Professor Holly Rogers

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Publications and research outputs

Book

Re/Sounding Spaces: Listening Across Audiovisual Culture Rogers, Holly. 2024. Re/Sounding Spaces: Listening Across Audiovisual Culture. Cambridge, Massachusetts: MIT Press.
Twentieth-Century Music in the West Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly. 2022. Twentieth-Century Music in the West. Cambridge: Cambridge University Press. ISBN 9781108481984
New Approaches to Sound, Music and Media Rogers, Holly; Vernallis, Carol and Perrott, Lisa. 2016. New Approaches to Sound, Music and Media. Bloomsbury.

Edited Book

Conspiracy Theory and Audiovisual Media Rogers, Holly; Pontara, Tobias and Butter, Michael, eds. 2026. Conspiracy Theory and Audiovisual Media. Routledge.
Remediating Sound: Repeatable Culture, YouTube and Music Rogers, Holly; Freitas, Joana and Porfírio, João Francisco, eds. 2023. Remediating Sound: Repeatable Culture, YouTube and Music. London: Bloomsbury Academic. ISBN 9781501387340
YouTube and Music: Online Culture and Everyday Life Rogers, Holly; Freitas, Joana and Porfírio, João, eds. 2023. YouTube and Music: Online Culture and Everyday Life. London: Bloomsbury Academic. ISBN 9781501387272

Edited Journal

Sonic Scope: New Approaches to Audiovisual Culture Rogers, Holly, ed. 2020. Sonic Scope: New Approaches to Audiovisual Culture, Sonic Scope: New Approaches to Audiovisual Culture, .

Book Section

"for what has not yet been heard": Sonic Resistance in Women’s Experimental Film Culture Rogers, Holly. 2026. "for what has not yet been heard": Sonic Resistance in Women’s Experimental Film Culture. In: UNSPECIFIED, ed. Audio-Visualism. Routledge.
“The Shock of Time”: Hauntological Echoes of La Folia in Max Richter’s Woolf Works Rogers, Holly. 2024. “The Shock of Time”: Hauntological Echoes of La Folia in Max Richter’s Woolf Works. In: Delphine Vincent and Holly Rogers, eds. Max Richter: History, Memory, Nostalgia. Turnhout, Belgium: Brepols, pp. 181-196. ISBN 978-2-503-61185-3
“I feel like I’ve heard it before”: The Audiovisual Echoes of YouTube Rogers, Holly. 2023. “I feel like I’ve heard it before”: The Audiovisual Echoes of YouTube. In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds. Remediating Sound: Repeatable Culture, YouTube and Music. London: Bloomsbury, pp. 1-34. ISBN 9781501387326

Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation Rogers, Holly. 2023. Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation. In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds. Remediating Sound: Repeatable Culture, YouTube and Music. London: Bloomsbury Academic, pp. 113-144. ISBN 9781501387326
“Welcome to your world”: YouTube and the Reconfiguration of Music’s Gatekeepers Rogers, Holly. 2023. “Welcome to your world”: YouTube and the Reconfiguration of Music’s Gatekeepers. In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds. YouTube and Music: Online Culture and Everyday Life. London: Bloomsbury Academic, pp. 1-38. ISBN 9781501387272
Instruments Rogers, Holly. 2022. Instruments. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 202-226. ISBN 9781108481984
Recording and Production Rogers, Holly. 2022. Recording and Production. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 229-252. ISBN 9781108481984
Music and the Moving Image Rogers, Holly. 2022. Music and the Moving Image. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 295-318. ISBN 9781108481984
Canons Rogers, Holly. 2022. Canons. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 104-128. ISBN 9781108481984
Terence Nance: Random Acts of Flyness Rogers, Holly and Vernallis, Carol. 2021. Terence Nance: Random Acts of Flyness. In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury, pp. 311-328. ISBN 9780190853617
Ben Salisbury: Scoring Science for Alex Garland. Rogers, Holly; McGrath, John; Vernallis, Carol and Chapman, Dale. 2021. Ben Salisbury: Scoring Science for Alex Garland. In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury, pp. 130-137. ISBN 9780190853617
Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film Rogers, Holly. 2021. Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film. In: Carlo Cenciarelli, ed. The Oxford Handbook of Cinematic Listening. Oxford: Oxford University Press, pp. 427-449. ISBN 9780190853617
The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch Rogers, Holly. 2019. The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch. In: Carol Vernallis; Holly Rogers and Lisa Perrott, eds. Transmedia Directors: Artistry, Industry and the New Audiovisual Aesthetics. New York: Bloomsbury, pp. 241-270. ISBN 9781501341007
Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre Rogers, Holly. 2019. Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre. In: Robert Adlington, ed. New Music Theatre in Europe: Transformations Between 1955-1975. Abingdon: Routledge, pp. 79-100. ISBN 9781138323018
‘Audio-Visual Dissonance in Found Footage Films’ Rogers, Holly. 2017. ‘Audio-Visual Dissonance in Found Footage Films’. In: Holly Rogers and Jeremy Barham, eds. The Sound and Music of Experimental Film. New York: Oxford University Press. ISBN 9780190469900
‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’ Rogers, Holly. 2015. ‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’. In: Michael Spitzer, ed. Beethoven. Farnham: Ashgate, pp. 509-521. ISBN 978-1-4724-4030-3
‘Twisted Synaesthesia: Visual Artists and the Music Video’ Rogers, Holly. 2014. ‘Twisted Synaesthesia: Visual Artists and the Music Video’. In: Germano Celant, ed. Music or Art. Milan: Fondazione Prada, pp. 281-288.
‘Music, Sound and the Nonfiction Aesthetic’ Rogers, Holly. 2014. ‘Music, Sound and the Nonfiction Aesthetic’. In: Holly Rogers, ed. Music and Sound in Documentary Film. New York: Routledge, pp. 1-19.
‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’ Rogers, Holly. 2013. ‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’. In: Claudia Gorbman; John Richardson and Carol Vernallis, eds. The Oxford Handbook of New Audiovisual Aesthetics. New York: Oxford University Press, pp. 525-542. ISBN 9780199733866
Multimedia Art: Video Art-Music Rogers, Holly. 2013. Multimedia Art: Video Art-Music. In: Tim Shepherd and Anne Leonard, eds. Routledge Companion to Music and Visual Art. New York: Routledge, pp. 367-375. ISBN 9780415629256
‘Spatial Reconfiguration in Interactive Video Art-Music’ Rogers, Holly. 2013. ‘Spatial Reconfiguration in Interactive Video Art-Music’. In: Karen Collins; Bill Kapralos and Holly Tessler, eds. The Oxford Handbook of Interactive Audio. Oxford: Oxford University Press, pp. 15-30. ISBN 9780199797226
‘Death for Five Voices: Gesualdo’s “poetic truth”’ Rogers, Holly. 2012. ‘Death for Five Voices: Gesualdo’s “poetic truth”’. In: Brad Prager, ed. A Companion to Werner Herzog. Hoboken, N.J: Wiley-Blackwell, pp. 187-207. ISBN 978-1-4051-9440-2
‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’ Rogers, Holly. 2008. ‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’. In: David Cooper, ed. Cinemusic: Constructing the Film Score. Cambridge: Cambridge Scholar's Publishing, pp. 141-164.

Article

The Mercurial Affordances of Participatory Culture: SOPHIE, Hyperpop and the Undoing of Musical Genre Rogers, Holly. 2025. The Mercurial Affordances of Participatory Culture: SOPHIE, Hyperpop and the Undoing of Musical Genre. Journal of the American Musicological Society, 80(1), ISSN 0003-0139
TikTok, YouTube and the Distributed Music Video: The Meta-Mercurial Circulation of Lady Gaga and FKA Twigs Rogers, Holly. 2025. TikTok, YouTube and the Distributed Music Video: The Meta-Mercurial Circulation of Lady Gaga and FKA Twigs. Vibes - The IASPM D-A-CH Series, 4, ISSN 2748-6389
Contemporary Audiovisualities, Intermediality and Remediation Rogers, Holly; Alvim, Luíza and Paiva Chaves, Renan. 2022. Contemporary Audiovisualities, Intermediality and Remediation. Revista Eco-Pós, 21(1), pp. 320-341. ISSN 2175-8689

Audio

Twisted Synaesthesia Rogers, Holly. 2021. Twisted Synaesthesia.
Sinestesia distorta Rogers, Holly. 2021. Sinestesia distorta.

Digital

Video Art Primer Rogers, Holly. 2013. Video Art Primer.
Early Music Videos and the Visual Music Scene Rogers, Holly. 2013. Early Music Videos and the Visual Music Scene.

Exhibition Catalogue

‘Colour, Tone and Improvisation: Peter Donebauer’s Musicalisation of Video’ Rogers, Holly. 2015. ‘Colour, Tone and Improvisation: Peter Donebauer’s Musicalisation of Video’.

Film/Video

Audiovisual Noise in Transmedial Culture Rogers, Holly. 2021. Audiovisual Noise in Transmedial Culture.

Thesis

Alternative Models of Music-Image Interaction in Film Rogers, Holly. 2005. Alternative Models of Music-Image Interaction in Film. Doctoral thesis, Magdalene College, Cambridge University
Beethoven on Film Rogers, Holly. 2000. Beethoven on Film. Masters thesis, King's College, London

Other

Sound and Vision Rogers, Holly. 2013. Sound and Vision. Wire Magazine, London.