- Introduction: The Critical Imperative Powers, Devon and Perchard, Tom. 2017. Introduction: The Critical Imperative. Popular Music, 36(1), pp. 1-5. ISSN 0261-1430
- New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century Perchard, Tom. 2015. New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century. Journal of the Society for American Music, 9(3), pp. 321-348. ISSN 1752-1963
- Doing Musical Fieldwork with James G. Spady Perchard, Tom. 2013. Doing Musical Fieldwork with James G. Spady. The Western Journal of Black Studies, 37(2), pp. 104-112. ISSN 0197-4327
- Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981 (Book Review) Perchard, Tom. 2013. Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981 (Book Review). The French journal of popular music studies, 9(2), pp. 150-152.
- Hugues Panassié contra Walter Benjamin: Bodies, masses and the iconic jazz recording in mid-century France Perchard, Tom. 2012. Hugues Panassié contra Walter Benjamin: Bodies, masses and the iconic jazz recording in mid-century France. Popular Music and Society, 35(3), pp. 375-398. ISSN 0300-7766
- Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum Perchard, Tom. 2011. Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum. Jazz Perspectives, 5(1), pp. 61-94. ISSN 1749-4060
- Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz Perchard, Tom. 2011. Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz. Popular Music, 30(1), pp. 25-45. ISSN 0261-1430
- Hip hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s Perchard, Tom. 2011. Hip hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. American Music, 29(3), pp. 277-307. ISSN 0734-4392
- Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ (Book Review) Perchard, Tom. 2009. Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ (Book Review). Jazz Research Journal, 3(2), pp. 212-219. ISSN 1753-8637
- Writing Jazz Biography: Race, Research and Narrative Representation Perchard, Tom. 2007. Writing Jazz Biography: Race, Research and Narrative Representation. Popular Music History, 2(2), pp. 119-145. ISSN ISSN: 1740-7133
- Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ (Book Review) Perchard, Tom. 2005. Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ (Book Review). Popular Music, 24(3), pp. 459-462.
Professor Tom Perchard
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' data-defaultOrder='{"0":"Art Object","1":"Article","2":"Artist's Book","3":"Audio","4":"Book","5":"Book Section","6":"Broadcast","7":"Composition","8":"Conference or Workshop Item","9":"Dataset","10":"Design","11":"Digital","12":"Edited Book","13":"Edited Journal","14":"Exhibition Catalogue","15":"Experiment","16":"Film\/Video","17":"Image","18":"Patent","19":"Performance","20":"Printed Ephemera","21":"Professional Activity","22":"Project","23":"Report","24":"Show\/Exhibition","25":"Software","26":"Thesis","27":"Other"}' data-emailHref='https://www.gold.ac.uk/contact/form/?to=t.perchard&name=Professor+Tom+Perchard' data-publication='<h4>Book</h4><ul><li><a href="https://research.gold.ac.uk/id/eprint/25367/" aria-label="Twentieth-Century Music in the West on research.gold.ac.uk"><strong>Twentieth-Century Music in the West</strong></a> Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly. 2022. Twentieth-Century Music in the West. Cambridge: Cambridge University Press. ISBN 9781108481984 </li><li><a href="https://research.gold.ac.uk/id/eprint/11486/" aria-label="After Django: Making Jazz in Postwar France on research.gold.ac.uk"><strong>After Django: Making Jazz in Postwar France</strong></a> Perchard, Tom. 2015. After Django: Making Jazz in Postwar France. Ann Arbor: University of Michigan Press. ISBN 9780472072422 </li><li><a href="https://research.gold.ac.uk/id/eprint/15844/" aria-label="From Soul to Hip Hop (The Library of Essays on Popular Music) on research.gold.ac.uk"><strong>From Soul to Hip Hop (The Library of Essays on Popular Music)</strong></a> Perchard, Tom, ed. 2014. From Soul to Hip Hop (The Library of Essays on Popular Music). Ashgate. ISBN 978-1-4094-2719-3 </li></ul><div