Sue Clayton is a UK feature film director, writer and composer. She has written and directed features, shorts, campaign videos and documentaries.
Sue Clayton's most recent film as director is the campaign film THE STANSTED 15 ON TRIAL (2019) which documents the recent case of 15 peaceful protesters who were convicted of a terrorist offence, and looks at this case and other threats to the right to peaceful protest. It is available to view online at https://www.amnesty.org.uk/stansted-15-tell-their-story-through-film
She worked in the Calais Jungle tracking lone child refugees who she believed had a legal claim to be in the UK. Her film CALAIS CHILDREN: A CASE TO ANSWER (2017) won 7 international awards and is distributed worldwide by ARTE France. It tells how she brought lawyers to the Jungle to take on the most vulnerable cases she found. This resulted in a legal challenge being brought against the Home Office in the High Court and in January 2019 the Judgement made serious criticisms of the government’s policy.
She made the award-winning HAMEDULLAH: THE ROAD HOME (2012) which tells the story of a young refugee in the UK who was deported back to Afghanistan, and to whom she gave a digital camera. The film has screened at the United Nations in Geneva, and submitted to the Select Committee which seeks to change the law on deporting young people to war zones.
Sue is currently co-writing a cinema thriller NOWHERE TO HIDE on the topic of asylum and deportation. She is also a consultant producer for ITV News and Channel 4 News on this issue.
Sue co-wrote and directed the following dramas: THE LAST CROP starring Kerry Walker (The Piano) and Noah Taylor (Shine); British Academy-nominated HEART SONGS starring Tom McCamus, and the award-winning feature film THE DISAPPEARANCE OF FINBAR starring Jonathan Rhys Meyers which was released worldwide by Film Four and Buena Vista International. She was chosen from 600 new European directors to have her work showcased in New York and Hollywood (First Film Foundation/Panavision awards).
She has also written JUMOLHARI, a screenplay set in Bhutan, produced by Donald Ranvaud (City of God, Central Station) and an adaptation of THE LOST GIRL by DH Lawrence, with support from Yellow Bird Films (Wallander, The Girl with the Dragon Tattoo).
For more information about the films above and Sue’s film work go to www.eastwestpictures.co.uk
She has also co-edited and contributed to two recent collections:
Other Cinemas: Politics, Culture and Experimental Film in the 1970s (with Laura Mulvey) pub. IB Tauris 2017
Unaccompanied Young Migrants: Identity Care and Justice (with Anna Gupta and Katie Willis) pub. Policy Press 2019
Areas of supervision
Sue has supervised or co-supervised the following M.Phils and PhDs to completion:
"Time-lines in the work of Borges and their significance for narrativity in post-classical Hollywood Cinema" Ziad Semaan
"Teenage girls and the female rites-of-passage cinematic genre: a screenwriting approach" Esther-Jo Steiner
"Cinematic notions of time and space as factors in musical performance" Anastasios Sarakatsanos
"Appropriating narratives of conflict in contemporary verbatim theatre: a practice-led investigation into the role of the playwright" Sarah Beck
"The American Diner Waitress: An Iconography" Heidi Hasbrouck
"Race, Gender and Class in the sports film genre” Lenworth Henry
Television and video output
2019 The Stansted 15 On Trial An online campaign film supported by Amnesty International, Liberty and many other organisations.
2017 Calais Children: A Case to Answer A multi-award-winning documentary
2014 “Fournier Street” (2013) At Tate Liverpool Studio Gallery. Sue Clayton’s photographic gallery exhibition of women and fashion in Spitalfields.
2013 The Song Of The Shirt the feature film co-directed with Jonathan Curling in 1979, screened at Genesis Cinema London, along with Fournier Street, Sue Clayton’s photographic gallery exhibition.
2013 The Song Of The Shirt screened at the Leyden Gallery Spitalfields as part of the Fabricate Exhibition.
2013 The Song Of The Shirt screened daily at the Iniva Gallery (Institute of International Visual Arts) London as part of the Keywords exhibition.
