skip to main content
Goldsmiths - University of London
  • Students, Staff and Alumni
  • Search Students, Staff and Alumni
  • Study
  • Course finder
  • International
  • More
  • Search
  • Study
  • Courses
  • International
  • More
 
Main menu

Primary

  • About Goldsmiths
  • Study with us
  • Research
  • Business and partnerships
  • For the local community
  • Faculties and Schools
  • News and features
  • Events
  • Give to Goldsmiths
Staff & students

Staff + students

  • New students: Welcome
  • Students
  • Alumni
  • Library
  • Timetable
  • Learn.gold - VLE
  • Email - Outlook
  • IT support
  • Staff directory
  • Staff intranet - Goldmine
  • Graduate School - PGR students
  • Teaching and Learning Innovation Centre
  • Events admin
In this section

Breadcrumb navigation

  • Events
    • Degree Shows
    • Black History Month
  • Calendar
Lecture

From Selfie to Selfie: Glimpsed, Revisited and Quickly Forgotten


20 Mar 2018, 5:00pm - 7:00pm

PSH 326, Professor Stuart Hall Building

Event overview

Cost Free and open to all, no booking necessary.
Department Media, Communications and Cultural Studies
Contact J.Zylinska(@gold.ac.uk)

Talk on contemporary selfie culture by Professor Giovanna Borradori from Vassar College, US

“I am looking at the eyes that looked at the Emperor”, wrote Roland Barthes while staring at a photograph of Jerôme Bonaparte. I am haunted by a parallel question: what do we see when we look at the eyes of someone who are looking at themselves, while they pose as themselves for us? This projective interpellation complicates the “pathological” reading of selfies as narcissistic, voyeuristic and exhibitionist expressions of the millennial, Z, and Y generations. Rather than as self-portraits, or representations of a transcendent self, selfies will be discussed in this talk as representations of the spectacle of self-representation: screens onto which the neoliberal subject continuously projects itself through the lens of imagined others.

As Michel Foucault claimed, participation in this spectacle is a confessional practice that has expurgatory and salvific goals. This normative “incitement to speak” demands that we tell the truth about ourselves by exposing the most intimate details of our every experience, thought and emotion. This framework of confession will emerge as the disciplinary underpinning of what I will call “the narratable self”, the docile political subject produced and maintained by the reversible camera.

Giovanna Borradori is Professor of Philosophy at Vassar College in the US. She works at the intersection of aesthetics and politics. Her book, Philosophy in a Time of Terror: Dialogues with Jürgen Habermas and Jacques Derrida, was the first philosophical examination of the events of September 11 and their aftermath. Most recently, she has been working on the role of photographs in the formation of political subjectivity.

Image credit: Doctor Popular, AntiTagging, 2014. Self-portrait taken using the Anti-Tagging iPhone app that anonymizes photos by auto-detecting faces and glitching them out, thus producing a secure selfie. Source: Flickr. Licence: CC BY-SA 2.0.

Dates & times

Date Time Add to calendar
20 Mar 2018 5:00pm - 7:00pm
  • apple
  • google
  • outlook

Accessibility

If you are attending an event and need the College to help with any mobility requirements you may have, please contact the event organiser in advance to ensure we can accommodate your needs.

Event controls

  • About us
  • Accessibility statement
  • Contact us
  • Cookie use
  • Find us
  • Copyright and disclaimer
  • Jobs
  • Modern slavery statement
Admin login
  • Twitter
  • Linkedin
  • TikTok
  • Instagram
  • YouTube
© Goldsmiths, University of London Back to top