Event overview
Improvisation as Research
Roger Redgate is a composer and improviser whose work crosses the boundaries between complex notational strategies and improvisation, each seen as a potential for material. What are the limits of notation to meaningfully convey a musical idea? What is the role of notation in the creative discourse? Are there aspects of musical material which cannot be notated, potentially better harnessed through improvisation? What impact does this have on form, material and interpretative reaction? Roger Redgate will address such issues in relation to his own work.
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Roger Redgate graduated at the Royal College of Music, where he won prizes for composition, violin performance, harmony and counterpoint, studying composition with Edwin Roxburgh and electronic music with Lawrence Casserley. A DAAD scholarship enabled him to study with Brian Ferneyhough and Klaus Huber in Freiburg. From 1989 to 1992 he was Northern Arts Composer Fellow, he has lectured at Durham and Newcastle Universities. He was invited as guest composer and conductor at the Darmstädter Ferienkurse für Neue Musik in 1984, 1986, 1988, 1990, 1992 and 1994 where he received the Kranichsteiner Musikpreis for composition. He is conductor and artistic director of Ensemble Exposé, with whom he has performed at many European festivals and on BBC Radio 3 and recently released a CD of music by Brian Ferneyhough.
He has worked in the fields of jazz, improvised music, film and television (including programmes for the BBC and Channel 4), and performance art. His compositions have been performed extensively throughout Europe, Australia and the USA and he has received commissions from the BBC, the French Ministry of Culture, the Darmstädter Ferienkurse für Neue Musik, the Venice Biennale and Ensemble 21 New York. He has published articles on music and culture, the music of Brian Ferneyhough and Michael Finnissy, including a chapter in the book Uncommon Ground: The Music of Michael Finnissy.
CD recordings of his works are available on the Coviello, Oboe Classics, NMC, Metier and Edition Zeitklang labels and further recordings are in preparation due for release on the Metier and NMC labels. His compositions are published by Editions Henry Lemoine, Paris, United Music Publishers, London and the Associated Board of the Royal Schools of Music.
All welcome, not just for graduates!
Dates & times
| Date | Time | Add to calendar |
|---|---|---|
| 11 Feb 2014 | 5:00pm - 6:00pm |
Accessibility
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