Research in CCL covers a wide array of literatures, languages, cultures and traditions, which we study individually and in comparison, through textual focus and in theoretical, historical and socio-political contexts.
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Our fields include literature (from the Classics to the avant-gardes and to the present, from the canonical to the most recent experiments), language, theatre, performance, translation, multilingualism, creativity, aesthetics, literary and critical theory, literary and cultural history including the ‘new cultural histories’ (such as literature and the senses, the body, cognition, sport, spectacle).
We work in postcolonial studies, memory studies, trauma studies, the environmental humanities, ecocriticism and the Anthropocene, gender studies, disability studies, the medical humanities, biofiction and heterobiography, biography and autobiography, and literature in interdisciplinary relation with visual arts (painting, photography, sculpture), film and cinema history, philosophy, sociology, law, scientific discourses, education, human rights, creative writing and playwriting.
Montrer la reine - Marie-Claude Canova Green
Marie-Claude Canova Green’s new project on the Queen’s body, Montrer la reine, focuses on the court experience of two Spanish Infantas that became Queens of France in the seventeenth century, Anne of Austria and Maria-Teresa of Austria.
In particular, it will investigate the physical impact on their bodies of the constant necessity of paraître and their transformation into visual commodities.
Faire le roi investigates the ways in which Louis XIII, the Sun King’s father, created a new way of perceiving the body of the King as a royal body.
It focuses on the different functions fulfilled by the various aspects of the public performance of the King to explore how his private, public and imaginary body interrelated in rituals, ceremonies, court entertainments or even daily life.
Taking us beyond studies of royal symbolism or the mechanism of royal propaganda, of which there have been many examples in the past thirty years, and relying on the work of social anthropologists, social historians, philosophers and students of representation, the research draws on the insights of semiotics, performance and gender studies to provide a new account of royal self-presentation.