- PhD Fine Art/Art Theory (Slade School of Art, UCL)
- MA Modern European Philosophy (Middlesex University)
- BA Fine Art (Chelsea College of Art & Design)
Dr Andy Fisher teaches on the BA 1st year module Space & Time and the BA 2nd and 3rd module Patterns of Perception.
Areas of supervision
Photography; the history, theory and philosophical discourses of and around photography, digital imaging and related technologies; recent and contemporary art and art theory; critical and political discourses of imaging practices; phenomenological and post-phenomenological thought.
'On the Scales of the Photographic', Too Big to Scale, Zurich University of the Arts, Switzerland, 7-8 May 2015
'Photography and Scale', On Being the Right Size: Science, Technology and Scale, UCL, London, 29 April 2015
Awards, grands and media appearances
An Interview with Luciano Zubillaga (video interview with Luciano Zubillaga to accompany publication of his film Soundtrack for a Lost Film), Filmmarmalade, October 2010.
An Interview with Sara Preibsch (video interview with Sara Preibsch to accompany publication of her film The Beekeeper), Filmmarmalade, 2008.
Photography, networked digital imaging and its political and philosophical discourses. Social and political structures of perception informing photography and related media. Relationships between technical image forms and phenomenological thought, with a particular emphasis on the writings of Maurice Merleau-Ponty.
Andy's current work engages with the intertwined geographical, political, technical and phenomenological meanings of scale and sequence in historical and contemporary forms of photography. He is in the process of completing a book entitled: On a Photographic Scale: The Spaces, Times and Social Form of the Contemporary Image.
On the Verge of Photography: Imaging Beyond Representation
Rubinstein, Daniel; Golding, Johnny and Fisher, Andrew, eds. 2013. On the Verge of Photography: Imaging Beyond Representation. Birmingham, UK: ARTicle Press. ISBN 9781873352021
Photography and Literature in the Twentieth Century
Cunningham, David; Fisher, Andrew and May, Sas, eds. 2005. Photography and Literature in the Twentieth Century. Cambridge Scholars Publishing. ISBN 978-1-9043-0346-6
The Production of a Factographic Object
Fisher, Andrew. 2018. The Production of a Factographic Object. In: Rebecca Jagoe and Sharon Kivland, eds. On Violence. London: Ma Bibliotheque, pp. 139-148. ISBN 9781910055410
Imaginative Variation: Photographic Scale & Photographic Horizons
Fisher, Andrew. 2017. Imaginative Variation: Photographic Scale & Photographic Horizons. In: Florian Dombois and Julie Harboe, eds. Too Big to Scale: On Scaling Space, Number, Time and Energy. Zurich: Scheidegger & Spiess Verlag, pp. 17-32. ISBN 9783858817938
Fisher, Andrew. 2013. Photographic Scale. In: Daniel Rubinstein; Johnny Golding and Andrew Fisher, eds. On The Verge of Photography: Imaging Beyond Representation. Birmingham: ARTicle, pp. 151-169. ISBN 978-1-873352-02-1
Out of photography … Interview with Ariella Azoulay
Fisher, Andrew and Rubenstein, Daniel. 2011. Out of photography … Interview with Ariella Azoulay. Philosophy of Photography, 2(1), pp. 3-20. ISSN 20403682
Beyond Barthes: Rethinking the Phenomenology of Photography
Fisher, Andrew. 2008. Beyond Barthes: Rethinking the Phenomenology of Photography. Radical Philosophy(148), ISSN 0300 211X