This is an advanced practice-based research programme for students wishing to extend their research into the areas of film, photography and electronic arts.
The programme is particularly relevant for students who have an MA degree and are looking to position and develop their research and practice work.
It will be tailor-made to your individual research area and practice, giving you the opportunity to develop research skills and pursue your own area of interest.
You'll work closely with a personal supervisor to develop your work in the areas of filmmaking, photography and digital arts.
You’ll also receive training and guidance in ethical and legal obligations, and be encouraged to accommodate feminist, anti-racist, decolonising and other appropriate approaches to your chosen subject.
The programme meets the needs of two groups:
- students who have completed an MA in Filmmaking, Photography, or Electronic Arts and cognate programmes (for example, our MA in Photography: The Image & Electronic Arts)
- film, photography and electronic arts professionals who wish to extend their research-based practice
Contact the department
If you have specific questions about the degree, contact Sean Cubitt
A personalised programme
The programme is personalised for each student, and is based on your individual research into your chosen practice. It gives you the opportunity to develop appropriate research skills and to pursue a research practice project of your own design, developed and reworked in discussion with a personal supervisor.
The curriculum is personalised for individual students, but all students will share a common curriculum and receive training and guidance in ethical and legal obligations, and be encouraged to accommodate feminist, anti-racist, decolonising and other appropriate approaches to their chosen subject.
The course will add value to recent MA practice graduates and to film, photography and electronic arts professionals by giving a deeper and more specialised engagement in a major research project supervised by staff experienced in both creative and professional research. Research training will give you the skills to design and complete your own research and to work to research briefs.
All students undertake the Practice-Based Research Methods Seminar in the first term, producing a detailed 5000 word project outline at the end. They will also take in the second term one of a selected range of optional modules to help develop their critical and theoretical awareness. In the first term, they begin work with their personal supervisor on the design and execution of their project. Supervision will determine the specific means used: some students will embark directly on a single piece of work; others may undertake a series of workshop-based activities.
The programme's subject-specific learning outcomes require you to think critically about a range of issues concerning the media, understood in the widest sense, and to be able to justify their views intellectually and practically. The central outcome will be to design and conduct a substantial practice-based research project.
As appropriate to each individual project, you will be encouraged to analyse, contextualise, historicise, and theorise your chosen medium with reference to key debates in history, sociology, anthropology and philosophy of film and the media. You will learn to produce high quality research under time constraints, by working independently.
All students will develop a range of transferable qualities and skills necessary for employment in related areas. These are described by the Quality Assurance Agency as: ‘the exercise of initiative and personal responsibility, decision-making in complex and unpredictable situations, and the independent learning ability required for continuing professional development’. You will be guided to work independently and to think through the intellectual issues.
Progress is carefully monitored, to make sure that you are making progress towards the achievement of the outcomes. Different kinds of practical and intellectual skills are required for each part of the programme. In consultation with supervisors, you will be guided to the most appropriate practical and intellectual approaches, and to the most appropriate technical and critical sources.
You take the following modules:
Practice-Based Research Methods (30 credits)
This module provides research methods training for the MRes in Film Photography and Electronic Arts, and may be taken by practice-based students in the MPhil programme in Media and Communications. In all years it will address the legal and ethical constraints operating on research by practice. In any given year, the syllabus will address such topics as technique (colour, composition, editing, post-production, sound-image relations, text-image relations), anti-racist, feminist and decolonial critique; hardware and software studies; environmental impacts of media production, dissemination and exhibition; media critical approaches to art, political economy, and truth. The interests of students and supervisors will guide the selection of specific content of the course in its delivery, whose aim is to inculcate advanced thinking on the making, delivery and audiences for research-based practice.
- Ahmed, Sara (2014). Wilful Subjects, Durham NC: Duke University Press
- Crook, Tim (2009). Comparative Media Law and Ethics. London: Routledge
- Cubitt, Sean (2014). The Practice of Light. Cambridge MA: MIT Press
- Henriques, Julian et al (1998). Changing the Subject: Psychology, Social Regulation and Subjectivity. London: Routledge
- MacKenzie, Scott (ed) (2014). Film Manifestos and Global Cinema Culture: A Critical Anthology. Berkeley: University of California Press.
- Mulvey, Laura and Anna Backman Rogers (eds) (2015). Feminisms: Diversity, Difference and Multiplicity in Contemporary Film Cultures. Amsterdam: Amsterdam University Press.
- Shohat, Ella and Robert Stam (2003). Multiculturalism, Postcoloniality, and Transnational Media. New Brunswick, N.J: Rutgers University Press
Research Project (120 credits)
The project in the MRes Film, Photography and Electronic Arts comprises a portfolio of practical work (such as photographs, video, film, installation, websites or other digital/print material) alongside a textual component. The work submitted should be original, and be as integral to the research aims, processes and outcomes of the project as the textual component. The final project as a whole will therefore demonstrate the integration of its practical and research components, so that text and practice reflect critically on each other. The length of the textual element should normally be between 5,000 and 10,000 words. The practical component should be a ‘substantial’ body of work. Given the potential range of media that can be used, and their differing potential relationships with the research process and the textual component, it is impossible to be precise. In the case of film/video it would normally entail the submission of a work (or works) of about 25 minutes in length (or more), but detailed requirements will be worked out on a case-by-case basis.
