skip to main content
Goldsmiths - University of London
  • Students, Staff and Alumni
  • Search Students, Staff and Alumni
  • Study
  • Course finder
  • International
  • More
  • Search
  • Study
  • Courses
  • International
  • More
 
Main menu

Primary

  • About Goldsmiths
  • Study with us
  • Research
  • Business and partnerships
  • For the local community
  • Faculties and Schools
  • News and features
  • Events
  • Give to Goldsmiths
Staff & students

Staff + students

  • New students: Welcome
  • Students
  • Alumni
  • Library
  • Timetable
  • Learn.gold - VLE
  • Email - Outlook
  • IT support
  • Staff directory
  • Staff intranet - Goldmine
  • Graduate School - PGR students
  • Teaching and Learning Innovation Centre
  • Events admin
In this section

Breadcrumb navigation

  • Events
    • Degree Shows
    • Black History Month
  • Calendar

Graduate Forum: Popular Music Research Unit presents Laurie Stras


11 Mar 2014, 5:00pm - 6:00pm

Cinema, Richard Hoggart Building

Event overview

Cost free
Department Music
Contact i.burman(@gold.ac.uk)
020 7919 7645

Burlesquing the Belle: Professional Southernism and Girl Singers in 1930s Hollywood

In the 1930s, the New Orleans trio the Boswell Sisters had a profound influence on popular music and jazz singing, introducing a southern vocality that could sound “black” but be “white.” Such was their impact that by the time they disbanded in 1936, “professional southernism” was music business common sense: girl singers often feigned southernness in order to succeed. Northern-born chanteuses learned the vocal cadences of the belle; Dixie origins and family ties were invented for singing groups who were neither southern nor sisters. Hollywood quickly found ways to satirize the ubiquity of the show-business belle – as in Every Night at Eight (1935), The Awful Truth (1937) and Kiss The Boys Goodbye (1941)- often using camp to blur the boundaries between the “real” belle and the double masquerade of her imitators. In this talk Laurie Stras discusses how these performances were drawn into political anxieties about the rise of fascism, tensions between north and south within the US, and representations of black and white identities.

Laurie Stras studied harpsichord, piano and singing at the Royal College of Music, and gained her doctorate from the University of London in 1995. Before returning to postgraduate studies, she pursued a freelance career as both singer and keyboard player, including four years in the Royal National Theatre Company as Musical Director for both touring and repertory productions.

Laurie acts as consultant to a number of performing groups in both early music and heritage jazz, and is co-director of the early music ensemble Musica Secreta, with whom she has supervised three award-winning recordings. Throughout 2010 and 2011, she also worked closely with Sarah Dunant on her historical novel set in a 1570s convent, Sacred Hearts, for which Musica Secreta recorded a soundtrack CD. She is currently writing a book, Musica Secreta: Women, Polyphony and Performance, which investigates a wider musical, historical and cultural context for the famous concerto di dame at the court of Ferrara.

Open to all, not just for graduates!
Image: Bing Crosby with The Boswell Sisters

Dates & times

Date Time Add to calendar
11 Mar 2014 5:00pm - 6:00pm
  • apple
  • google
  • outlook

Accessibility

If you are attending an event and need the College to help with any mobility requirements you may have, please contact the event organiser in advance to ensure we can accommodate your needs.

Event controls

  • About us
  • Accessibility statement
  • Contact us
  • Cookie use
  • Find us
  • Copyright and disclaimer
  • Jobs
  • Modern slavery statement
Admin login
  • Twitter
  • Linkedin
  • TikTok
  • Instagram
  • YouTube
© Goldsmiths, University of London Back to top