2013 Too Sensitive To Touch, US feature documentary co-directed with Michael Oblowitz, screened at the Hof Gallery, Berlin.
2013 Teenagers In War Zones, for Our World on BBC television, on the lives of young asylum-seekers in the UK who face deportation back to Afghanistan.
2013 Mazloom, A multi-media play/film performance piece, a collaboration between film maker Sue Clayton, playwright Sara Masters, KSDT Dance Theatre and Ice and Fire Theatre Company, now being further developed at RHUL as part of the Creativity research theme. The national tour of this play commences in June 24th and includes venues in London, Brighton, Birmingham, Leicester, Bristol, Newcastle, Manchester and Glasgow.
2011 Hamedullah: The Road Home, the award-winning documentary film about a Hazara Afghan boy who sought asylum as a child in the UK, then at eighteen was deported back to Afghanistan and sent back video diary material on his return. Distributed by social media and with multi-platform and interactive elements. Won Best Documentary at London Independent Film Festival, shortlisted for One World Media award.
"A very Important film" - Oscar-winning Actress Emma Thompson
"Shines a spotlight on key issues" - Dazed Digital
"A bold, original documentary comparable to Winterbottom’s In this World " - Amnesty International
2011 Consultant on Bruce, Bridget And Me, A rites-of-passage screenplay by Safraz Manzoor, adapted from his novel of the same name. In development with the BFI.
2008 Extracts From Jumolhari, 20-minute performed reading of extracts from the screenplay with unique Bhutan location footage, screened at cinema and academic events.
2008 The Lost Girl, Historical screen adaptation of the DH Lawrence novel.
2007 Jumolhari, Feature film screenplay set in Bhutan, the result of extensive collaboration with Bhutanese writers and actors.
2005 Music And Dance Of Southern Italy, 40 minute DVD of research in South Italy, funded by AHRC. Screened at academic and cultural events in UK, Italy and USA
2004 Greedy Mouth, Feature screenplay co-written with Jennifer Potter, author of the novel by the same name. Developed by Valiant Productions (UK).
2003 The Memories, Feature screenplay based on the novel by Noel Virtue, set in New Zealand. Developed by Red Productions.
2003 Disappearance Of Finbar, DVD 45 minutes of additional material on the DVD of my feature film The Disappearance of Finbar, including interviews with key personnel and a ‘making of’ documentary.
1997 Disappearance Of Finbar (103 min feature, 35mm col.)
Shot in Ireland and Sweden. Principal investors Channel 4 and Pandora (France).
Finbar Flynn is the hero of a poor Irish housing-estate. But when he flunks a football trial and his friends reject him, he climbs onto the flyover that overshadows their homes and jumps... It is up to his best friend Danny to trek across Europe to bring him back, and in the process discover the meaning of home; what draws people together, and what tears them apart.
Starring Jonathan Rhys Meyers (Match Point, Bend It Like Beckham) and Fanny Risberg (Elinor's Wedding).
Invited to 30 Festivals, released worldwide, UK release Oct 1998. Winner of Best Film at Madrid (1997) and in the USA, Best Irish Film (AFI Awards). Released in UK Oct 1998 to excellent British press. Soundtrack album on Snapper Records. DVD by VCI Cinema Club, available on Amazon, HMV and play.com websites
"Full of intriguing ideas and incidental charms." - Variety
"Sue Clayton's eclectic and unpredictable, and ultimately captivating film THE DISAPPEARANCE OF FINBAR is a meditation on the meaning of home and the power of wanderlust. The film contains some priceless moments, not least the theme song which has the making of a cult hit single" - Irish Times
1993 Dracula, The Undiscovered Country (40 min. Beta col.)
Archival film about the origins of the Dracula myth, which in Transylvania is to do with rituals of grief and mourning for the dead- transformed by western demonology into a tale of horror. Broadcast on Channel 4's Rear Window slot as context for Coppola's Bram Stoker's Dracula. Starring Ronan Vibert.
