- British Art after Brexit Gaschke, Jenny; Gould, Sarah; Perry, Gill; Ventrella, Francesco; Lamm, Kimberly; Davidow, Jackson; Harbison, Isobel ; Coomasaru, Edwin; Alexander Cameron, James; Hart, Imogen; +2 more...Fowler, Corinne; and Massouras, Alexander. 2021. British Art after Brexit. British Art Studies(20), ISSN 2058-5462
- Performance after the Pandemic Harbison, Isobel . 2020. Performance after the Pandemic. Apollo: The International Magazine for Collectors, ISSN 0003-6536
- Image, Performance, Protest Harbison, Isobel . 2019. Image, Performance, Protest. Flash Art, 52(328), pp. 34-41. ISSN 0394-1493
- What the Instagram Age Learned from Robert Rauschenberg’s Choreographic Pieces Harbison, Isobel . 2019. What the Instagram Age Learned from Robert Rauschenberg’s Choreographic Pieces. Frieze(206), pp. 136-137. ISSN 0962-0672
Dr Isobel Harbison
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Dr Isobel Harbison is an art historian and writer
Harbison is an art historian, with a focus on contemporary performance and moving image. She has written for a range of publications, and guest curated for museums and galleries. Her research explores the production and impact of images, and the relationship between images, media and politics.
Harbison completed her PhD in 2015 at Goldsmiths where she was AHRC doctoral scholar. Her first monograph, Performing Image (MIT Press, 2019), addresses art's role in an age of technology capitalism and social media. Her second book explores the working life and cultural legacy of a female neon designer in Las Vegas (MUP, forthcoming). Harbison also researches art and independent film in the North of Ireland and is now working on an oral history with the Irish Museum of Modern Art, the Ulster Museum and the Public Records Office of Northern Ireland called Recording History (2025 - 2026).
She has lectured and examined in art and art history faculties in the UK, US and Ireland.
Academic qualifications
- PhD (Art Theory), Goldsmiths, University of London 2015
- MFA (Curating), Goldsmiths, University of London 2008
- BA (History of Art and Architecture), Trinity College, Dublin 2004
Teaching and supervision
Harbison teaches art history, critical studies and creative writing to students on the BA Fine Art Extension programme, and supervises PhD students in a range of areas including histories of modern and contemporary art; histories of performance and moving image; complex located histories of art; post-colonial and anti-racist histories of art; feminist and queer art histories; art and creative writing.
Research interests
Harbison researches histories of performance and moving image, feminist art histories, and alternative histories of the Spectacle.
Performing Image, Harbison’s first monograph, was published by the MIT Press in 2019. It considers what agency art (performance and moving image) might have in antagonism to social media, as performance and video production accelerate under technology capitalism. Harbison was a research scholar at the Robert Rauschenberg Foundation in 2019.
Her second book is a study of a female sign designer in Las Vegas and the history of her most famous design, as a landmark in situ and an image in circulation. Focusing on her light work, it offers an alternative account of the city to much cultural criticism and postmodern theories from the 1960s. She was a 2024 writer-in-residence at Writing Downtown, a 2024 Eccles Fellow at the British Library and a 2024-5 Eadington Fellow at UNLV. The book is forthcoming with Manchester University Press.
She is currently working on an oral history of filmmakers active in the North of Ireland from 1968 to 1990. ‘Recording History’ is a set interviews with artists accompanied by a series of public events, screenings and discussions organised with the Irish Museum of Modern Art, the Ulster Museum and the Public Records Office of Northern Ireland from 2025 - 2026. It is funded by the Department of Foreign Affairs (Shared Island), the Irish Heritage Council and Ecclesiastical Ireland. She will guest curate a related screening at Tate Modern in July 2025.
Harbison writes for a range of art magazines and contributes to others including The Baffler, the Financial Times, The London Magazine, London Review of Books and Tolka. Her writing won the inaugural Fellowship in Art Writing with the Arts Foundation (2014), was nominated for the Pushcart Prize, and shortlisted for the Hay Festival Writers ‘Award (both 2024). She often curates screenings, and nominates and juries for art prizes.
