skip to main content
Goldsmiths - University of London
  • Students, Staff and Alumni
  • Search Students, Staff and Alumni
  • Study
  • Course finder
  • International
  • More
  • Search
  • Study
  • Courses
  • International
  • More
 
Main menu

Primary

  • About Goldsmiths
  • Study with us
  • Research
  • Business and partnerships
  • For the local community
  • Academic departments
  • News and features
  • Events
  • Give to Goldsmiths
Staff & students

Staff + students

  • New students: Welcome
  • Students
  • Alumni
  • Library
  • Timetable
  • Learn.gold - VLE
  • Email - Outlook
  • IT support
  • Staff directory
  • Staff intranet - Goldmine
  • Graduate School - PGR students
  • Teaching and Learning Innovation Centre
  • Events admin
In this section

Breadcrumb navigation

  • Events
    • Degree Shows
    • Black History Month
  • Calendar

GLITS. Rebecca Farmer, 'Louis MacNeice: impure poetry, "The Suicide" and the BBC'


16 Mar 2017, 6:30pm - 8:00pm

150, Richard Hoggart Building

Event overview

Cost Free. All welcome
Department English and Creative Writing
Website GLITS
Contact J.Rattray(@gold.ac.uk)

GLITS (Goldsmiths Literature Seminar)

For MacNeice ‘impure poetry’ meant poetry conditioned by the poet’s life and the world around him. When he wrote ‘The Suicide’ in 1961, the immediate world around MacNeice was the BBC Features Department. The Administrator, first broadcast in the same year, was the final play written and produced by MacNeice while working full-time at the BBC. Both the poem and the play were hailed as a return to form after the years in which MacNeice’s work had been regarded as ‘disappointing’. Edna Longley describes the poem as ‘one of MacNeice’s finest’– she also sees it as a ‘coded goodbye to the BBC’. MacNeice himself described The Administrator as a study in ‘frustration’. He also observed that ‘in radio: as one’s time is too often too limited, it pays to do so several things at once’. This paper will examine the ways in which MacNeice did ‘several things at once’ in both his poems and his plays. By examining the links between The Administrator and ‘The Suicide’ it is possible to gain a greater insight into the work of this writer whom Colette Bryce has described as ‘utterly contemporary’.

Rebecca Farmer completed a PhD in Creative Writing at Goldsmiths in December 2016.
Her poems have been widely published in magazines including The Interpreter’s House, The London Magazine, The North, Poetry Review, The Rialto, Smiths Knoll, South Bank Poetry, Under The Radar and The Warwick Review, as well as The Asahi Shimbun and other publications.
In 2014 she was an overall winner of the Poetry Business Pamphlet Competition for her pamphlet Not Really which was published by smith|doorstop. The competition was judged by Carol Ann Duffy who said ‘this outstanding pamphlet is ultimately up-lifting, because of the restrained energy in the poems and their openness to the world’.
Rebecca was a writer in residence at The Aldeburgh Beach Lookout in 2015 and she was chosen as one of four writers to be awarded a residency at Gladstone’s Library in 2016. She has been awarded a Hawthornden Fellowship in 2017

GLITS

Dates & times

Date Time Add to calendar
16 Mar 2017 6:30pm - 8:00pm
  • apple
  • google
  • outlook

Accessibility

If you are attending an event and need the College to help with any mobility requirements you may have, please contact the event organiser in advance to ensure we can accommodate your needs.

Event controls

  • About us
  • Accessibility statement
  • Contact us
  • Cookie use
  • Find us
  • Copyright and disclaimer
  • Jobs
  • Modern slavery statement
Admin login
  • Twitter
  • Linkedin
  • TikTok
  • Instagram
  • YouTube
© Goldsmiths, University of London Back to top