Course dates

Wednesday 25 Jan 2023
6.30-8.30pm | 10 weeks
Tuesday 7 Feb 2023
6.30-8.30pm | 10 weeks
Thursday 16 Feb 2023
10am-3pm | 5 weeks
Saturday 18 Mar 2023
10am-3pm | 5 weeks

Course overview

Graham Greene said: ‘I have no talent. It’s just a question of working, of being willing to put in the time.’ Through supportive workshops, you’ll develop your fiction writing skills, crafting original plots and characters that come alive on the page. You’ll also explore how to structure a poem and produce brave, visual images. Finding your writing voice is a bit like finding your voice in life, and this course will help you let go of writing inhibitions and discover your individual expression.

“This course has helped me in many ways, but above all, it improved my ability to give and receive constructive feedback. Catherine kept the lessons interactive which is quite challenging to do in an online environment and offered everyone the opportunity to express themselves. She patiently showed us ways to advance our writing and stay consistent with it."

Simona, Summer 2022

"During the sessions, we also analysed various texts which helped me understand different techniques and styles. I recommend this course to anyone who wants to improve their writing and hopes to get published, as you get many tips on how to do that too.”

Simona, Summer 2022

To avoid disappointment, please book your place on the course 72 hours prior to its commencement

Writing is a process that furthers itself - if you'd like to explore creative writing, then this course will help you begin by reading relevant texts, workshopping creative work and writing prompts in class. We’ll explore technical aspects of writing, so that you can confidently recognise and use devices such as point of view, voice, plot, poetic form, rhythm and imagery. In addition, you’ll learn how to read as a writer and be able to respond sensitively and critically to other people’s work. Over the course of this ten week programme you will also understand how to self-edit, produce finished pieces, gain
commercial awareness of literary publication, and be able to transfer your writing skills to other fields.

The first five weeks of the course will focus on prose writing, exploring short stories from writers including John Cheever, Amy Hempel, Grace Paley, James Baldwin, Lorrie Moore, Alice Munro and Jamaica Kincaid. We will study writing techniques such as how to craft character, create a sincere voice, write surprising plots and original points of view. The last five weeks of the course will be dedicated to writing poetry, where will examine the workings of poetic logic, metaphor, form, and sound. We will study contemporary poets such as Sharon Olds, Mary Ruefle, Carl Phillips, Bhanu Kapil, Peter Gizzi, Liz Berry and Ocean Vuong.

Throughout the course, the first half of each seminar will look at an extract of published prose or poetry in order to get a strong feel for writing techniques—so vital to developing your own work. The second hour will consist of workshopping, where you will receive and gain constructive feedback on your own work. Giving and receiving feedback on work in progress is invaluable and so each student on the course will have the chance to present their own writing at least twice for discussion in the workshops. The class will form a community of writers who respond sensitively and constructively to each individual’s work.   

Why Study this Course?

On this course you will learn to:

• Read as a writer, and in so doing become attuned to important writing practices.
• Develop your understanding of writing techniques, and use them in your own work.
• Enhance your imagination by carrying out a series of innovative writing exercises.
• Develop a writer’s ear for words that ring false and those that sound true, which will in turn inform your capacity to self-edit.
• Learn about fiction and poetry publishing and how to get your work in print.
• Receive peer feedback on your own work at least twice, which will help with redrafting.
• Cultivate imaginative writing skills that can be transferred to other fields of work.



Goldsmiths offers a 15% concession rate on short courses to Lewisham Local cardholders, Students and Goldsmiths Alumni.

Booking information

Disability Support

We are committed to providing reasonable teaching adjustments for students with disabilities that may impact on their learning experience. If you require adjustments, please contact us at so we can respond to your requests as soon as possible.

Please note our short courses sell out quickly, so early booking is advisable.

Wednesday 25 Jan 2023
6.30-8.30pm | 10 weeks
Tuesday 7 Feb 2023
6.30-8.30pm | 10 weeks
Thursday 16 Feb 2023
10am-3pm | 5 weeks
Saturday 18 Mar 2023
10am-3pm | 5 weeks


If you have any questions about this course please contact shortcourses (

For information on our upcoming short courses please sign up to our mailing list.



Tutor information

Dr Catherine Humble

Dr Catherine Humble

Dr Catherine Humble works at the Institute of Psychoanalysis as Executive Editor of the International Journal of Psychoanalysis. She holds the posts of Honorary Associate Lecturer at the UCL Psychoanalysis Unit and Short Course Tutor in Creative Writing at Goldsmiths University. Catherine has co-edited a book and published papers on psychoanalysis, literature and film, as well as writing for the Telegraph and Times Literary Supplement. She has also written an award-winning short film. Her first book, Women in the shadows of psychoanalysis, will be published by Faber in the UK, FSG in the US, and in other territories, in 2025. 

Lucy Mercer

Dr Lucy Mercer is a writer who lives in London. Her debut poetry collection Emblem (Prototype, 2022) is the Poetry Book Society Summer Choice and was featured on BBC Radio 3. She was awarded the inaugural White Review Poet's Prize. Her poems have been published widely in magazines  such as Poetry Review, Poetry London and The White Review, and anthologies such as Spells: 21st Century Occult Poetry and Altered States (Ignota Books). Her critical writing has appeared in Art Review and LA Review of Books among others. She recently completed a PhD where she developed a speculative theory of emblems.

