 2009, pp. 177-190.
Maria Shevtsova, 'Eugenio Barba's Search for an Intercultural Arcadia' in Sociology of Theatre and Performance, Verona: QuiEdit, 2009, pp. 141-155.
Maria Shevtsova, 'Interculturalism, Orientalism, Context: Starting from Peter Brook's Mahabharata' in Sociology of Theatre and Performance, Verona: QuiEdit, 2009, pp. 131-140.
Maria Shevtsova in conversation with Jatinder Verma, 'The Generations of the Diaspora and Multiculturalism in Britain', New Theatre Quarterly, 25:3, August 2009, pp. 203-223.
Deirdre Osborne: No Straight Answers: Mojisola Adebayo and Valerie Mason-John discuss their writing
Deirdre Osborne: Editor. Hidden Gems
Deirdre osborne: Not 'in-yer-face' but what lies beneath: experiential and aesthetic inroads in the drama of debbie tucker green and Dona Daley
Deirdre Osborne: 'Know Whence you Came': Dramatic Art and Black British Identity
Paul Clements: The Cultural Aspects of Social Exclusion and the Stereotyping of Adolescent Males
Paul Clements: The Excluded Terms of Culture: Cultural Exclusion as Spectacle
Deirdre Osborne; The State of the Nation: Contemporary Black British Theatre and the Staging of the UK