After 12 years as part of BANK, a London art group co-founded with John Russell in 1991, which made art, exhibitions, publications and events in their spaces DOG and Gallerie Poo Poo, Simon Bedwell has been working as a solo artist, and has shown his work at the Saatchi gallery (London), Rental gallery (Los Angeles), Studio Voltaire (London), ICA (London), CCA (Glasgow), Piccadilly Underground concourse (organised by Transport for London) and MOTInternational (London), which represents his work, as well as BANK.
The work has generally been characterised by a sprawling, mouthy, sensuous version of institutional critique which deliberately eschews the genre's usual Calvinist mode (see Wikipaedia for CV). Since a brief return to curation with The Hole, a 5-weekend project in July 2011, Simon Bedwell has concentrated on work in ceramics.
- MA Fine Art, Goldsmiths 1993
- PG Diploma Printmaking, Brighton University 1991
- BA(Hons) Fine Art (Painting), St Martins School of Art, 1986
- Reader in Fine Art (0.5), Goldsmiths, 2000 - date
- Lecturer in Photography (0.5), Kent Institute of Art & Design, 1997-2000
- Visiting Lecturer in Fine Art, Amersham & Wycombe College, 1991-1994
- 2016 - In a Dream I Saw a Way to Survive and I Was Full of Joy, Whitworth Art Gallery, Manchester;
- 2014 - First and Last Men Ha Gamle, Stavanger, Norway; Paradigm Store Howick Place, London
- 2013 - The Banquet Years:Relics and Archives, Mgk Elaine, Basel; The Banquet Years Motinternational, London
- 2012 - To Start with, Let's Remove the Colour, Temple Bar Gallery, Dublin, Eire; Bank Self Portrait: Relics and Archives Treize, Paris
- 2012 - The Weight of Living Motinternational, London; Writer in Residence Ormeston House, Limerick, Eire
- 2011 - The Hole the Hole, London; Cabaret Ramin Barquet, New York; We Are Grammar Pratt Manhattan Gallery, New York
- 2010 - Tublic Service Announcement Invisible Exports, New York; East End Promise: Shoreditch 1985-2000; La Belle Dame sans Merci Vegas
- 2010 - Rude Brittannia: British Comic Art Tate Britain, London; Grand National: Art from Britain Vestfossen Kunstlaboratorium, Norway
- 2010 - So Be It: Interventions in Printed Matter Roth, Ny; Gallery, Galerie, Galleria Norma Mangione Gallery, Turin
- 2009 - Painter of the Hole Mot International, London
- 2009 - Asphalt World Studio Voltaire, London
As is typical of lo-fi publications often associated with art exhibitions, these do not have ISBN status:
- The Hole, xerox, 2011, issues 1-5; quotes with photographs with contributions from featured artists Katrina Palmer, Alice Channer, Laure Prouvost, Claire Carter, Leah Capaldi, Tom Benson, Lodovico Pignatti-Morano, Phillip Lai.
- BANK; Black Dog Press 2000
- The Bank; xerox, 1996-1997, issues 1 - 34; tabloids 1-9 accompanying the exhibition Viper/BANK TV, one to accompany Life/Live at Musee d'Art Moderne, Paris 1997, the remainder as part of Sewage Lust, a show at the ICA London 1997, editorial and contributions from Matt Mitchell, Simon Martin, Tracey Emin, Graham Ramsay, Jake Chapman, and many more
- Photo-book catalogues to accompany the shows Space International (1992), Wish you Were Here (1994), Zombie Golf (1995), The Charge of the Light Brigade (1995) and Fuck Off! (1996).
Rude Britannia: British Comic Art
Thompson, Milly and Bedwell, Simon A.. 2010. Rude Britannia: British Comic Art. In: "Rude Britannia: British Comic Art", Tate Britain, United Kingdom, 9 June – 5 September 2010.
So be it: interventions in printed matter
Thompson, Milly and Bedwell, Simon A.. 2010. So be it: interventions in printed matter. In: "So be it: interventions in printed matter", Andrew Roth, NYC, United States, April 8– May 7, 2010.
Use and Mention
Chilver, John; Afrassiabi, Shahin; Ash, Jesse; Bauer, Diann; Bedwell, Simon A.; Billy, Vanessa; Bolivar, Juan; Burton, Adam; Carneiro da Cunha, Tiago; Coleman and Hogarth, Kim and Jenny; Cumberland, Stuart; Dany, Hans-Christian; Frearson, Annabel; Freee, Freee; Ghazi, Babak; Ghosts Eat Mirrors, Ghosts Eat Mirrors; Glogan, Jeremy; Gottelier, Luke; Gruenfeld, Thomas; Hemsworth, Gerard; Higashionna, Yuichi; Holmes, Emma; Jones, Gareth; Kartscher, Kerstin; Kollectiv, Pil and Galia; Lowe, Brigrid; Macuga, Goshka; Makh, Ellen; Pettitt, Daniel; Reski, Gunter; Rosler, Martha; Schultze, Michael; Sill, Heidi; Simpson, D. J.; Strange, Jack; Stubbs, Michael; Timberlake, John; Verzutti, Erika; Vinitsky, Yonatan and Wright, Carla. 2010. Use and Mention. In: "Use and Mention", Stephen Lawrence Gallery, University of Greenwich, London, United Kingdom, 26 Jan - 26 Feb 2010.
Chilver, John; Bedwell, Simon A.; Reski, Gunter and Vinitsky, Yonatan. 2010. Standard Candles. In: "Standard Candles", Vulpes Vulpes, London, United Kingdom, 31 March - 25 April 2010.
SO BE IT:INTERVENTIONS IN PRINTED MATTER
Bedwell, Simon A.. 2010. SO BE IT:INTERVENTIONS IN PRINTED MATTER. In: "So Be It: Interventions in Printed Matter", Andrew Roth Gallery, New York, United States, April 8– May 7, 2010.
Untitled 1, Untitled 2, both acrylic on linen, 2010
Bedwell, Simon A.. 2010. Untitled 1, Untitled 2, both acrylic on linen, 2010. In: "Standard Candles", Vulpes Vulpes, United Kingdom, 31 March - 25 April 2010.
GRAND NATIONAL: ART FROM BRITAIN
Bedwell, Simon A.; Thompson, Milly; Russell, John and Williamson, Andrew. 2010. GRAND NATIONAL: ART FROM BRITAIN. In: "GRAND NATIONAL: ART FROM BRITAIN", Vestfossen Kunstlaboratorium, Vestfossen, Norway.
LESS IS LESS, MORE IS MORE, THAT'S ALL
Bedwell, Simon A.; Thompson, Milly and Russell, John. 2008. LESS IS LESS, MORE IS MORE, THAT'S ALL. In: "Less is less, more is more, that’s all", Bordeaux, France, 13 June - 05 September 2008.
BANK; Milly Thompson and Simon Bedwell
Thompson, Milly and Bedwell, Simon A.. 2003. BANK; Milly Thompson and Simon Bedwell. In: "BANK; Milly Thompson and Simon Bedwell", Store Gallery, 6/30/2003 - 7/31/2003.