Book Book Section New Agrabah, Same Old Disney Orientalism: Commodity Racism and Western Effacement of the “Middle East” Constructing age transmedially: Framing age in text and on screen in Skellig Article Fairy-tale justice or a fairy tale of justice: Genre collision through Once Upon a Time Conjuring the Monsters in Ourselves: Where the fantastic makes visible the inhumane and inhuman But They Still Lived Happily Ever After – or at Least, Happily: Disney’s contemporary ‘postmodern’ fairy tales
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Mulan and Moana: Embedded Coloniality and the Search for Authenticity in Disney Animated Film Introduction Pumpkin-carriage palimpsests: Disney's Cinderellas and the Disney fairy-tale mode No Country for Old Women: Age, Power, and Beauty in Neil Gaiman’s Fantasies Wicked Old Schoolmarm or Stern Old Crone? Age and Gender in Magical School Stories Cinderella, Kay Cannon (dir.) (2021), USA: Sony Pictures “You Have to Set the Story You Know Aside”: Constructions of Youth, Adulthood and Senescence in Cinderella Is Dead `Endless Wonder' for Whom?: Adaptation, Transformation, and Magical Libraries Once Upon a “Fairy Tale Revolution”: Adapting Canonical Fairy Tales Beyond Happily Ever After Recasting the Disney Princess in an Era of New Media and Social Movements ed. by Shearon Roberts (review) Reading Children's Literature: A Critical Introduction, Second Edition. Carrie Hintz and Eric Tribunella Enter the Castle: Reiterating Medievalism in the Framing of Disney's Fantasyscapes Reforming borders of the imagination: Diversity, adaptation, transmediation, and incorporation in the global Disney film landscape Intermedial Borders and Global Fairy-Tale Cultures
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