In this section
The Christine Risley Award is a cash prize awarded by the Goldsmiths Textile Collection & Constance Howard Gallery to a graduating Goldsmiths student for outstanding work relating to textiles, in memory of Christine Risley.
The Christine Risley Award Winner 2017
Clementine Marie Jeanne Durand-Bedos
The Goldsmiths Textile Collection and Constance Howard Gallery is delighted to announce that the winner of the Christine Risley Award 2017 is BA (Hons) Fine Art graduate Clementine Marie Jeanne Durand-Bedos.
The judging panel unanimously agreed on the strength of her work, Contagious Hystories, which, very sensitively dealt with ideas around the divided self, drawing upon the relationship between textile and the body to physically and spatially describe the emergence of two separate identities from a whole, through a 1.5 hour performance. Utilising digital, and screen printing in combination with cyanotype processes, the hand-made garments, which draw on personal, family and cultural histories, embody this metamorphosis.
In the words of guest judge Professor Lesley Millar MBE:
[the] ‘use of cloth and textile thinking … both illustrates and embodies her theme. Her personal history is embedded in the dyed and patterned cloth and clothing which she uses to interrogate place and identity. The work generates a sense of completeness, as the relationships between body, cloth and viewer are explored through the intimate touch of the textile. It is an exceptional artwork’.
The performance boldly demarcates its site, held in an autonomous temporary structure on ‘disused’ land in New Cross, from which travellers were recently evicted, and live streamed at Goldsmiths for the Degree Show. Asking the audience to climb over a wall into this confined space, requires them to enact a sense of displacement. Through the intimacy of the performative experience, the artist creates communities of inclusion through place.
Find out more
The Christine Risley Award is open to an undergraduate of any discipline. The prize acknowledges the diversity and plurality of contemporary textile practice. Work must be practice-based / creative but may encompass any media.
About Christine Risley
A textile artist, Christine Risley (1926–2003) was a key member of Constance Howard’s remarkable and innovative department of textiles, where she set up the machine embroidery area in the 1960s and published a series of books on embroidery. She saw herself as a modern woman, encouraging her students to be adventurous in both work and life.