Goldsmiths - University of London

Mr Alex McLean

Role

MPhil/PhD student in Arts and Computational Technology

Selected publications

McLean, A. and Wiggins, G. (2009). Words, movement and timbre. In Proceedings of NIME.

McLean, A. (2008). Live coding for free, in Floss+Art. Mute Publishing Ltd.

McLean, A. and Wiggins, G. (2008). Vocable synthesis. In Proceedings of International Computer Music Conference 2008.

Forth, J., McLean, A., and Wiggins, G. (2008). Musical creativity on the conceptual level. In IJWCC 2008.

McLean, A. (2007). Improvising with synthesised vocables, with analysis towards computational creativity. Master's thesis, Goldsmiths College, University of London.

McLean, A., Leymarie, F. F., and Wiggins, G. (2007). Apollonius diagrams and the representation of sounds and music.

Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). Live algorithm programming and a temporary organisation for its promotion. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.

McLean, A. (2004). Hacking perl in nightclubs.

Collins, N., McLean, A., Rohrhuber, J., and Ward, A. (2003). Live coding in laptop performance. Organised Sound, 8(03):321-330.

McLean, A. (2001). Hacking sound in context. In Landy, L., editor, Proceedings of Music without walls.

Cox, G., McLean, A., and Ward, A. (2000). The aesthetics of generative code.