New Zealand-born Holly Mathieson was named Resident Conductor of the National Youth Orchestra of Scotland Junior Orchestra in 2015, after two sell-out concerts, and 5-star reviews as guest conductor in 14/15. She is founder and Artistic Director of the Horizont Musik-Kollektiv (Berlin), and recently joined the performance faculty at Goldsmiths University, London. In the 2014/15 season she held one of the world's most prestigious fellowships for young conductors, the Leverhulme Fellowship at the Royal Conservatoire of Scotland, granting her opportunities to assist Donald Runnicles at the BBCSSO, and work with RSNO and Red Note Ensemble. She also debuted in London as the 2015 Christine Collins Young Artist Conductor in Associate at Opera Holland Park to critical acclaim, and was a finalist in the competition for assistant conductor, Orchestre Philharmonique de Radio France.
This season, she works as assistant conductor with Opera North (L'elisir d'amore) and Longborough Festival Opera (Tannhäuser), and returns to NZ for concerts with St Matthew Chamber Orchestra, Opus Orchestra and Southern Sinfonia. In the 2016-17 season she will be a finalist for the music directorship at Illinois Philharmonic.
In the past, she has assisted both Esa-Pekka Salonen and Christoph von Dohnanyi at the Philharmonia Orchestra (London), and assisted Marin Alsop at the Orchestra of the Age of Enlightenment Prom, the BBCSO Last Night of the Proms, and with the Sao Paolo Symphony Orchestra on their recent European tour. In April 2014 she worked for the first time with the acclaimed Zafraan Ensemble in Berlin. In 2013, she debuted with St Matthew's Chamber Orchestra (NZ) the Vanbrugh Ensemble (London) and Opera Holland Park (London), and was cover conductor to Chris Warren-Green at the Charlotte Symphony (US). 2013 also saw success in being chosen as one of four young conductors from around the world to participate in the Interaktion Dirigentenwerkstatt des Kritischen Orchesters with players from the Berlin Philharmonic and other German orchestras, and a place as one of Dartington International Summer Schools advanced conducting fellows. She was immediately reinvited to Dartington in 2014 as a guest conductor.
Opera work includes several seasons with Opera Otago (NZ), including their critically acclaimed production of Così fan tutte at the 2008 Otago Festival of the Arts, the southern hemisphere premiere of Salieri's Falstaff (2006), and the world premiere of Anthony Ritchie's The God Boy (2004). As Artistic Director of the Solid Energy Chorus and Assistant Conductor at Southern Opera in 2009 and 2010, Holly collaborated on productions of Aida, Gianni Schicchi, Mendelssohn's Midsummer Night's Dream and Die Zauberflöte. She also assisted conductor Tecwyn Evans in the University of Otago's seasons of Madama Butterfly (2003) and Carmen (2006), and in 2013 was Chorus Director at London's Opera Holland Park. In 2014 she assisted Garry Walker at Garsington Opera (UK) in their award-winning production of Janáček’s The Cunning Little Vixen.
Awards for Holly's work include a 2013 Professional Development Grant from Creative NZ, the 2012 AMP Regional Scholarship from Roost Mortgages, the 2009 Patronage Award from Adrienne, Lady Stewart and the NZ Arts Foundation, and the Elman Poole Travelling Scholarship (2006). Holly was named a Ryoichi Sasakawa Young Leaders Fellow in 2008. She was also given a high commendation in the 2013 Taki Concordia Fellowship, and receives ongoing mentoring from Marin Alsop as a result of her prize. Holly has trained in recent years with Paavo and Neeme Järvi, Leonid Grin, John Carewe, Pierre-André Valade, Mark Stringer, Alexander Polishchuk, Neil Thomson and John Farrer, and been in receipt of scholarships and prizes to study at the Dartington International Summer School, St Petersburg Chamber Philharmonic Masterclass and London Conducting Workshops.
Holly holds a PhD in Music Iconography, entitled "Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940" and a MusBHons (1st class) in composition and analyisis from Otago University, and an MMus in orchestral conducting from the University of Melbourne Conservatorium. She has published papers in Music in Art, and been invited to present papers at conferences in London, New York and New Zealand.