skip to main content
Goldsmiths - University of London
  • Students, Staff and Alumni
  • Search Students, Staff and Alumni
  • Study
  • Course finder
  • International
  • More
  • Search
  • Study
  • Courses
  • International
  • More
 
Main menu

Primary

  • About Goldsmiths
  • Study with us
  • Research
  • Business and partnerships
  • For the local community
  • Academic departments
  • News and features
  • Events
  • Give to Goldsmiths
Staff & students

Staff + students

  • New students: Welcome
  • Students
  • Alumni
  • Library
  • Timetable
  • Learn.gold - VLE
  • Email - Outlook
  • IT support
  • Staff directory
  • Staff intranet - Goldmine
  • Graduate School - PGR students
  • Teaching and Learning Innovation Centre
  • Events admin
In this section

Breadcrumb navigation

  • Events
    • Degree Shows
    • Black History Month
  • Calendar
Seminar

Prof Carl Lavery: Archipelagic Thinking: Writing Theatre Ecology


23 Feb 2021, 6:15pm - 8:15pm

Online

Event overview

Cost Free / Book here
Department Theatre and Performance
Contact Katja.Hilevaara(@gold.ac.uk)

Performance Research Forum (PRF) hosts another excellent line-up of talks and events. These free events will take place on Zoom, and can be booked through Eventbrite.

In the same way that Gilles Deleuze saw philosophy as dependent on the production of new concepts, theatre practice and theory are also bound to the invention of figures, images and tropes. In this paper, I look to rethink the logic and practice of theatre ecology by proposing the trope of the archipelago, a geographical topos that connects sea and land, ocean and island.

In doing so, I do not simply mean to advance the archipelago as a metaphor that would link culture to nature, a kind of bridge bringing together two separate phenomena. More naively, perhaps, I suggest that thinking in the theatre is archipelagic, a way of assembling that has the ocean folded into it, that invites spectators to venture forth on the ebb and flow of some wave.

Inevitably, drifting between the elemental and cultural necessitates a different style of performance analysis, one in which the surgical operation of the analytical enterprise is abandoned for a floating response that ‘tacks’ the flux of performance.

The commentary that emerges is double: a writing that organises and explicates but, which, at the same time, expresses, through cadence and syntax, affects that cannot be spoken, non-human forces that break with criticism’s usual geography of servitude: its shapes, schemas, and articulations.

Carl Lavery teaches theatre and performance at the University of Glasgow.

Book now

Dates & times

Date Time Add to calendar
23 Feb 2021 6:15pm - 8:15pm
  • apple
  • google
  • outlook

Accessibility

If you are attending an event and need the College to help with any mobility requirements you may have, please contact the event organiser in advance to ensure we can accommodate your needs.

Event controls

  • About us
  • Accessibility statement
  • Contact us
  • Cookie use
  • Find us
  • Copyright and disclaimer
  • Jobs
  • Modern slavery statement
Admin login
  • Twitter
  • Linkedin
  • TikTok
  • Instagram
  • YouTube
© Goldsmiths, University of London Back to top