1st Whitehead Lecture of the 2018-19 season.
Andy Lomas on "Morphogenetic Creations: A tale of complexity, emergence, and human computer collaboration"
Morphogenetic Creations is an ongoing series of artworks that explore how intricate complex form, as often seen in nature, can be created emergently through computational simulation of growth processes. Inspired by the work of Alan Turing, D'Arcy Thompson and Ernst Haeckel, it exists at the boundary between art and science.
This talk looks at both the development of these artworks and the artist's changing relationship with the computer: developing from simply being a medium to create computational art to one where it becomes an active collaborator in the process of exploring the possibilities of generative systems.
Drawing analogies with Kasparov’s Advanced Chess and the deliberate development of unstable aircraft using fly-by-wire technology, the talk argues for a collaborative relationship with the computer that can free the artist to more fearlessly engage with the challenges of working with emergent systems that exhibit complex unpredictable behaviour.
Andy Lomas is a digital artist, mathematician, Emmy award winning supervisor of computer generated effects, and lecturer in Creative Computing at Goldsmiths.
He has exhibited internationally, including at the Pompidou Centre, V&A, Royal Society, Science Museum, SIGGRAPH, Japan Media Arts Festival, Ars Electronica Festival, Kinetica, Los Angeles Municipal Art Gallery, Los Angeles Center for Digital Art, Centro Andaluz de Arte Contemporaneo, Watermans, the Science Museum and the ZKM. His work is in the collections at the V&A, the Computer Arts Society and the D'Arcy Thompson Art Fund Collection. In 2014 his work Cellular Forms won The Lumen Prize Gold Award.
His production credits include Walking With Dinosaurs, Matrix: Revolutions, Matrix: Reloaded, Over the Hedge, The Tale of Despereaux, and Avatar. He received Emmys for his work on The Odyssey (1997) and Alice in Wonderland (1999).
Recent related published article (open access):
"On Hybrid Creativity", in Arts 2018, 7(3), 25
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Dates & times
|Date||Time||Add to calendar|
|10 Oct 2018||4:00pm - 5:00pm|
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