Goldsmiths - University of London

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The Unit for Sound Practice Research (SPR)

Sound Practice Research (SPR) is a new research group that integrates and advances the innovative activities of EMS composers and researchers. It functions as a nexus for a diverse range of creative and theoretical research linked by a common commitment to rigorous, thoughtful and convincing practice. This is enabled by expertise at the forefront of music computing and audio technologies, field studies and reflection on pressing social, cultural, commercial and environmental issues; and inspired by investigation into and archiving of historical precedents.

The Goldsmiths Electronic Music Studios (EMS) has been a leading centre for electronic music and the sonic arts since its founding in 1968 by Hugh Davies.

Fields and concerns include, but are not limited to:

  • Phonography, soundscape studies and field recording
  • Improvisation and live algorithmic music
  • Interactive audiovisual performance
  • Acousmatic composition, including multi-channel
  • Utterance, including sound poetry and text sound composition
  • Site-specific and gallery based sound installation

To support its commitment to innovative practice, SPR will engage in apposite activity in the following areas:

  • Foster musicological and analytical research
  • Promote knowledge transfer and collaborative and interdisciplinary ventures
  • Instigate outreach and open access pedagogic activities
  • Maintain and enhance audiovisual archives, including the Daphne Oram Collection

News and Events

UPCOMING EVENTS:

“see what you don't hear - hear, what you don't see!”
Audio-visual and sonic work by Peter Hölscher, Michael Rüsenberg and Hans-Ulrich Werner and a researcher from the Unit for Sound Practice Research, Goldsmiths.
WHEN:
20 February 2011, 7pm
WHERE: LG 02, New Academic Building

PAST EVENTS: Phonography Colloquium

Phonography as: activism; archive; autopsy; catharsis; composition; design; discovery; documentation; eavesdropping; habit; interpretation; interpose; forecast; mapping; overhearing; reportage; sensitization; simulacra; surveillance; tourism; ventriloquism; vivisection; yardstick …

WHEN: Tuesday 5 - Thursday 7 July, 2011
WHERE:
Music Department, Goldsmiths

Phonography as: activism; archive; autopsy; catharsis; composition; design; discovery; documentation; eavesdropping; habit; interpretation; interpose; forecast; mapping; overhearing; reportage; sensitization; simulacra; surveillance; tourism; ventriloquism; vivisection; yardstick …

WHEN: Tuesday 5 - Thursday 7 July, 2011
WHERE:
Music Department, Goldsmiths
more info

Steering Group

Tim Blackwell (Lecturer in Computing)
John Drever (Head of SPR and Lecturer in Music)
Ian Gardiner (Lecturer in Music)
Mick Grierson (AHRC Fellow in the Creative and Performing Arts and Lecturer in Computing)
Ian Stonehouse (Head of the Electronic Music Studios)
Lawrence Upton (AHRC Fellow in the Creative and Performing Arts)
Michael Young (Senior Lecturer in Music)