Please see below for the most recent publications from staff members of the Unit. If you would like to see more, please visit Goldsmiths Research Online.
Caprices I-VII for solo violin
Redgate, Roger . 2022. Caprices I-VII for solo violin. [Composition]
Radix, Matrix
Redgate, Roger . 2021. Radix, Matrix. [Composition]
Complexity: The Precise Articulation of the Imprecise
Redgate, Roger . 2020. 'Complexity: The Precise Articulation of the Imprecise'. In: Imperfection as an Aesthetic Idea in Music. Institute for Music Aesthetics and the Artistic Research Doctoral School of the University for Music and Performing Arts Graz, Austria, Austria 19 – 21 November 2020. [Conference or Workshop Item]
Networked Comprovisation Stratagies with ZScore
Zagorac, Slavko and Zbyszynski, Michael . 2020. 'Networked Comprovisation Stratagies with ZScore'. In: Proceedings of the International Conference on Technologies for Music Notation and Representation — TENOR'20. Hochschule für Musik und Theater, Hamburg, Germany. [Conference or Workshop Item]
The ontology of the work: exploring the creative discourse
Redgate, Roger . 2019. The ontology of the work: exploring the creative discourse. Contemporary Musicology, 2019-2(2), pp. 43-59. ISSN 2597-9731 [Article]
The Berlin sketches and Xenakis’s middle period style
Exarchos, Dimitris . 2019. The Berlin sketches and Xenakis’s middle period style. In: Alfia Nakipbekova, ed. Exploring Xenakis: Performance, Practice, Philosophy. Wilmington, Delaware: Vernon Press, pp. 21-36. ISBN 9781622733231 [Book Section]
Music's Immanent Future: The Deleuzian Turn in Music Studies. Edited by Sally Macarthur, Judy Lochhead, Jennifer Shaw. Abingdon, Oxon, Eng.: Routledge, 2016. (Review)
Exarchos, Dimitris . 2019. Music's Immanent Future: The Deleuzian Turn in Music Studies. Edited by Sally Macarthur, Judy Lochhead, Jennifer Shaw. Abingdon, Oxon, Eng.: Routledge, 2016. (Review). Notes, 75(3), pp. 529-532. ISSN 0027-4380 [Article]
Scelsi, Sense, and the Musical Matter
Exarchos, Dimitris . 2019. 'Scelsi, Sense, and the Musical Matter'. In: Music and Materialisms: A Free One-day Conference. Visconti Studio, Kingston University, United Kingdom 23rd February 2019. [Conference or Workshop Item]
On the Work of Modern Composition
Exarchos, Dimitris . 2018. 'On the Work of Modern Composition'. In: Composing Music Today. Lisbon, Portugal 21-23 November 2018. [Conference or Workshop Item]
Heart of Darkness
Peyton Jones, Jeremy . 2018. Heart of Darkness. In: "Heart of Darkness", Teatro Sperimantale, Ancona, Italy, 10/11/18 to 11/5/19. [Performance]
Heart of Darkness
Peyton Jones, Jeremy . 2018. Heart of Darkness. [Composition]
On the Work of Analysis and Composition
Exarchos, Dimitris . 2018. 'On the Work of Analysis and Composition'. In: ENIM 2018: 8th Conference On Musical Research. Porto, Portugal 8-10 November 2018. [Conference or Workshop Item]
The Skin of Spectral Time in Grisey's Le Noir de l’Étoile
Exarchos, Dimitris . 2018. The Skin of Spectral Time in Grisey's Le Noir de l’Étoile. Twentieth-Century Music, 15(1), ISSN 1478-5722 [Article]
Analysis and Composition as Research
Exarchos, Dimitris . 2018. 'Analysis and Composition as Research'. In: Can Musical Conservatism be Progressive? 2nd Annual Conference of the Critical Theory for Musicology Study Group. University of London, Senate House, United Kingdom 12th–13th January 2018. [Conference or Workshop Item]
Contemporary British Music: Technique and the Compositional Process
Redgate, Roger . 2018. Contemporary British Music: Technique and the Compositional Process. In: P. Archblod and R. Saxton, eds. Contemporary British Music: Technique and the Compositional Process. Ashgate. ISBN 978-0-7546-6367-6 [Book Section] (Forthcoming)
Roger Redgate’s Compositional Thinking and the Limits of Writing
Exarchos, Dimitris . 2017. 'Roger Redgate’s Compositional Thinking and the Limits of Writing'. In: Writing About Contemporary Artists: Challenges, Practices and Complexities. University of Surrey,, United Kingdom 20 October 2017 - 22 October 2017. [Conference or Workshop Item]
The Berlin sketches and Xenakis's middle period style
Exarchos, Dimitris . 2017. 'The Berlin sketches and Xenakis's middle period style'. In: Exploring Xenakis: Performance, Practice, Philosophy. School of Music, University of Leeds, United Kingdom 12 September 2017. [Conference or Workshop Item]
Grid
Hollis, Simon and Exarchos, Dimitris . 2017. Grid. [Broadcast]
Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis. By Judy Lochhead (Review)
Exarchos, Dimitris . 2017. Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis. By Judy Lochhead (Review). Notes, 73(3), pp. 533-536. ISSN 0027-4380 [Article]
Notation, Structure and Performance: Towards a Grammatology of Music
Redgate, Roger . 2017. Notation, Structure and Performance: Towards a Grammatology of Music. In: R. Woodley, ed. Notation and Practice: Essays in Musical Performance and Textuality. Cambridge: Cambridge University of Press. [Book Section] (Forthcoming)