Featured publications
2019:
Performing Image
Cambridge, MA: The MIT Press (monograph)
2019:
Image, Performance, Protest
Article
2019:
Image Performance
Article
2019:
Handle: Niamh O'Malley
Ex. Cat, Royal Hibernian Academy, Dublin
2018:
Headland: Elizabeth Magill
Ex. Cat, Ulster Museum, Belfast
Grants and awards
2020:
Research Fellow
Paul Mellon Centre
2024:
Eadington Fellow
Centre of Gaming Research, University of Nevada, Las Vegas
2019:
Research Resident
Robert Rauschenberg Foundation
2014:
Fellow
Arts Foundation, Fellowship in Arts Journalism
2010:
Doctoral Scholar
Arts and Humanities Research Council
2024:
Writer resident
WRITERS DOWNTOWN, supported by PLYMPTON literary studio
2024:
Fellow
Eccles Fellow at the British Museum
Publications and research outputs
Book
- Performing Image Harbison, Isobel . 2019. Performing Image. Cambridge MA: The MIT Press. ISBN 9780262039215
Book Section
- Whose time is it anyway? Harbison, Isobel . 2022. Whose time is it anyway? In: Christina Kennedy, ed. The Narrow Gate of the Here-and-Now - IMMA: 30 Years of the Global Contemporary. Dublin: Irish Museum of Modern Art, pp. 22-30. ISBN 9781909792272
- NOT/ MY/ SCENE Harbison, Isobel . 2022. NOT/ MY/ SCENE. In: Charles Asprey, ed. A.B. Real Life. London: Charles Asprey, pp. 34-39. ISBN 9781399924894
- Of saving, of hoarding, of keeping to hand Harbison, Isobel . 2019. Of saving, of hoarding, of keeping to hand. In: Niamh O'Malley, ed. handle. Dublin: Royal Hibernian Academy, pp. 63-69. ISBN 1903875935
Article
- Try Lizzie Borden: Derry Film and Video Workshop & distribution beyond the Broadcast Ban Harbison, Isobel . 2022. Try Lizzie Borden: Derry Film and Video Workshop & distribution beyond the Broadcast Ban. Try Lizzie Borden,
- Here to Stay: On the history of Dublin’s Hugh Lane Gallery Harbison, Isobel . 2021. Here to Stay: On the history of Dublin’s Hugh Lane Gallery. Frieze Masters(9), pp. 24-29.
- Or Other, Or Both Harbison, Isobel . 2021. Or Other, Or Both. Afterall: A Journal of Art, Context and Enquiry, 51, pp. 144-155. ISSN 1465-4253
Conference or Workshop Item
- An Inventory of Traces: Rethinking public archives and collections beyond the nation/state Harbison, Isobel . 2022. 'An Inventory of Traces: Rethinking public archives and collections beyond the nation/state'. In: Association for Art History’s 48th Annual Conference. Goldsmiths, University of London/ online, United Kingdom 6 - 8 April 2022.
- The Derry Film and Video Workshop & distribution beyond the Broadcast Ban Harbison, Isobel . 2022. 'The Derry Film and Video Workshop & distribution beyond the Broadcast Ban'. In: Northern Ireland’s Feminist and Queer Art Histories. The Courtauld Institute of Art, United Kingdom 21 January 2022.
- Art Criticism and the Pandemic II - Safer Spaces Harbison, Isobel . 2021. 'Art Criticism and the Pandemic II - Safer Spaces'. In: Safer Spaces. London, United Kingdom May 2021.
Show/Exhibition
- Tapes Under the Bed Harbison, Isobel . 2022. Tapes Under the Bed. In: "Tapes Under the Bed", Irish Museum of Modern Art, Ireland, 26 November 2022.
- Pre-Pop to Post-human: Collage in the digital age Harbison, Isobel . 2014. Pre-Pop to Post-human: Collage in the digital age. In: "Pre-pop to Post-human: Collage In The Digital Age", Hatton Gallery, Newcastle, United Kingdom, 25 January 2014 - 21 June 2015.
- Image Games: Ericka Beckman Harbison, Isobel . 2013. Image Games: Ericka Beckman. In: "Image Games: Ericka Beckman", Tate Modern, London, United Kingdom, 28–29 September 2013.
Professional projects
Harbison has worked as a curator with Hayward Gallery Touring, Tate Modern, Auto Italia, Chelsea Space, TBGS Dublin and the Irish Museum of Modern Art. She has spoken and chaired discussions at Tate Modern, Tate Britain, the National Gallery, the Contemporary Art Society, Hayward Gallery, Camden Arts Centre, Whitechapel Gallery, and the Swiss Institute, New York.
She has taught and lectured at the Royal Academy School, Royal College of Art, Slade School of Fine Art, Central St Martins, Arts University Bournemouth, in Ireland at NCAD and IADT, and at the School of the Art Institute of Chicago.
Research projects
2022-2022:
Tapes Under The Bed
A one-day international seminar comprising of talks, screenings and panel discussions exploring how to best preserve endangered film and video archives from the 1980s onwards.
Media engagements
2020:
Talk Show, Resonance FM
Regular contributor to Art Monthly’s monthly live talk show on Resonance FM
Conferences and talks
2020:
National Gallery London
In-conversation with Artist-in-Residence Rosalind Nashashibi and Lucy Skaer
2019:
Trinity College Dublin
No Longer Peripheral: Moving Image Culture (AEMI conference)
2019:
School of the Art Institute of Chicago
Blue-Skying: Social Media and the Arts (conference)
2019:
Block Universe, Festival of Performance
Performing the Digital Self (conference panel)
2018:
Tate Modern
Performance in Contemporary Art (panel)
2024:
Her Midnight Signs: on the light, life and legacy of Ms Betty Willis
Plugged In: Art and Electric Light, symposium at the California Institute of Technology and Norton Simon Museum, LA
2024:
ARE YOU BEING OBSERVED?
Strip Searching: Security of Subjugation, paper at IMMA
2024:
Derry Film and Video Collective, PANEL
Radical Filmmakers Network, CONFERENCE