Dr Dan Strutt

Publications and research outputs

Book

• Fashion as Creative Economy: Micro-Enterprises in London, Berlin and Milan Strutt, Daniel; McRobbie, Angela and Bandinelli, Carolina. 2022. Fashion as Creative Economy: Micro-Enterprises in London, Berlin and Milan. Cambridge: Polity Press. ISBN 9781509553853
• The Digital Image and Reality: Affect, Metaphysics and Post-Cinema Strutt, Daniel. 2019. The Digital Image and Reality: Affect, Metaphysics and Post-Cinema. Amsterdam: Amsterdam University Press. ISBN 9789462987135

Book Section

• Dancing into the metaverse: Creating a framework for ethical and ecological telematic dance practice and performance Strutt, Daniel. 2024. Dancing into the metaverse: Creating a framework for ethical and ecological telematic dance practice and performance. In: Pascale Aebischer and Rachael Nicholas, eds. Adaptation and resilience in the performing arts: The pandemic and beyond. 3 Manchester: Manchester University Press, pp. 42-64. ISBN 9781526172402
• Motion capture and the digital dance aesthetic: Using inertial sensor motion tracking for devising and producing contemporary dance performance Strutt, Daniel. 2022. Motion capture and the digital dance aesthetic: Using inertial sensor motion tracking for devising and producing contemporary dance performance. In: Carla Fernandes; Vito Evola and Cláudia Ribeiro, eds. Dance Data, Cognition, and Multimodal Communication. Abingdon: Routledge, pp. 131-146. ISBN 9780367617455
• New Telematic Technology for the Remote Creation and Performance of Choreographic Work Strutt, Daniel; Schlegel, Andreas; Coghlan, Neal; Debaig, Clemence and Peng, Youhong (Friendred). 2022. New Telematic Technology for the Remote Creation and Performance of Choreographic Work. In: Joanna Zylinska, ed. The Future of Media. London: Goldsmiths Press, pp. 197-222. ISBN 9781913380144

Article

• An Alien Phenomenology in Dance: Virtual Telematic Performances as Embodied Philosophy Strutt, Daniel. 2025. An Alien Phenomenology in Dance: Virtual Telematic Performances as Embodied Philosophy. Documenta, 42(1), pp. 129-162. ISSN 0771-8640
• A Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse” Strutt, Daniel. 2022. A Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse”. Critical Stages/Scènes critiques, 25, ISSN 2409-7411
• New Telematic Technologies for Remote Creation, Rehearsal and Performance of Choreographic Work Strutt, Daniel; Schlegel, Andreas; Coghlan, Neal; Debaig, Clemence and Peng, Youhong (Friendred). 2021. New Telematic Technologies for Remote Creation, Rehearsal and Performance of Choreographic Work. Journal of Embodied Research, 4(2), 4 (14:57). ISSN 2513-8421

Conference or Workshop Item

• Digital Dance Studio VR (DDS-VR): An innovative user-focused immersive software application for digital choreographic composition, planning, teaching, learning, and rehearsal Strutt, Daniel; Whitley, Alexander and Kirchhoff, Sönke. 2023. 'Digital Dance Studio VR (DDS-VR): An innovative user-focused immersive software application for digital choreographic composition, planning, teaching, learning, and rehearsal'. In: Special Interest Group on Computer Graphics and Interactive Techniques Conference Immersive Pavilion (SIGGRAPH ’23 Immersive Pavilion). Los Angeles, CA, United States 6 - 10 August 2023.

Performance

• Global Dance Collaboration in the Metaverse Strutt, Daniel. 2022. Global Dance Collaboration in the Metaverse. In: "Being Human Festival 2022", Sonics Immersive Media Labs (SIML) Goldsmiths, University of London, United Kingdom, 12 November 2022.
• Virtual Touch, Virtually Dancing - Goldsmiths Mocap Streamer Showcase Performance Debaig, Clemence; Strutt, Daniel; Peng, Youhong (Friendred) and Coghlan, Neal. 2021. Virtual Touch, Virtually Dancing - Goldsmiths Mocap Streamer Showcase Performance. In: "Virtual Touch, Virtually Dancing - Goldsmiths Mocap Streamer Showcase Performance", Goldsmiths, University of London, United Kingdom, 7 May 2021.

Thesis

• The Difference the Digital Makes: The Affective Synthesis of Reality by Digital Screen Media Strutt, Daniel. 2012. The Difference the Digital Makes: The Affective Synthesis of Reality by Digital Screen Media. Doctoral thesis, Goldsmiths, University of London