The Goldsmiths Prize was established in 2013 to celebrate the qualities of creative daring associated with the College and to reward fiction that breaks the mould or extends the possibilities of the novel form. The annual prize of £10,000 is awarded to a book that is deemed genuinely novel and which embodies the spirit of invention that characterizes the genre at its best.
2018 Winner: The Long Take by Robin Robertson
“The judges are proud to salute Robin Robertson’s The Long Take, a film noir verse novel full of blinding sunlight and lingering shadows, technically accomplished, formally resourceful and emotionally unsparing.” Adam Mars-Jones, Chair of Judges and Research Professor of Creative Writing at Goldsmiths
More about The Long Take
The Full Shortlist
About the Shortlist
‘The shortlist for this year’s Goldsmiths Prize, now in its sixth year, offers a tasting menu of all that is fresh and inventive in contemporary British and Irish fiction. There’s poetic language here, not all of it in the verse novel we’ve selected, Robin Robertson’s The Long Take. There’s the language of the streets, fighting to be heard, in Guy Gunaratne’s In Our Mad and Furious City and the language of an overmediated world in Olivia Laing’s Twitter-fed Crudo. There’s a harsh view of the past in Will Eaves’ Murmur, restaging the travails of a brilliant gay mathematician modelled on Alan Turing, and a cool survey of the unbalanced present in Rachel Cusk’s hypnotic Kudos, while the deceptively quiet unspooling of Gabriel Josipovici’s The Cemetery in Barnes shows the powerful effects that can be achieved without ever raising your voice.’ (Professor Adam Mars-Jones, Chair of Judges)
The Goldsmiths Prize App for iOS
Download the app to read information on all the nominated books, watch interviews and readings, explore the fresco that lies at the heart of Ali Smith's 2014 winner How to be Both, and see pages from the manuscript and first draft of Eimear McBride's A Girl is a Half-formed Thing.