skip to main content
Goldsmiths - University of London
  • Students, Staff and Alumni
  • Search Students, Staff and Alumni
  • Study
  • Course finder
  • International
  • More
  • Search
  • Study
  • Courses
  • International
  • More
 
Main menu

Primary

  • About Goldsmiths
  • Study with us
  • Research
  • Business and partnerships
  • For the local community
  • Faculties and Schools
  • News and features
  • Events
  • Give to Goldsmiths
Staff & students

Staff + students

  • Students
  • Alumni
  • Library
  • Timetable
  • Learn.gold - VLE
  • Email - Outlook
  • IT support
  • Staff directory
  • Staff intranet - Goldmine
  • Graduate School - PGR students
  • Teaching and Learning Innovation Centre
  • Events admin
In this section

Breadcrumb navigation

  • Events
    • Degree Shows
    • Black History Month
  • Calendar
Conference

Popular Music Research Forum: Copy / CTRL


8 May 2015, 10:30am - 5:30pm

137a, Richard Hoggart Building

Event overview

Cost free
Department Music
Website Popular Music Research Unit
Contact i.burman(@gold.ac.uk)
020 7919 7645

This symposium addresses the tensions between copying and copyright control, and asks what we mean by originality, creativity and invention.

Musicians have always copied from other musicians. Beethoven copied (and modified) passages from Mozart; John Lennon copied (and modified) passages from Chuck Berry. Beethoven didn’t get hit with lawsuits, but Lennon did: even if he participated in a long history of musical creativity based on sharing and borrowing, the Beatle was caught at a place and time in which intellectual property had become legally enshrined and protected.

Systems of copyright are recent, and notions of originality are in flux. Still copying has often come to be seen in negative terms: as a mark of laziness or failure, as inauthentic or exploitative. Yet there are many kinds of copying, and musicians have used pastiche, allusion and sampling techniques not just to get going or to get on, but also to make inventive and innovative music.

Meanwhile, widely accepted ideas of ownership and belonging have been thrown into confusion by the internet: in music’s production and consumption, practices of making and sharing have been transformed as new ideas around the creative commons emerge.

More than ever, popular music creativity is at odds with the imperatives of intellectual property. Working within a tradition can seem to conflict with ideas of originality; appealing to the commons can mean opposing the individuality enshrined in copyright law.

This symposium addresses the tensions between copying and copyright control, and asks what we mean by originality, creativity and invention.

Confirmed participants include
John Street
Adam Behr
Ananay Aguilar
Tom Farncombe
Vicki Bennett, People Like Us
Guy Baron
Ian Gardiner
Issie Barratt

For further details about the Popular Music Research Unit and links to the participants go to the PMRU page.

Image: John Lennon and Chuck Berry

Popular Music Research Unit

Dates & times

Date Time Add to calendar
8 May 2015 10:30am - 5:30pm
  • apple
  • google
  • outlook

Accessibility

If you are attending an event and need the College to help with any mobility requirements you may have, please contact the event organiser in advance to ensure we can accommodate your needs.

Event controls

  • About us
  • Accessibility statement
  • Contact us
  • Cookie use
  • Find us
  • Copyright and disclaimer
  • Jobs
  • Modern slavery statement
Admin login
  • Twitter
  • Linkedin
  • TikTok
  • Instagram
  • YouTube
© Goldsmiths, University of London Back to top