class="expand-container"> <div class="button-wrapper chevron-left"> <button id="show-more-book" class="show-more" data-disclosure-custom="" data-custom-content-show="Show more information" data-custom-content-hide="Hide information" aria-controls="show-more-book-content" aria-expanded="false">Show more information</button> </div> <div id="show-more-book-content" class="show-more-reveal" style="margin-top:0" hidden=""> <ul><li><a href="https://research.gold.ac.uk/id/eprint/7818/" aria-label="Lee Morgan: La vita, la musica e il suo tempo on research.gold.ac.uk"><strong>Lee Morgan: La vita, la musica e il suo tempo</strong></a> Perchard, Tom. 2009. Lee Morgan: La vita, la musica e il suo tempo. Bologna: Odoya. ISBN 978-88-6288-014-5 </li><li><a href="https://research.gold.ac.uk/id/eprint/7817/" aria-label="Lee Morgan: His Life, Music and Culture on research.gold.ac.uk"><strong>Lee Morgan: His Life, Music and Culture</strong></a> Perchard, Tom. 2006. Lee Morgan: His Life, Music and Culture. London: Equinox. ISBN 1845532058 </li></ul> </div> </div><h4>Edited Journal</h4><ul><li><a href="https://research.gold.ac.uk/id/eprint/19842/" aria-label="Special Issue: The Critical Imperative on research.gold.ac.uk"><strong>Special Issue: The Critical Imperative</strong></a> Perchard, Tom and Powers, Devon, eds. 2017. Special Issue: The Critical Imperative, Popular Music, 36(1). 0261-1430 </li></ul><h4>Book Section</h4><ul><li><a href="https://research.gold.ac.uk/id/eprint/29069/" aria-label="The Vocalized Tone on research.gold.ac.uk"><strong>The Vocalized Tone</strong></a> Perchard, Tom. 2019. The Vocalized Tone. In: Nicholas Gebhardt; Nichole Rustin-Paschal and Tony Whyton, eds. The Routledge Companion to Jazz Studies. Routledge, pp. 197-207. ISBN 9781138231160 </li><li><a href="https://research.gold.ac.uk/id/eprint/11490/" aria-label="'Introduction' on research.gold.ac.uk"><strong>'Introduction'</strong></a> Perchard, Tom. 2014. 'Introduction'. In: Tom Perchard, ed. From Soul to Hip Hop. Farnham: Ashgate, xi-xxix. ISBN 978-0-7546-2950-4 </li></ul><h4>Article</h4><ul><li><a href="https://research.gold.ac.uk/id/eprint/19895/" aria-label="Technology, Listening and Historical Method: Placing Audio in the Post-War British Home on research.gold.ac.uk"><strong>Technology, Listening and Historical Method: Placing Audio in the Post-War British Home</strong></a> Perchard, Tom. 2017. Technology, Listening and Historical Method: Placing Audio in the Post-War British Home. Journal of the Royal Musical Association, 142(2), pp. 367-399. ISSN 0269-0403 </li><li><a href="https://research.gold.ac.uk/id/eprint/19918/" aria-label="Growing Old Together: Pop Studies and Music Sociology Today on research.gold.ac.uk"><strong>Growing Old Together: Pop Studies and Music Sociology Today</strong></a> Perchard, Tom. 2017. Growing Old Together: Pop Studies and Music Sociology Today. Twentieth-Century Music, 14(2), pp. 335-343. ISSN 1478-5722 </li><li><a href="https://research.gold.ac.uk/id/eprint/19294/" aria-label="Mid-Century Modern Jazz: Music and Design in the Postwar Home on research.gold.ac.uk"><strong>Mid-Century Modern Jazz: Music and Design in the Postwar Home</strong></a> Perchard, Tom. 2017. Mid-Century Modern Jazz: Music and Design in the Postwar Home. Popular Music, 36(1), pp. 55-74. ISSN 0261-1430 </li></ul><div class="expand-container"> <div class="button-wrapper chevron-left"> <button id="show-more-article" class="show-more" data-disclosure-custom="" data-custom-content-show="Show more information" data-custom-content-hide="Hide information" aria-controls="show-more-article-content" aria-expanded="false">Show more information</button> </div> <div id="show-more-article-content" class="show-more-reveal" style="margin-top:0" hidden=""> <ul><li><a href="https://research.gold.ac.uk/id/eprint/19841/" aria-label="Introduction: The Critical Imperative on research.gold.ac.uk"><strong>Introduction: The Critical Imperative</strong></a> Powers, Devon and Perchard, Tom. 2017. Introduction: The Critical Imperative. Popular Music, 36(1), pp. 