Current Postgraduate Students
Elena Artamonova Performance - 20th-Century Russian Music for Viola. Supervisor: Alexander Ivashkin
Dimitrios Bakas Acoustic Composition. Supervisor: Roger Redgate
Alexis Bennett The Music and Musicians of London Films Productions in the 1930s and 1940s. Supervisor: Ian Gardiner
Menaka Bora Ethnomusicology - Globalisation and Contemporary Experimental Music in India. Supervisor: Barley Norton
Ricardo Brafman Acoustic Composition - The Influence of Fieldwork in Pernambuco, North Eastern Brazil, on my Compositional Work. Supervisor: Ian Gardiner
Jennifer Brand Musicology - Winds of Change: wind instrument design and the changing sound of British orchestras between c.1890 and c.1950. Supervisor: Stephen Cottrell
Emma Brinkhurst Ethnomusicology - Music, Memory and Belonging in London's Kings Cross. Supervisor: Stephen Cottrell
Rob Canning Acoustic Composition. Supervisor: Michael Young
Tsai-Wei Chen Sound Art - Mapping Sojourners’ Soundscapes: listening experiences of Taipei sojourners in London. Supervisor: John Drever
Thanos Chrysakis Studio Composition. Supervisor: Michael Young
Hsian-Ying Chung Sound Art. Supervisor: John Drever
David Cline Music Analysis - Morton Feldman. Supervisor: Keith Potter
John Dodson Ethnomusicology - Theories of Dance: the work of Blacking, Quirey and cognate theories and their potential applications. Supervisor: Barley NortonAlex Eichenberger Performance - Extended cello technique and Hommages a Paul Sacher. Supervisor: Alexander Ivashkin
Stephen Foster Historical Musicology - To Entertain the Fancy: the orchestral concert song in England 1740-1800. Supervisor: Simon McVeigh
Rachel Foulds Russian Music Studies - The Paradox of Galina Ustvolskaya. Supervisor: Alexander Ivashkin
Amanda Gillis-Furutaka Musicology - The Reception Of 'Western' Popular Music Videos Amongst Japanese Young People. Supervisor: Keith Negus
Eun-E Goh Performance - The Limits of Interpretation. Supervisor: Anthony Pryer
Margaret Gotoh Musicology - The Reception of English Musical Culture in Germany in the Late Enlightenment. Supervisor: Simon McVeigh
Stephen Graham Contemporary Music Studies - Experimental Music in the 21st Century: non-notated "classical music" and non-popular "popular music. Supervisors: Keith Negus/Keith Potter
Andri Hadjiandreou Performance. Supervisor: Anthony Pryer
Grenville Harding Acoustic Composition. Supervisor: Roger RedgateRuth Hawkins Sound Art - Interpenetrations of Recordings and the Real. Supervisor: John Drever
Polly Hewett Acoustic Composition. Supervisor: Roger RedgateJu-Lee Hong Musicology - Cello Performing Traditions on Record: an empirical analysis. Supervisor: Stephen Cottrell
Jocelyn Howell Musicology. Supervisor: Stephen Cottrell
Ryo Ikeshiro Studio Composition. Supervisor: Michael Young
Jeremy Keenan Studio Composition. Supervisor: Michael Young
Wojciech Kosma Acoustic Composition. Supervisor: Roger Redgate
Anna Kounadi Performance - Analysing Skryabin Performances on Record. Supervisor: Stephen Cottrell
Lis Lewis Musicology - English Flute Traditions in the 20th Century. Supervisor: Stephen Cottrell
Matthew Lewis Studio Composition. Supervisor: Roger Redgate
Sebastian Lexer Performance - Technical Developments of Interactive Music Systems. Supervisor: Michael Young
I-Chin Li Studio Composition. Supervisor: Michael Young
Chun Ming Lu Acoustic Composition. Supervisor: Roger Redgate
Christopher Mabley Music Analysis - Secret Codes and Ciphers in the Music of Anton Webern. Supervisor: Craig Ayrey
Anastasios Mavroudis Performance - Greek Music for Solo Violin/Violin and Piano. Supervisor: Keith Potter
Alexander Mcintyre Music Analysis - Music and Ideas of Nikolai Roslavets. Supervisor: Craig Ayrey
