Event overview
020 7919 7645
Procedural Blending: a model of process in sound art practice
According to Max Neuhaus, sound art is made up of only two ingredients: sound and fine art. In fact, it is much broader than that and includes a complex set of practices across multiple modes, media or tools. Even music continues to feature. Expanded from a cognitive science model, Procedural Blending was developed to explore the process of creating within such complexity. It has some similarities with provenance models such as PROV3 or CIDOC CRM, but also caters for recording decision points and motivations. This talk will introduce the key features of Procedural Blending and suggest some ways in which it can be applied to making and discussing work, facilitating collaborations and capturing process.
Iris Garrelfs is a sound artist, lecturer and postdoctoral researcher based at the University of the Arts London. Her practice takes place at the cusp of music, art, technology and sociology, spanning fixed media, installation and performance.
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The Music Research Series is designed to help postgraduate students advance their research and careers. The events stimulate exchange, hones skills, facilitates the creation of professional networks and helps to consolidate the department’s postgraduate community, all over a glass of wine! Attendance is strongly recommended for all postgraduate students (MA, MMus and PGR) in Music but of course undergraduates, music researchers, and visitors from across the college and the community are also most welcome to these public lectures.
Image: © Joseph Kohlmaier
Dates & times
| Date | Time | Add to calendar |
|---|---|---|
| 3 May 2016 | 5:00pm - 6:30pm |
Accessibility
If you are attending an event and need the College to help with any mobility requirements you may have, please contact the event organiser in advance to ensure we can accommodate your needs.