1-5. ISSN 0261-1430 </li><li><a href="https://research.gold.ac.uk/id/eprint/15057/" aria-label="New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century on research.gold.ac.uk"><strong>New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century</strong></a> Perchard, Tom. 2015. New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century. Journal of the Society for American Music, 9(3), pp. 321-348. ISSN 1752-1963 </li><li><a href="https://research.gold.ac.uk/id/eprint/15058/" aria-label="Doing Musical Fieldwork with James G. Spady on research.gold.ac.uk"><strong>Doing Musical Fieldwork with James G. Spady</strong></a> Perchard, Tom. 2013. Doing Musical Fieldwork with James G. Spady. The Western Journal of Black Studies, 37(2), pp. 104-112. ISSN 0197-4327 </li><li><a href="https://research.gold.ac.uk/id/eprint/15846/" aria-label="Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981 (Book Review) on research.gold.ac.uk"><strong>Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981 (Book Review)</strong></a> Perchard, Tom. 2013. Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981 (Book Review). The French journal of popular music studies, 9(2), pp. 150-152. </li><li><a href="https://research.gold.ac.uk/id/eprint/4703/" aria-label="Hugues Panassié contra Walter Benjamin: Bodies, masses and the iconic jazz recording in mid-century France on research.gold.ac.uk"><strong>Hugues Panassié contra Walter Benjamin: Bodies, masses and the iconic jazz recording in mid-century France</strong></a> Perchard, Tom. 2012. Hugues Panassié contra Walter Benjamin: Bodies, masses and the iconic jazz recording in mid-century France. Popular Music and Society, 35(3), pp. 375-398. ISSN 0300-7766 </li><li><a href="https://research.gold.ac.uk/id/eprint/5795/" aria-label="Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum on research.gold.ac.uk"><strong>Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum</strong></a> Perchard, Tom. 2011. Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum. Jazz Perspectives, 5(1), pp. 61-94. ISSN 1749-4060 </li><li><a href="https://research.gold.ac.uk/id/eprint/5532/" aria-label="Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz on research.gold.ac.uk"><strong>Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz</strong></a> Perchard, Tom. 2011. Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz. Popular Music, 30(1), pp. 25-45. ISSN 0261-1430 </li><li><a href="https://research.gold.ac.uk/id/eprint/5533/" aria-label="Hip hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s on research.gold.ac.uk"><strong>Hip hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s</strong></a> Perchard, Tom. 2011. Hip hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. American Music, 29(3), pp. 277-307. ISSN 0734-4392 </li><li><a href="https://research.gold.ac.uk/id/eprint/7820/" aria-label="Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ (Book Review) on research.gold.ac.uk"><strong>Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ (Book Review)</strong></a> Perchard, Tom. 2009. Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ (Book Review). Jazz Research Journal, 3(2), pp. 212-219. ISSN 1753-8637 </li><li><a href="https://research.gold.ac.uk/id/eprint/7819/" aria-label="Writing Jazz Biography: Race, Research and Narrative Representation on research.gold.ac.uk"><strong>Writing Jazz Biography: Race, Research and Narrative Representation</strong></a> Perchard, Tom. 2007. Writing Jazz Biography: Race, Research and Narrative Representation. Popular Music History, 2(2), pp. 119-145. ISSN ISSN: 1740-7133 </li><li><a href="https://research.gold.ac.uk/id/eprint/7821/" aria-label="Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ (Book Review) on research.gold.ac.uk"><strong>Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ (Book Review)</strong></a> Perchard, Tom. 2005. Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ (Book Review). Popular Music, 24(3), pp. 459-462. </li></ul> </div> </div><h4>Conference or Workshop Item</h4><ul><li><a href="https://research.gold.ac.uk/id/eprint/24432/" aria-label="Hearing, Seeing, Talking, Touching: Pop Music Experiences in the Postwar British Home on research.gold.ac.uk"><strong>Hearing, Seeing, Talking, Touching: Pop Music Experiences in the Postwar British Home</strong></a> Perchard, Tom. 2018. 'Hearing, Seeing, Talking, Touching: Pop Music Experiences in the Postwar British Home'. In: 8th William A. Kern Conference in Visual Communication. Rochester Institute of Technology, United States. </li><li><a href="https://research.gold.ac.uk/id/eprint/24431/" aria-label="Towards a History of Pop Music in the 20th-Century Home on research.gold.ac.uk"><strong>Towards a History of Pop Music in the 20th-Century Home</strong></a> Perchard, Tom. 2018. 'Towards a History of Pop Music in the 20th-Century Home'. In: Research Symposium. Kunstuniversität Graz, Austria. </li><li><a href="https://research.gold.ac.uk/id/eprint/24430/" aria-label="Reimagining Popular Music History on research.gold.ac.uk"><strong>Reimagining Popular Music History</strong></a> Perchard, Tom. 2017. 'Reimagining Popular Music History'. In: Research Colloquium. University of Oxford, United Kingdom. </li></ul><div class="expand-container"> <div class="button-wrapper chevron-left"> <button id="show-more-conference-or-workshop-item" class="show-more" data-disclosure-custom="" data-custom-content-show="Show more information" data-custom-content-hide="Hide information" aria-controls="show-more-conference-or-workshop-item-content" aria-expanded="false">Show more information</button> </div> <div id="show-more-conference-or-workshop-item-content" class="show-more-reveal" style="margin-top:0" hidden=""> <ul><li><a href="https://research.gold.ac.uk/id/eprint/24429/" aria-label="Historiography and Popular Music on research.gold.ac.uk"><strong>Historiography and Popular Music</strong></a> Perchard, Tom. 2017. 'Historiography and Popular Music'. In: 53rd Royal Music Association annual conference. University of Liverpool, United Kingdom. </li><li><a href="https://research.gold.ac.uk/id/eprint/24428/" aria-label="Experiments in Critical Music Writing on research.gold.ac.uk"><strong>Experiments in Critical Music Writing</strong></a> Perchard, Tom. 2017. 'Experiments in Critical Music Writing'. In: Experimental Approaches to Writing Research symposium. Birmingham City University, United Kingdom. </li><li><a href="https://research.gold.ac.uk/id/eprint/24433/" aria-label="What Next for the History of Popular Music? on research.gold.ac.uk"><strong>What Next for the History of Popular Music?</strong></a> Perchard, Tom. 2017. 'What Next for the History of Popular Music?'. In: 19th Biennial Conference of the International Association for the Study of Popular Music. Kassel, Germany. </li><li><a href="https://research.gold.ac.uk/id/eprint/24427/" aria-label="Towards a History of Pop Music in the British Home on research.gold.ac.uk"><strong>Towards a History of Pop Music in the British Home</strong></a> Perchard, Tom. 2016. 'Towards a History of Pop Music in the British Home'. In: Research symposium. University of York, United Kingdom. </li><li><a href="https://research.gold.ac.uk/id/eprint/24434/" aria-label="Utopia in the Living Room on research.gold.ac.uk"><strong>Utopia in the Living Room</strong></a> Perchard, Tom. 2016. 'Utopia in the Living Room'. In: Jazz Utopia. Birmingham City University, United Kingdom. </li><li><a href="https://research.gold.ac.uk/id/eprint/24426/" aria-label="The Look of Listening: Audio Technology and the British Home, 1955-70 on research.gold.ac.uk"><strong>The Look of Listening: Audio Technology and the British Home, 1955-70</strong></a> Perchard, Tom. 2016. 'The Look of Listening: Audio Technology and the British Home, 1955-70'. In: Research Symposium. Canterbury Christ Church University, United Kingdom. </li><li><a href="https://research.gold.ac.uk/id/eprint/24424/" aria-label="Roundtable contributor on research.gold.ac.uk"><strong>Roundtable contributor</strong></a> Perchard, Thomas. 2015. 