Andriana Minou Performance - Jani Christou. Supervisor: Keith PotterElena Mitella Performance - Chopin. Supervisor: Anthony Pryer
Maja Mitrovic Acoustic Composition. Supervisor: Roger Redgate
Drosostalitsa Moraiti Performance - Evolution of Alfred Schnittke’s Piano Music. Supervisor: Alexander Ivashkin
Coreen Morsink Acoustic Composition. Supervisor: Roger Redgate
Kathryn Mosley Musicology - A Critical Edition of Cadenzas for the Piano Concertos of Beethoven by Various 19th and 20th Century Composers. Supervisor: Anthony Pryer
Elena Nalimova Performance - Piano Music by Galina Ustvolskaya. Supervisor: Alexander Ivashkin
Manolis Neophytou Performance - Russian Piano School Traditions. Supervisor: Alexander Ivashkin
Magdalini Nikolaidou Performance - Rakhmaninov’s Etudes-Tableaux and Old Russian Church Traditions. Supervisor: Alexander Ivashkin
Argyro Pavlopoulou Ethnomusicology - Cretan Music. Supervisor: John Baily
Jonathan Pigrem Studio Composition. Supervisor: John Drever
Debra Pring Musicology - Representation of the Recorder and its Music. Supervisor: Anthony Pryer
Polina Proutskova Music Information Retrieval - Music Information Retrieval and Ethnomusicology. Supervisor: Stephen Cottrell
Cameron Pyke Russian Music Studies - The Creative Response of Benjamin Britten to Russia. Supervisor: Alexander Ivashkin
Indioney Rodrigues Music Analysis - Rhythm and Metrics in 20th Century Music. Supervisor: Craig Ayrey
Kathrine Sandys Sound Art - Space and Place as Sublime Encounter. Supervisor: John Drever
Paul Sarcich Acoustic Composition. Supervisor: Roger Redgate
Dario Sarlo Performance. Supervisor: Anthony Pryer
Dawn Scarfe Sound Art - In the Surround: sound and phenomenal experience. Supervisor: John Drever
Adrian Sledmere Popular Music Studies - The Concept of Talent and the Music Industry. Supervisor: Keith Negus
Charalambos Sophocleous Studio Composition. Supervisor: Michael Young
Emmanuel Spinelli Sound Art - Acoustic Phenotypology – the territory of the disembodied voice in electro-acoustic music and the perception of acousmatic identities. Supervisor: John Drever
Stamatia Statherou Acoustic Composition. Supervisor: Roger Redgate
Nikolas Stavlas Performance - Kagel's Ludwig Van. Supervisor: Keith Potter
Jasmine Taylor Popular Music Studies Billie Holiday: Musician. Supervisor: Tom Perchard
Monica Todd Musicology - Conducting: an examination of gender politics and musical authority. Supervisor: Jill Halstead
Alejandro Toledo Performance/Ethnomusicology - Music and Creativity among Romanian Brass Bands. Supervisor: Stephen Cottrell
Rebecca Turner Contemporary Music Studies - Modern Technique and Aesthetics in 20th-Century Solo Cello Music. Supervisor: Alexander Ivashkin
Tetyana Ursova Performance - Polyphonic Cycles in Soviet Music. Supervisor: Alexander Ivashkin
Klimis Voskidis Performance - Liszt's and Thalberg's Piano Transcriptions of Belcanto Operas. Supervisor: Alexander Ivashkin
Sally Watkins Ethnomusicology - A Musical Ethnography of the Band of the Coldstream Guards. Supervisor: Stephen Cottrell
Jerry Wigens Acoustic Composition. Supervisor: Roger Redgate
Stephen Wilkinson Studio Composition. Supervisor: Michael Young
Tara Wilson Music Analysis - Russian Minimalism. Supervisor: Craig Ayrey
Richard Witts Musicology - A Historical Study of BBC Music Policy with Particular Reference to Radio 3. Supervisor: Keith Negus
Mizuka Yamamoto Contemporary Music Studies - Issues of Notation and Collaboration in Selected Late 20th Century Works for Solo Violin. Supervisor: Roger RedgateSimon Zagorski-Thomas Studio Composition. Supervisor: Michael Young
Alistair Zaldua Studio Composition. Supervisor: Michael Young