Edgar Schmitz is an artist who renders escapist backdrops from film, sculpture, animation and writing. His work was part of A.C.A.D.E.M.Y (Vanabbemuseum 2006), No Soul for Sale (Tate Modern, 2010), British Art Show 7 (Hayward Touring, 2010/11) a.o., and has been presented in solo exhibitions at ICA, London (with Liam Gillick, 2006), FormContent (London, 2010), Cooper Gallery (Dundee, 2012) and Himalayas Art Museum (Shanghai, 2015).
Schmitz has also written extensively on contemporary art, with contributions to Kunstforum international, Texte zur Kunst and artforum as well as contemporary, tema celeste and numerous catalogue essays, including texts on Rainer Werner Fassbinder and Phil Collins, on Brian Jungen’s animalities, on humour in Deleuze and Slominski, and on Sarah Morris’LA. His Hubs and Fictions book (with Sophia Hao) was published by Sternberg Press in 2016.
He is currently working on Alovestorysomewherearound2046 (with Pieternel Vermoortel), Choreographic (with Mårten Spångberg), Animate Assembly (with Verina Gfader and Esther Leslie) and Imminent Futures (with Sophia Hao). He was Associate Researcher 2017 at netwerk center for contemporary art, Aalst (B), and is their Shadow Artist for 2017-19. Schmitz is a Reader in Art, Joint Head of Critical Studies BAFA, and a member of the Art Research PhD programme core team.
Schmitz, Edgar. 2010. Soundtrack. In: "British Art Show 7. In The Days of the Comet", Nottingham Contemporary, New Art Exchange, Castle Museum, Nottingham, United Kingdom, October 2010 - December 2011.
Schmitz, Edgar. 2010. Some Turn and Some Don't (On Set-Ups). In: Paul o'Neill and Mick Wilson, eds. Curating and the Educational Turn. London/ Amsterdam: Open Editions/ de Appel. ISBN 978-0-949004-18-5
Schmitz, Edgar and Hao, Sophia Yadong, eds. 2016. Hubs and Fictions. On Current Art and Imported Remoteness. Berlin: Sternberg Press. ISBN 978-3-95679-025-6
Schmitz, Edgar. Ambient attitudes. On contingency, treason and humour. Other. under negotiation with Sternberg Press, Berlin and New York.