'Roundtable contributor'. In: ‘New Directions in Jazz Studies’ symposium.. Senate House, University of London, United Kingdom. </li><li><a href="https://research.gold.ac.uk/id/eprint/11487/" aria-label="Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014. on research.gold.ac.uk"><strong>Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014.</strong></a> Perchard, Tom. 2014. 'Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014.'. In: Voice, Memory, Song symposium, University of Oxford. University of Oxford, United Kingdom. </li><li><a href="https://research.gold.ac.uk/id/eprint/11488/" aria-label="‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’. on research.gold.ac.uk"><strong>‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’.</strong></a> Perchard, Tom. 2014. '‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’.'. In: Invited seminar, Royal Holloway, University of London. Royal Holloway, University of London, United Kingdom. </li><li><a href="https://research.gold.ac.uk/id/eprint/11489/" aria-label="‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’ on research.gold.ac.uk"><strong>‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’</strong></a> Perchard, Tom. 2014. '‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’'. In: Musical Materialities in the Digital Age. University of Sussex, United Kingdom. </li><li><a href="https://research.gold.ac.uk/id/eprint/7783/" aria-label="Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’ on research.gold.ac.uk"><strong>Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’</strong></a> Perchard, Tom. 2012. 'Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’'. In: Invited research seminar. King’s College London. </li><li><a href="https://research.gold.ac.uk/id/eprint/7784/" aria-label="“We must expand the domain of jazz so we never have to leave it”: André Hodeir and the search for a European jazz art on research.gold.ac.uk"><strong>“We must expand the domain of jazz so we never have to leave it”: André Hodeir and the search for a European jazz art</strong></a> Perchard, Tom. 2012. '“We must expand the domain of jazz so we never have to leave it”: André Hodeir and the search for a European jazz art'. In: Invited research seminar. University of Edinburgh. </li><li><a href="https://research.gold.ac.uk/id/eprint/7785/" aria-label="Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology on research.gold.ac.uk"><strong>Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology</strong></a> Perchard, Tom. 2012. 'Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology'. In: Perspectives on Musical Improvisation. University of Oxford. </li><li><a href="https://research.gold.ac.uk/id/eprint/7786/" aria-label="Jazz Trumpet and the Semiotics of Vulnerability on research.gold.ac.uk"><strong>Jazz Trumpet and the Semiotics of Vulnerability</strong></a> Perchard, Tom. 2012. 'Jazz Trumpet and the Semiotics of Vulnerability'. In: 19th International Congress of the International Musicological Society. Rome, Italy. </li><li><a href="https://research.gold.ac.uk/id/eprint/7787/" aria-label="Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s on research.gold.ac.uk"><strong>Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s</strong></a> Perchard, Tom. 2012. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Unofficial Histories. Bishopsgate Institute, London. </li><li><a href="https://research.gold.ac.uk/id/eprint/7788/" aria-label="Monk Meets the French Critics on research.gold.ac.uk"><strong>Monk Meets the French Critics</strong></a> Perchard, Tom. 2012. 'Monk Meets the French Critics'. In: Piacenza Jazz Fest study day. Piacenza, Italy. </li><li><a href="https://research.gold.ac.uk/id/eprint/7789/" aria-label="Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud on research.gold.ac.uk"><strong>Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud</strong></a> Perchard, Tom. 2011. 'Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud'. In: Invited research seminar. University of York. </li><li><a href="https://research.gold.ac.uk/id/eprint/7793/" aria-label="Re-reading Primitivism in Hugues Panassié’s Writing on Jazz on research.gold.ac.uk"><strong>Re-reading Primitivism in Hugues Panassié’s Writing on Jazz</strong></a> Perchard, Tom. 2011. 