Dr Wood Roberdeau

Staff details

My ongoing work concentrates on art practices that address ecology, environment, and social consciousness.

My background in the art world has directed me to develop a more theoretical or philosophical approach to contemporary creative practices within the wider environmental humanities. I explore modes of everyday experience through phenomenology and philosophical post-humanism to ask how a poetics of space and place or the 'lived environment' might resonate with climate change and futurity. My writing and pedagogy have been grounded by the spatial theme of dwelling or 'inhabitation' and new concepts of political ecology or 'cohabitations' following twentieth- and twenty-first century eco-criticism. I am particularly interested in questions concerning cultural production and reception in times of climate crisis and activism that explore a poetics of encounter, observation and participation (an 'eco-poetics'). I have published on visual practices, the alimentary, vital materiality, pollution, phenomenology, the rural, and the planetary as complex spatio-temporal paradigms for criticality.

Academic qualifications

  • PhD in Visual Cultures, Goldsmiths, University of London 2008
  • MA in Contemporary Art, Sotheby's Institute of Art, London 2002
  • BA in French Literature and Philosophy, Colorado College, Colorado Springs 1999

Teaching and supervision

From 2019-22 I was Head of Department in Visual Cultures. During that time, I convened the MA Contemporary Art Theory Core Course entitled Conceptual Ecologies. I currently teach across our programmes and on the following undergraduate and postgraduate modules:

Space & Time (BA year 1, 30 credits)
Inhabitations (BA year 2, 15 credits)
MA CAT Core Course (MA, 60 credits)
Visual Cultures PhD Seminars (2025-26)

Previous modules I have convened include: Introduction to Art History, Contemporary Art Worlds, London Art Worlds, Postmodernities, Contemporaneities, and Ecopoetics.

Additionally, I am an examiner/contributor for the MA Research Architecture Symposium. I have supervised MA dissertations at the Royal College of Art and I currently supervise dissertations on both MA CAT and MARA at Goldsmiths.

Being part of the Department's research clusters on 'Planetary Aesthetics and Ecologies' and 'Situated Knowledges', I have supervised and am currently supervising doctoral theses on networked retreat, shadow aesthetics, the computational museum, the politics of food, territorial film fables, theatres of farming, colonial dispossession, contemporary animism, and wildfire aesthetics/politics. I have examined doctoral theses at Goldsmiths, the University of Westminster, the University for the Creative Arts, and the University of St. Andrews.

Research interests

My research within Visual Cultures and Contemporary Art Theory turns to environmental studies, everyday aesthetics, eco-feminism, eco-phenomenology, and emerging discourses within the fields of New Materialism and Speculative Realism. Using these coordinates, I consider the activation of visual art within philosophical post-humanism, particularly in terms of subjectivity and agency, the ontology of objects and materiality, the politics of food, cultivation and agriculture, temporal scale effects, and geopower. I am the Chair of the Critical Ecologies Research Stream, a member of the Centre for Art and Ecology, the Centre for Critical Global Change, and the Kitchen Research Unit. I served as the Goldsmiths Pathway Lead for Sustainability and Climate Emergency on the South and East Network for Social Sciences Doctoral Training Programme (SENSS) from 2023-25.

Publications and research outputs

Book Section

  • Experiments in Eco-poiesis: herman de vries and an Art of Immediacy Roberdeau, Wood . 2023. Experiments in Eco-poiesis: herman de vries and an Art of Immediacy. In: Fröydi Laszlo and Anna Risell, eds. The Anthropocene Laboratory. Gothenburg: Förlaget 284. ISBN 978-9198165005
  • Fog (a Delegation for Atmosphere) Roberdeau, Wood . 2022. Fog (a Delegation for Atmosphere). In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr-barcelona. ISBN 9788494938870
  • After Baruchello: Agricultural Encounters in Contemporary Art Roberdeau, Wood . 2018. After Baruchello: Agricultural Encounters in Contemporary Art. In: Ben Stringer, ed. Rurality Re-imagined: Villagers, Farmers, Wanderers and Wild Things. Novato, California: ORO Editions/Applied Research & Design. ISBN 978-1-940743-34-9

Article

Conference or Workshop Item

Broadcast

Printed Ephemera

Conferences and talks

2025: A Lock Picker's Guide to Environmental Futures, Visual Cultures Public Programme, autumn term
Respondent to Theo Reeves Evison

2025: And Then The World Changed Colour: Breathing Yellow, Visual Cultures Public Programme, autumn term
Respondent to Mariele Neudecker

2025: 'Landscaping' with Visual Cultures: Paradise Lost
Inaugural lecture for Goldsmiths' participation in the Association for Art History Festival on 'Art and Nature'

2025: Tsunami Listening, The Stories We Tell Ourselves – Reimagining Ecologies, University of Exeter (Penryn)
Speaker

2024: Participatory Art in the Age of Ecology, The Courtauld Institute of Art, London
Workshop Presenter

2019: Feed Our Progress, organised by a/political and Visual Cultures Society, Goldsmiths, London
Chair and Speaker with Petr Davydtchenko (artist) and Naomi Leake (Extinction Rebellion)

2019: Cohabiting the Microcosm and Macrocosm, Study Sessions: Calculative Environments, Nottingham Contemporary
Speaker

2016: A Bridge to Christo, discussion and film presentation, Goldsmiths, London
Chair and Speaker

2017: Rurality Re-imagined, MA Free Seminar, Centre for Research Architecture, Goldsmiths, London
Speaker

2017: Isabel Lewis’s ‘Occasion’, BMW Tate Live Exhibition: Ten Days Six Nights, Tate Modern, London
Respondent

2015: Friday Salon: On Skeuomorphism, Institute of Contemporary Arts, London
Chair and Speaker

2011: Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme, 4th Annual RIHA Lecture, The Courtauld Institute of Art, London
Keynote Lecture