Students will undertake to design and conduct a substantial practice-based research project in collaboration with their supervisor. The project will be informed by research, as appropriate, into the materials, techniques and critical contexts of production, distribution and exhibition in audiovisual, electronic image and allied arts. As appropriate to each individual project, students will be encouraged to analyse, contextualise, historicise, and theorise their chosen medium with reference to key debates in history, sociology, anthropology and philosophy of film and the media, especially in relation to anti-racist, decolonial, feminist, environmental and other key ethical and political dimensions of their aesthetic practice. They will learn to produce high quality research under pressure, by working independently. The exact conceptual and methodological direction of the research must initially come from the student, though this will be developed and reworked in discussion with the personal supervisor. Areas of research can be drawn from a wide remit, including the full range of media and cultural forms of contemporary societies and may be theoretical or empirical; technically- or more academically-based. Projects which are conceptually coherent, and practicable in their aims and methods can be considered, subject only to the in-house expertise of staff. The module encourages the development of knowledge and skills specific to the production, distribution and exhibition of contemporary media.
- Barrett, Estelle and Barbara Bolt (2014). Practice as Research: Approaches to Creative Arts. London: IB Tauris.
- Kellison, Cathrine, Dustin Morrow, Kacey Morrow (2012). Producing for TV and New Media, 3rd Edition. London: Focal Press.
- Kember, Sarah and Joanna Zylinska (2012). Life after New Media: Mediation as a Vital Process. Cambridge MA: MIT Press.
- Mignolo, Walter D (2011). The Darker Side of Modernity: Global Futures, Decolonial Options. Durham NC: Duke University Press.
- Modrak, Rebekah and Bill Anthes (2010). Reframing Photography: Theory and Practice. New York: Routledge.
- Rabiger, Michael (2014). Directing the Documentary. 6th Edition. London: Focal Press.
- Shiva, Vanadana (2005). Earth Democracy; Justice, Sustainability, and Peace. Brooklyn NY: South End Press.
- Smith, Linda Tuhiwai (2012). Decolonizing Methodologies: Research and Indigenous Peoples. 2nd edn. London: Zed Books.
- Wells, Liz (ed) (2003). The Photography Reader. London: Routledge
You'll also take one option module during the spring term. Those currently available include:
|Experimental Media||30 credits or 15 credits|
|Media Geographies||15 credits|
|Technology and Cultural Form: Debates, Models, Dialogues||30 credits|
|Politics of the Audiovisual||15 credits|
There are two assessment points:
A: You are required to write one 5,000 word essay linked to the Practice-Based Research Methods seminar. The exact theme and title will be decided in discussion between you and your supervisor and relate to your specialist field of research, but as a guide it will demonstrate your readiness to undertake the project through critical evaluation of legal, ethical, critical and reflexive parameters and functions of practice-based research.
In addition, you will be assessed in the option module you undertake during the Spring Term.
B: The project in the MRes Film, Photography and Electronic Arts comprises a portfolio of practical work (such as photographs, video, film, installation, websites or other digital/print material) alongside a textual component. The work submitted should be original, and be as integral to the research aims, processes and outcomes of the project as the textual component. The final project as a whole will therefore demonstrate the integration of its practical and research components, so that text and practice reflect critically on each other.
You will normally hold the equivalent of a Merit or Distinction at MA level. Practical experience of media production, in taught courses or professionally, is essential.
Candidates with a first degree and professional experience equivalent to a relevant MA will be considered. Candidates will be asked to submit a research proposal demonstrating a sense of the wider conceptual field in which their chosen practice falls.
We accept a wide range of international qualifications. Find out more about the qualifications we accept from around the world.
If English isn’t your first language, you will need an IELTS score (or equivalent English language qualification) of 7.0 with a 7.0 in writing to study this programme. If you need assistance with your English language, we offer a range of courses that can help prepare you for postgraduate-level study.
Fees, funding & scholarships
How to apply
You apply directly to Goldsmiths using our online application system.
Before submitting your application you'll need to have:
- Details of your education history, including the dates of all exams/assessments
- The email address of your referee who we can request a reference from, or alternatively an electronic copy of your academic reference
- Contact details of a second referee
- A personal statement – This can either be uploaded as a Word Document or PDF, or completed online
- If available, an electronic copy of your educational transcript (this is particularly important if you have studied outside of the UK, but isn’t mandatory)
You'll be able to save your progress at any point and return to your application by logging in using your username/email and password.
Before you apply for a programme, we advise you to get in touch with the programme contact, listed above. It may also be possible to arrange an advisory meeting.
Before you start at Goldsmiths, the actual topic of your research has to be agreed with your proposed supervisor, who will be a member of staff active in your general field of research. The choice of topic may be influenced by the current research in the department or the requirements of an external funding body.
If you wish to study on a part-time basis, you should also indicate how many hours a week you intend to devote to research, whether this will be at evenings or weekends, and for how many hours each day.
When to apply
We accept applications from October for students wanting to start the following September.
We encourage you to complete your application as early as possible, even if you haven't finished your current programme of study. It's very common to be offered a place conditional on you achieving a particular qualification.
If you're applying for external funding from one of the Research Councils, make sure you submit your application by the deadline they've specified.
Find out more about applying.
The course is designed to support students who wish to strengthen their opportunities in professional media, including the media industries and creative practice, private sector firms, public sector institutions and civil society organisations with communications departments.
We envisage that a small proportion of graduates will seek careers in teaching, including secondary and higher education, in which case their projects and supervision will be tailored to that end.
Find out more about employability at Goldsmiths.