Goldsmiths - University of London

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Imoinda: Criticism and Response
Volume 3 No 3 2010

A Special Postgraduate Issue of New Mango Season



Guest Editors
Marl'ene Edwin, Goldsmiths, University of London
Natasha Bonnelame, Goldsmiths, University of London
Tendai Marima, Goldsmiths, University of London




Introduction
WOW EDITORIAL TEAM

Interview
Encountering Imoinda: An Interview with Viv Golding
NATASHA BONNELAME

Writers’ Voices
Poetry:
‘Imajiné’ by IONE
‘She’ by JAS
        
Critics Voices
Joan Anim-Addo’s libretto Imoinda: Revisiting a Colonial Critique and Considering Media
FABIó BATISTA DOS SANTOS

To Keep or not to Keep? Autonomy, Abjection and Motherhood in Anim-Addo’s Imoinda: Or She Who Has Lost Her Name and Jeunet’s Alien Resurrection
SIMON BACON

From Restoration to Creolisation: Joan Anim-Addo’s Imoinda as 21st century Afromodernist Woman
NATASHA BONNELAME

‘What we Remember the Whip Can’t Undo’: Memory and H(er)story in Joan Anim-Addo’s Imoinda
MARL’ENE EDWIN

Talking through the ‘door of no return’: Ama Ata Aidoo’s Anowa and Joan Anim-Addo’s Imoinda
TENDAI MARIMA

Project Report: Words from Other Worlds: Critical Perspectives on Imoinda

Reviews
Project Review
LISA MARCHI

Book Review: Imoinda: Or She Who Will Lose Her Name by Joan Anim-Addo
JULIA LOCKHEART

Joan Anim-Addo's Imoinda: A Critical Bibliography