'Re-reading Primitivism in Hugues Panassié’s Writing on Jazz'. In: Jazz and Race, Past and Present. Open University. </li><li><a href="https://research.gold.ac.uk/id/eprint/7790/" aria-label="Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum on research.gold.ac.uk"><strong>Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum</strong></a> Perchard, Tom. 2011. 'Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum'. In: Salford Jazz Research Seminar. University of Salford. </li><li><a href="https://research.gold.ac.uk/id/eprint/7791/" aria-label="Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s on research.gold.ac.uk"><strong>Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s</strong></a> Perchard, Tom. 2011. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Invited research seminar, ‘Directions in Musical Research’ series.. Institute of Musical Research, School of Advanced Study. </li><li><a href="https://research.gold.ac.uk/id/eprint/7792/" aria-label="Four Histories of 20th-Century Music. on research.gold.ac.uk"><strong>Four Histories of 20th-Century Music.</strong></a> Perchard, Tom. 2011. 'Four Histories of 20th-Century Music.'. In: Cabaret Voltaire art foundation course. GBS University, St. Gallen, Switzerland. </li><li><a href="https://research.gold.ac.uk/id/eprint/7794/" aria-label="Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism on research.gold.ac.uk"><strong>Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism</strong></a> Perchard, Tom. 2009. 'Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism'. In: Invited research seminar. University of Sheffield. </li><li><a href="https://research.gold.ac.uk/id/eprint/7795/" aria-label="Thelonious Monk Meets the French Critics: Improvisation and its Simulacra on research.gold.ac.uk"><strong>Thelonious Monk Meets the French Critics: Improvisation and its Simulacra</strong></a> Perchard, Tom. 2009. 'Thelonious Monk Meets the French Critics: Improvisation and its Simulacra'. In: Mediating Jazz. University of Salford. </li></ul> </div> </div><h4>Broadcast</h4><ul><li><a href="https://research.gold.ac.uk/id/eprint/24437/" aria-label="Historical consultant, Rock ‘n’ Roll Guns for Hire: The Story of the Sideman. BBC Films on research.gold.ac.uk"><strong>Historical consultant, Rock ‘n’ Roll Guns for Hire: The Story of the Sideman. BBC Films</strong></a> Perchard, Tom. 2017. Historical consultant, Rock ‘n’ Roll Guns for Hire: The Story of the Sideman. BBC Films. </li><li><a href="https://research.gold.ac.uk/id/eprint/24436/" aria-label="Programme guest, Jazz Now. BBC Radio 3 on research.gold.ac.uk"><strong>Programme guest, Jazz Now. BBC Radio 3</strong></a> Perchard, Tom. 2016. Programme guest, Jazz Now. BBC Radio 3. </li><li><a href="https://research.gold.ac.uk/id/eprint/24435/" aria-label="Historical consultant, Things Called Jazz that are Not Jazz. BBC Radio 4. on research.gold.ac.uk"><strong>Historical consultant, Things Called Jazz that are Not Jazz. BBC Radio 4.</strong></a> Perchard, Tom. 2016. Historical consultant, Things Called Jazz that are Not Jazz. BBC Radio 4.. </li></ul><div class="expand-container"> <div class="button-wrapper chevron-left"> <button id="show-more-broadcast" class="show-more" data-disclosure-custom="" data-custom-content-show="Show more information" data-custom-content-hide="Hide information" aria-controls="show-more-broadcast-content" aria-expanded="false">Show more information</button> </div> <div id="show-more-broadcast-content" class="show-more-reveal" style="margin-top:0" hidden=""> <ul><li><a href="https://research.gold.ac.uk/id/eprint/7778/" aria-label="Programme guest, BBC Radio 3, 'Jazz Library: Barney Wilen' on research.gold.ac.uk"><strong>Programme guest, BBC Radio 3, 'Jazz Library: Barney Wilen'</strong></a> Perchard, Tom. 2011. Programme guest, BBC Radio 3, 'Jazz Library: Barney Wilen'. </li><li><a