This degree provides a creative and innovative learning framework, combining the study of literatures in English with the study of theatre and performance. It draws from a range of perspectives to aid your analytical and imaginative development.
This programme helps you expand your awareness of literary-historical contexts and to consider relationships between theatrical texts and other literary genres. The degree therefore encourages you to enhance your critical understanding of the rhetorical and performative aspects of literary texts by developing your awareness of performance practices, and encourages you to enrich your appreciation of literary texts in English by examining Western and non-Western theatre. It is divided into three levels.
The programme includes, in your first year, some practical experience with producing theatre but is primarily a text-based course concerned with performance studies rather than creative practice.
In the first year you study compulsory introductory courses in both areas, equipping you with experience of a wide range of literary works and familiarising you with the short story genre. You are encouraged to examine some of the significant theoretical frameworks for the analysis of Western performance, and become acquainted with dramatic and performance genres.
In the second year you take two course units from English (one dealing with pre-1800 literature), and two course units from Drama. Your English studies could involve studying Modernist writing; discovering how science, nationality and women are represented in the Victorian era; or taking an in-depth look at the ideas of 'sensibility' and 'pre-Romanticism'. Drama units focus on two of three strands: elements of theatre history; Modernism and Postmodernity; or performance theory and practice.
Prior to the third year you choose the pathway you would like to take at this final stage – either the English pathway or the Drama pathway. The former leads to a degree in ‘English and Drama’, the latter to ‘Drama and English’. You then take the equivalent of three course units, two of which will be in the subject in which you choose to ‘major’, and one of which is the compulsory course in Dramaturgy. You also complete, with supervision, a dissertation of 8,000 words on an approved topic.
Examination, coursework portfolios, long essays, projects, presentations, production plans, dissertation. The dissertation must be passed for the degree to be awarded.
If you register your interest in this programme we will keep you informed about open days and send you relevant further information.
| BTEC National Diploma |
Access courses |
Scottish qualifications |
European Baccalaureate |
International Baccalaureate |
Other requirements |
|---|---|---|---|---|---|
| DDM
Preferably including English. |
60 Credits including 45 at level 3 (including one Distinction and two Merits in related modules) | ABBBB (Higher)
ABB (Advanced Higher) Grade A in English Literature (or Language and Literature) required |
77%
Preferably including English |
Pass with at least 34 points, with 6, 6, 6 (in English) at HL
English Literature (or Language and Literature) required |
A-level English required |
The degree leads to a BA (Hons) in Drama & English or English & Drama. You study a range of literatures in English, including courses focusing on pre-1800 literature. You also study theatre and other performance media and cover aspects of theatre history, performance theory and approaches to production.
In the first year, for example, this will include some practical experience of producing theatre in the Drama Production: Summer Projects. In the third year, you will take a two-term course in Dramaturgy, analysing texts and live performances, and adapting work from other media for the stage.
All students take the equivalent of twelve 30-credit courses to make up 360 credits, and the programme can be studied through two pathways: Drama or English. These pathways diverge at the end of the second year. You choose the pathway of the final year by the end of the autumn term of the second year, although you will be asked to give a provisional indication of your choice when enrolling.
| Drama | English* | ||||
|---|---|---|---|---|---|
| First year courses (120 credits) | Analytic Vocabularies | Theatre Making: Process and Performance | Drama Production: Summer Projects | Explorations in Literature | The Short Story |
| Second year courses (120 credits) |
Elements of Theatre History (30 credits) |
Courses to make up a total of 60 credits from recommended list | |||
| Third year courses (120 credits) | Drama ‘Pathway’: From Drama: Dramaturgy (30 credits) Culture and Performance: Critical Theory (15 credits) Culture and Performance: Options (15 credits) From English: Course/courses worth 30 credits An interdisciplinary dissertation |
English ‘Pathway’: Courses to make up 60 credits from English Dramaturgy 1 course-unit from Drama An interdisciplinary dissertation |
|||
Explorations in Literature (30 credits)
This course introduces a wide range of works covering the major literary genres and embodying significant interventions or influences in the history of literature.
The emphasis is on reading primary texts and discovering (or rediscovering) writers and cultures so that you will be able to make informed choices among more specialised courses later in your degree.
Introduction to Poetry (15 credits)
This course subdivides into two five-week sections, on ‘practice’ and ‘close readings’. The first concentrates on pivotal and innovative figures and movements in poetry from the early modern period to the present day, and the second explores fundamental issues in poetry through the lens of individual poems. Both sections are presented with the support of the department’s creative practitioners.
Introduction to the Short Story (15 credits)
This course introduces you to the short story form and to samples of tales from a range of literary traditions and historical periods. In particular, you are presented with examples of the importance and development of the short-story genre within different national traditions. You will discuss the relationship between oral and written narrative form and study classical sub-genres such as the ‘tale of terror’.
See descriptions of first year courses here.
Please note: in the summer term of the first year, students following this programme take Drama Production: Summer Projects (English and Drama). This course (15 credits) enables English and Drama students to explore their critical skills in a performance practice context, focusing on design, stage management and direction.
See descriptions for year 2 & 3 courses here.
Please note that options are likely to change from year to year, depending on staff availability and research interests.
*The Department of English and Comparative Literature (ECL) administers the English courses. Please note that 15-credit courses in English are only available in the third year.
Our degrees open up a wide range of careers by developing critical and analytical skills, proficiency in assessing evidence, the clear expression of ideas, and the ability to bring together insights from a range of subjects – all of which are attractive to a variety of employers.