Alice Ash

Alice Ash is the author of the short story collection Paradise Block, which won The Edge Hill Short Story Readers' Prize in 2021. She was longlisted for the Galley Beggar Short Story Prize in 2019, and other writing has been featured in Granta, Refinery29, 3:AM, Hotel, Extra Teeth Magazine, the TLS and Mslexia, amongst many others. Interests include motherhood, women’s horror writing, domesticity, magical realism, and metamorphosis. Alice’s second book, a novel, will be published by Serpent’s Tail in 2024. Alice also teaches at the University of Westminster and City Lit, and she is an editor at The Literary Consultancy. She lives in Brighton.

Sam Buchan-Watts

Sam Buchan-Watts is the author of Faber New Poets 15 and co-editor, with Lavinia Singer, of Try To Be Better (Prototype, 2019), a creative-critical engagement with W. S. Graham. He is the recipient of an Eric Gregory Award (2016) and a Northern Writers’ Award for Poetry (2019). Path Through Wood (Prototype, 2021), his debut poetry collection, was a White Review Book of the Year. He is a Leverhulme Early Career Fellow in Fine Art at Newcastle University and has taught Art Writing and Creative Writing in and beyond universities for several years.  

Ralf Webb

Ralf Webb

Ralf Webb is a poet, writer and editor. His debut collection of poems, Rotten Days in Late Summer was published by Penguin in 2021, and was shortlisted for the Felix Dennis Prize for Best First Collection. Webb’s poetry and critical writing has appeared in the likes of the London Review of BooksFantastic ManThe Poetry Review, and the Guardian. He has written on film for the Berwick Film & Media Arts Festival, Sheffield DocFest, and The White Review, where he worked as Managing Editor for four years. He currently manages a creative writing mentorship programme in collaboration with Folio and First Story, which supports school-age writers from low-income backgrounds. In 2022 he was a writer in residence at the Jan Michalski Foundation in Switzerland. His debut nonfiction book, Strange Relations: Masculinity, Bisexuality and Four Midcentury Writers will be published by Sceptre in 2024. 

Dr Livia Franchini

Dr Livia Franchini is a writer and translator from Tuscany, Italy. She is the author of a poetry pamphlet, Our Available Magic (Makina Books, 2019) and a novel, Shelf Life (Doubleday, 2019), and has translated Natalia Ginzburg, James Tiptree Jr., and Michael Donaghy, among many others. Livia is a Lecturer in Creative Writing at Goldsmiths, where she also coordinates The Goldsmiths Prize, and has taught both poetry and fiction internationally. Her second novel and a new translation of Lorenza Mazzetti’s classic debut Il Cielo cade are forthcoming in 2023/24. 


Course structure


Week 1: Writing anew: David Foster Wallace
Week 2: Abstract or real: Hemingway and Kureshi
Week 3: True character: Lorrie Moore
Week 4: Finding voice: David Szalay
Week 5: Plotting: Alice Munro


Week 6: Poetic logic: Jack Underwood, Sara Peters
Week 7: Making metaphors: Frank O’Hara, Liz Berry
Week 8: Soundscapes: Louis Macniece, T.S. Eliot, Dorothea Lasky
Week 9: Form and line: Elizabeth Bishop, Andrew Macmillan, Ocean Vuong
Week 10: Redrafts and Publishing

Please note that if you are attending the five week Saturday class this will replicate the structure of the weekly course, but with two classes spread over each Saturday slot. 

Learning outcomes

At the end of this course you will have learnt to:

  • Read as a writer – you will learn to respond sensitively and critically to pieces of fiction and poetry, and use these skills in your own work.
  • Use writing devices with confidence – you will be able to identify various techniques used by writers such as point of view, voice, plot, poetic form, rhythm and imagery, and use them in your own writing.
  • Enhance your imagination – do away with dead language and produce fresh and alive work.
  • Self-edit – give constructive feedback to other students, and in so doing develop important self-editing skills.
  • Produce an edited story or poem – you will write several short pieces of creative writing and produce one polished piece of work to present at the final session.
  • Increase your Commercial awareness - gain knowledge of literary publishing and prepare to send your writing off to publications.
  • Transfer your writing skills to other fields - using vivid and engaging language is a valuable skill that can enrich other areas of work.

About the department

The Department of English and Creative Writing is one of the largest and most dynamic in the University. We offer a range of undergraduate and postgraduate programmes, with a strong research focus on critical and creative practice.  Whether you are interested in classical literature and/or linguistics or creative writing and contemporary fiction, our range of interdisciplinary courses has something to offer everyone.  The Department has four Research Centres and a Writers' Centre, which holds regular events that are open to the public. As well as the Centre for Caribbean and Diaspora Studies, the Centre for Comparative Literature, the Centre for Critical and Philosophical Thought, and the Decadence Research Centre, we are proud to be the home of the Goldsmiths Writers’ Centre and the Goldsmiths Prize, which is in its 10th year of celebrating fiction at its most novel. 

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