href="https://research.gold.ac.uk/id/eprint/7779/" aria-label="Programme guest, BBC Radio 3, 'Jazz Library: Clifford Brown' on research.gold.ac.uk"><strong>Programme guest, BBC Radio 3, 'Jazz Library: Clifford Brown'</strong></a> Perchard, Tom. 2010. Programme guest, BBC Radio 3, 'Jazz Library: Clifford Brown'. </li><li><a href="https://research.gold.ac.uk/id/eprint/7780/" aria-label="Programme guest, BBC Radio 3, 'Jazz Library: Booker Little' on research.gold.ac.uk"><strong>Programme guest, BBC Radio 3, 'Jazz Library: Booker Little'</strong></a> Perchard, Tom. 2009. Programme guest, BBC Radio 3, 'Jazz Library: Booker Little'. </li><li><a href="https://research.gold.ac.uk/id/eprint/7781/" aria-label="Programme guest, BBC Radio 3, 'Jazz Library: Lee Morgan' on research.gold.ac.uk"><strong>Programme guest, BBC Radio 3, 'Jazz Library: Lee Morgan'</strong></a> Perchard, Tom. 2008. Programme guest, BBC Radio 3, 'Jazz Library: Lee Morgan'. </li><li><a href="https://research.gold.ac.uk/id/eprint/7782/" aria-label="Writer and presenter, Resonance FM series, 'Memoir City' on research.gold.ac.uk"><strong>Writer and presenter, Resonance FM series, 'Memoir City'</strong></a> Perchard, Tom. 2006. Writer and presenter, Resonance FM series, 'Memoir City'. </li></ul> </div> </div><h4>Professional Activity</h4><ul><li><a href="https://research.gold.ac.uk/id/eprint/7774/" aria-label="Advisory Council member, Institute of Musical Research on research.gold.ac.uk"><strong>Advisory Council member, Institute of Musical Research</strong></a> Perchard, Tom. Advisory Council member, Institute of Musical Research. </li><li><a href="https://research.gold.ac.uk/id/eprint/7775/" aria-label="Editorial Board member, 'Jazz Research Journal' on research.gold.ac.uk"><strong>Editorial Board member, 'Jazz Research Journal'</strong></a> Perchard, Tom. Editorial Board member, 'Jazz Research Journal'. </li><li><a href="https://research.gold.ac.uk/id/eprint/7776/" aria-label="Regular referee, 'Popular Music' on research.gold.ac.uk"><strong>Regular referee, 'Popular Music'</strong></a> Perchard, Tom. Regular referee, 'Popular Music'. </li></ul><div class="expand-container"> <div class="button-wrapper chevron-left"> <button id="show-more-professional-activity" class="show-more" data-disclosure-custom="" data-custom-content-show="Show more information" data-custom-content-hide="Hide information" aria-controls="show-more-professional-activity-content" aria-expanded="false">Show more information</button> </div> <div id="show-more-professional-activity-content" class="show-more-reveal" style="margin-top:0" hidden=""> <ul><li><a href="https://research.gold.ac.uk/id/eprint/7777/" aria-label="Contributor, 'The Wire', 2001-2007 on research.gold.ac.uk"><strong>Contributor, 'The Wire', 2001-2007</strong></a> Perchard, Tom. Contributor, 'The Wire', 2001-2007. </li></ul> </div> </div><h4>Project</h4><ul><li><a href="https://research.gold.ac.uk/id/eprint/32122/" aria-label="Leverhulme Trust Major Research Fellowship (£145,059): Popular Music in the British Home, 1945-90: Technology, Experience and Daily Life on research.gold.ac.uk"><strong>Leverhulme Trust Major Research Fellowship (£145,059): Popular Music in the British Home, 1945-90: Technology, Experience and Daily Life</strong></a> Perchard, Tom. 2020-2023 Leverhulme Trust Major Research Fellowship (£145,059): Popular Music in the British Home, 1945-90: Technology, Experience and Daily Life. </li><li><a href="https://research.gold.ac.uk/id/eprint/7815/" aria-label="AHRC Early Career Fellowship (£64,800). Jazz in France, 1934-75: Contesting the Politics of Nation, Art and World through Music on research.gold.ac.uk"><strong>AHRC Early Career Fellowship (£64,800). Jazz in France, 1934-75: Contesting the Politics of Nation, Art and World through Music</strong></a> Perchard, Tom. January-October AHRC Early Career Fellowship (£64,800). Jazz in France, 1934-75: Contesting the Politics of Nation, Art and World through Music. </li><li><a href="https://research.gold.ac.uk/id/eprint/7816/" aria-label="AHRB/C PhD award (2002-5) on research.gold.ac.uk"><strong>AHRB/C PhD award (2002-5)</strong></a> Perchard, Tom. 2005. AHRB/C PhD award (2002-5). </li></ul>'>Book
