skip to main content
Goldsmiths - University of London
  • Staff & students
  • Search
  • Main menu
 
Main menu

Primary

  • Home
  • Course finder
  • Study with us
  • Departments
  • Research
  • Services for business
  • For the local community
  • Alumni and friends
  • News
  • Events
  • About us
Staff & students

Staff + students

  • New students: Welcome
  • Students
  • Library
  • Timetable
  • Learn.gold - VLE
  • Email - Outlook
  • IT support
  • Staff directory
  • Goldmine - staff intranet
  • Graduate School - PGR students
  • Teaching and Learning Innovation Centre
  • Events admin
In this section

Breadcrumb navigation

  • Events
    • Radical New Cross
    • Degree shows
    • Fixing It
    • Black History Month
  • Calendar
Lecture

Mapping Memories of the Global South in Contemporary Art


18 May 2023, 5:00pm - 7:00pm

137, Richard Hoggart Building

Event overview

Cost free
Department Visual Cultures
Contact M.Bajec(@gold.ac.uk)

Mapping Memories of the Global South in Contemporary Art: Connecting Lines across Morocco by Sarah Dornhof

Art of the Global South(s) implies a redressing of geopolitical, national and cultural framings of space. By questioning tensions between such framings and the notion of the Global South, I interrogate artworks as a practice of mapping that subjects colonial, but also postcolonial cartographic gazes to a visual critique and aesthetic re-membering. Thereby historical makings of borders and segregations become an object of deconstruction and a matter of transformative memory. What is it about works of art that enable us to critically see and reimagine the lines that separate and hierarchize lands and human geographies? How can we understand and participate in a visual critique that leads to a remapping of territories through connecting memories? I take the notion of the Global South as a term that has unsettled colonial cartographies, but, as an abstract concept, also requires a nuanced analysis of perspectives and particular historical constellations in order not to risk reproducing an unmarked generalizing view on otherness. By interpreting works by Moroccan artists, I analyze different approaches of mapping as artistic forms of remembering and of interrogating the South in plural constellations and from diverse perspectives.

Sarah Dornhof is a postdoctoral researcher at the Humboldt University of Berlin. She received her Ph.D. in cultural studies and anthropology from the European University Viadrina in Frankfurt/Oder. Her current research examines contemporary art and cultural politics in Morocco in relation to questions of memory, heritage, and archives. Among her publications are Alternierende Blicke auf Islam und Europa: Verletzung als Rationalität visueller Politik (Fink, 2016); F(r)ictions of Art (coedited, Paragrana, vol. 25, no. 2, 2016); Situating Global Art: Topologies – Temporalities – Trajectories (coedited, transcript, 2018); and Contested Urban Spaces: Monuments, Traces, and Decentered Memories (coedited, Palgrave, 2022).

Sarah Dornhof will have a workshop for VC MA and postgraduate students on 23/05, 2-4pm.

Dates & times

Date Time Add to calendar
18 May 2023 5:00pm - 7:00pm
  • apple
  • google
  • outlook

Accessibility

If you are attending an event and need the College to help with any mobility requirements you may have, please contact the event organiser in advance to ensure we can accommodate your needs.

Event controls

  • About us
  • Accessibility statement
  • Contact us
  • Cookie use
  • Find us
  • Copyright and disclaimer
  • Jobs
  • Modern slavery statement
Admin login
  • Twitter
  • Linkedin
  • Facebook
  • Instagram
  • YouTube
© Goldsmiths, University of London Back to top