You learn to solve problems, to think critically and creatively, and to communicate with clarity. Our graduates have a good employment record: professions include publishing, journalism, PR, teaching, advertising, civil service, business and industry, European Union private sector management and personnel work, and the media.
According to data collated by Unistats, the definitive UK university guide and part of the Higher Education Funding Council for England (HEFCE), Goldsmiths’ English undergraduate students attain the highest-paid jobs upon graduation.
We offer you the opportunity to become an articulate, critical, independent and self-initiating member of the cultural community by developing a range of transferable skills, including the ability to:
When you graduate you might, like many of our students, go on to work in the theatre or related media, in publishing, administration, programming, project management, development work, marketing and publicity, management or technical production.
You will possess a range of skills that will equip you for a variety of careers related to live as well as recorded performance, with developed abilities in creative and critical thinking and ‘making-it-happen’ confidence, e.g. conceptualising ideas, research, organisation, teamwork, communication, self-management, and presentation.
You may choose undertake further specialist training to work as a teacher or arts therapist, or go on to higher level academic study.
ECL, with its rich research base, large student community, and proximity to the resources of the capital, offers a particularly lively environment for undergraduate study.
We combine the wide-ranging research interests of our staff in English, European and American literatures. You will therefore benefit from a stimulating context for the study of literatures, linguistics, literary theory and creative writing.
Our staff come from a variety of cultural backgrounds – and, with their diverse research interests, they are ideally equipped to help you develop your own interests whether they lie in American, British, Caribbean, Irish, French, Spanish, German or Postcolonial literatures.
One of Goldsmiths’ major strengths is the way in which our departments (and smaller centres and units) co-operate to offer new perspectives and insights on each other’s subjects – this is the case, for example, with English and Drama (to which both the ECL and Theatre and Performance Departments contribute) and Media and Modern Literature (taught jointly by ECL and the Department of Media and Communications).
In the last Research Assessment Exercise, 65% of the research/writing produced by the academic staff in ECL was judged to be of 3* or 4* standard, which means that our research publications have been judged to meet international standards of excellence. Furthermore, selective reviews of our programmes continue to produce a clear ‘vote of confidence’ in the teaching provision in ECL.
You’ll find a list of our staff and their research interests here.
If you’re thinking of studying at Goldsmiths, we recommend you come and visit us to have a look around. Our Open Days are ideal opportunities to find out more about what Goldsmiths can offer you.
The Department of English and Comparative Literature also runs Applicant Days in the Spring Term for applicants who have received an offer of a place or an interview.
The Department of Theatre and Performance at Goldsmiths is a dynamic, outward-looking, research-active learning environment that offers you a balanced mix of theoretical and practical work.
Our focus is intercultural and interdisciplinary, while our syllabus combines practical projects, engagement with theories of performance and culture, and the study of theatre histories.
One of the most distinctive features of the department is the space and time dedicated to exploring theatre making hands-on in a student-centred approach.
The Department’s dedicated spaces include: three studios (two black, one white); a thrust-stage theatre seating about 200; scenic, props and wardrobe facilities; and an open access media studio. There's also up-to-date equipment for the design and operation of light, sound and video.
There are 13 full-time academic members of staff, five technicians, and four administrative staff.
A pool of distinguished visiting tutors brings a range of academic as well as performance and production skills from the profession into the department’s work.
Staff research interests include: theories of acting and systems of actor training, physical theatres, scenography, European theatres, Asian theatres, African and Afro-Caribbean theatres, contemporary Black British writing, women writers and practitioners, theatre education, socially engaged practice, interculturalism, Shakespeare, Irish drama, gay theatre, performance and health, musical theatre, theatre writing, dramaturgy and translation and Live Art.
Find out more about our staff and their current research interests and projects.
"Studying both English and Drama you get the best of both worlds; it means you can choose from a wide range of courses within the degree that contrast but occasionally overlap and inform each other. English and Drama students experience a range of approaches: theoretical, practical, historical and literary. I may begin the day with a class on late-Elizabethan sonnets but in the afternoon I’m working in the studios on a devised piece inspired by German Expressionism. So far the degree has been consistently stimulating and surprising.
I came to look around Goldsmiths at an Open Day from which I left impressed, but what really sold it to me was the train journey back into central London. I realised that if I chose Goldsmiths I would be studying in such close proximity to London’s theatres and arts venues. For instance, it’s just fifteen minutes away from National Theatre, Young Vic, Old Vic, BFI and Southbank Centre. For a Drama student this is crucial and in my first year I would make use of my student card and go to the theatre three to four times a week
You don’t get lost at Goldsmiths; it’s quite a small campus, but what I mean is you don’t feel lost in a large mechanical operation. Very simply tutors remember your names. Just the other day I bumped into a tutor who took a brilliant class last year but I hadn’t seen her since, she asked me how I was getting on and remembered an essay I had written."
Harry Davies, BA English & Drama
"Studying at Goldsmiths has been an amazing experience. As one of the few London universities which offer my course, I chose Goldsmiths because of its important reputation in the field of art and humanities.
I thoroughly enjoy studying English and Drama and the wide variety of modules to choose from. The lecturers are helpful and vastly experienced and the students come from all different backgrounds.
I have been able to grow as a person through my experiences at Goldsmiths and the people that I have met here have helped me learn more about myself and given me ideas about what I want to do in the future."
Zahra, BA English & Drama
"The courses I took as part of my degree in English and Drama were flexible enough for me to get a solid foundation in both subjects and, in my second and third years, to focus on particular areas that especially interested me.
Tutors in both departments are incredibly passionate about their chosen fields and because Goldsmiths is a research college students benefit hugely from being in such a cutting-edge learning environment."
Miles, BA English & Drama
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