- Twentieth-Century Music in the West Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly. 2022. Twentieth-Century Music in the West. Cambridge: Cambridge University Press. ISBN 9781108481984
- After Django: Making Jazz in Postwar France Perchard, Tom. 2015. After Django: Making Jazz in Postwar France. Ann Arbor: University of Michigan Press. ISBN 9780472072422
- From Soul to Hip Hop (The Library of Essays on Popular Music) Perchard, Tom, ed. 2014. From Soul to Hip Hop (The Library of Essays on Popular Music). Ashgate. ISBN 978-1-4094-2719-3
Edited Journal
- Special Issue: The Critical Imperative Perchard, Tom and Powers, Devon, eds. 2017. Special Issue: The Critical Imperative, Popular Music, 36(1). 0261-1430
Book Section
- The Vocalized Tone Perchard, Tom. 2019. The Vocalized Tone. In: Nicholas Gebhardt; Nichole Rustin-Paschal and Tony Whyton, eds. The Routledge Companion to Jazz Studies. Routledge, pp. 197-207. ISBN 9781138231160
- 'Introduction' Perchard, Tom. 2014. 'Introduction'. In: Tom Perchard, ed. From Soul to Hip Hop. Farnham: Ashgate, xi-xxix. ISBN 978-0-7546-2950-4
Article
- Technology, Listening and Historical Method: Placing Audio in the Post-War British Home Perchard, Tom. 2017. Technology, Listening and Historical Method: Placing Audio in the Post-War British Home. Journal of the Royal Musical Association, 142(2), pp. 367-399. ISSN 0269-0403
- Growing Old Together: Pop Studies and Music Sociology Today Perchard, Tom. 2017. Growing Old Together: Pop Studies and Music Sociology Today. Twentieth-Century Music, 14(2), pp. 335-343. ISSN 1478-5722
- Mid-Century Modern Jazz: Music and Design in the Postwar Home Perchard, Tom. 2017. Mid-Century Modern Jazz: Music and Design in the Postwar Home. Popular Music, 36(1), pp. 55-74. ISSN 0261-1430
Conference or Workshop Item
- Hearing, Seeing, Talking, Touching: Pop Music Experiences in the Postwar British Home Perchard, Tom. 2018. 'Hearing, Seeing, Talking, Touching: Pop Music Experiences in the Postwar British Home'. In: 8th William A. Kern Conference in Visual Communication. Rochester Institute of Technology, United States.
- Towards a History of Pop Music in the 20th-Century Home Perchard, Tom. 2018. 'Towards a History of Pop Music in the 20th-Century Home'. In: Research Symposium. Kunstuniversität Graz, Austria.
- Reimagining Popular Music History Perchard, Tom. 2017. 'Reimagining Popular Music History'. In: Research Colloquium. University of Oxford, United Kingdom.
Broadcast
- Historical consultant, Rock ‘n’ Roll Guns for Hire: The Story of the Sideman. BBC Films Perchard, Tom. 2017. Historical consultant, Rock ‘n’ Roll Guns for Hire: The Story of the Sideman. BBC Films.
- Programme guest, Jazz Now. BBC Radio 3 Perchard, Tom. 2016. Programme guest, Jazz Now. BBC Radio 3.
- Historical consultant, Things Called Jazz that are Not Jazz. BBC Radio 4. Perchard, Tom. 2016. Historical consultant, Things Called Jazz that are Not Jazz. BBC Radio 4..
Professional Activity
- Advisory Council member, Institute of Musical Research Perchard, Tom. Advisory Council member, Institute of Musical Research.
- Editorial Board member, 'Jazz Research Journal' Perchard, Tom. Editorial Board member, 'Jazz Research Journal'.
- Regular referee, 'Popular Music' Perchard, Tom. Regular referee, 'Popular Music'.
Project
- Leverhulme Trust Major Research Fellowship (£145,059): Popular Music in the British Home, 1945-90: Technology, Experience and Daily Life Perchard, Tom. 2020-2023 Leverhulme Trust Major Research Fellowship (£145,059): Popular Music in the British Home, 1945-90: Technology, Experience and Daily Life.
- AHRC Early Career Fellowship (£64,800). Jazz in France, 1934-75: Contesting the Politics of Nation, Art and World through Music Perchard, Tom. January-October AHRC Early Career Fellowship (£64,800). Jazz in France, 1934-75: Contesting the Politics of Nation, Art and World through Music.
- AHRB/C PhD award (2002-5) Perchard, Tom. 2005. AHRB/C PhD award (2002-5).