Event overview
A concert with:
Sarah Hughes :: zither, piano & Kostis Kilymis :: electronics
Tim Parkinson :: playing piano piece (2010) and Manfred Werder's klavierstuck 4 (1993)
Daichi Yoshikawa :: electronics & Tom Mudd :: feedback
Sarah Hughes is an artist working across installation, sculpture, drawing and sound. She is the co-founder of the curatorial platform Compost and Height and editor of the journal Wolf Notes. She has exhibited across the UK and Europe and plays contemporary composition and improvised music internationally.
Kostis Kilymis is an artist focusing on feedback systems and representation, in musical performance and artistic practice. His main instrument is the mixing board, through which he captures and manipulates electroacoustic phenomena, pre-recorded material and electronically generated sound. He has been an improviser, performer and collaborator -his encounters including Lucio Capece, Nikos Veliotis, Leif Elggren, Stephen Cornford and Phil Julian amongst others. He also runs the Organized Music from Thessaloniki label.
Sarah Hughes and Kostis Kilymis started working as a duo when both were living in Oxford. Their collaboration has resulted in a couple of hours of improvised music, an interpretation of a George Brecht score, and a fixed document in the shape of the Consumer Waste cdr edition 'The Good Life'. This will be their second appearance in London.
Tim Parkinson, lives in London, writes music, puts on concerts, "Music We'd Like to Hear" since 2005 with John Lely and Markus Trunk, plays 'any sound producing means' with James Saunders as "Parkinson Saunders" since 2003, music performed from LA to Tokyo, Bergen to Christchurch, championed by especially Apartment House and Incidental Music and the excellent associated soloists therein, 2 CDs on Edition Wandelweiser, included in The Ashgate Research Companion to Experimental Music, website at http://www.untitledwebsite.com. Born 7th July 1973, at school 11 years, at university for 3, studied briefly with Kevin Volans in his house in Dublin, went to Ostrava 2001 met Christian Wolff and Alvin Lucier, aside of which never sought any further education except life and self.
Daichi Yoshikawa
Using a variety of inverted, diverted and reinvented electronic and acoustic devices he strikes a constantly evolving balance between harsh atonal feedback and elegant high-frequency constructions.
Tom Mudd explores tuned digital feedback via a custom-made instrument.
http://sarahhughes.org/
http://www.kostiskilymis.com/
http://www.untitledwebsite.com
http://daichiyoshikawa.tumblr.com/
http://www.tommudd.co.uk/
Donations welcome
Dates & times
| Date | Time | Add to calendar |
|---|---|---|
| 16 Mar 2013 | 7:00pm - 9:00pm |
Accessibility
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