"Revelatory programme about the origins of the Dracula myth, tracing it to Romanian folk custom...fascinating insight." - Time Out
1992 Heart Songs (12 min. 35 mm col.)
Short drama made in Canada (commissioned by British Screen and Channel 4 TV) about love, loss and Cajun music. Nominated for a British Academy Award for Best Short Film.
“Clayton’s fluent direction establishes an immediate sense of place....which is beautifully captured by cinematographer Doug Koch” - Colette Maude, Time Out
1991 Japan Dreaming (52 min. 16mm col.)
Personal exploration of Japan’s dreams for the 21st century, with revelatory ideas for a 'softer' form of new technology, made for Central TV. Winner of the Silver Award at the Tokyo Film Festival. Broadcast on ITV in 1991.
"A fascinating documentary about Japan’s hi-tech society as it dreams of a serene feminine future.” - Mandy Walsh, Daily Express
1990 The Last Crop (60 min. 16 mm col. )
Award-winning adaptation of an Australian short story about a house cleaner who lets her neighbours into the apartment of rich people who are away so that the have-nots can enjoy the luxuries of the haves. Starring Kerry Walker (The Piano) and Noah Taylor (Flirting, The Year My Voice Broke). A hit on the Festival circuit; sold internationally. Screened on TV in 15 countries. Irish Film Festival Award 1991.
"Better by far is the film of Tynesider Sue Clayton, who had to go to Australia to make it.....there hasn’t been such a concerted one-woman attack on business opportunism since Rosalie Goes Shopping.” - George Perry, Sunday Times
1989 Theme Park Britons (52 min Beta col.)
An analysis of the heritage industry, for Channel Four.
"One day the NFT will run Sue Clayton retrospectives and praise her professionalism and talent". - John Lyttle, City Limits
1988 How To Survive Lifestyle (53 min Beta col.)
A look at the advent of yuppie culture in the 1980's. For Channel Four.
"Directed by Sue Clayton, a lady who can spot a social trend at a hundred paces in a thick fog." - John Naughton, The Observer
1987 Turning Japanese (53 min Beta col.)
An analysis of how Japanese companies moved into Sue's native north-east of England, bringing with them their culture as a 'sweetener". How this went down with local people... Broadcast on Channel Four and screened on festival circuit.
"Excellent, and the music is delightful" - The Listener
1983-6 The Commodities Series (6 x 53 min, 16mm, col.)
A wide-ranging a prestigious series tracing the history of world trade over 500 years...showing how world history has been defined by the production and trade of some basic products- tea, coffee, sugar, oil, opium and gold. Screened on Channel Four. Generated much public interest and a discussion forum.
"Bold and ambitious.. astonishingly revealing" - Jonathan Steele, The Guardian
"Provocative, with a breadth of vision and analysis" - New Musical Express
1983 Women on Film (6 x 10 min, 16mm col.)
Commissioned by Channel Four to select to womens' film and TV work from around the world and shoot 10-minute intros, giving a theoretical and cultural context. Screened on Channel Four.
1982 Too Sensitive To Touch - Sex and Talk in the USA (60 min 16mm col.)
Co-directed with Michael Oblowitz. A movie on language and sexuality in contemporary America. Toured the US arts and academic circuit.
1980 BBC Open Door – What is Independent? (50 min Video)
Programme on independent cinema made with Open Door team to highlight need for more access to broadcast channels.
1976-9 The Song Of The Shirt (140 min, 16mm, col.)
Co-written and directed with Jonathan Curling. An independent feature film about women in the sewing trade in the nineteenth century, about whom poets wrote, philanthropists raved, and finally government interest was stirred- bringing about legislation to protect them which formed the origins of the Welfare State. Made collectively with over 200 cast, crew, musicians, artists, historians, academics in various fields, women’s groups and trades unions.
Sold to fourteen countries. Broadcast on Channel Four in its opening season of British Independent Films, 1982.
"A remarkably ambitious, multi-faceted project.. pleasure is afforded by its strategic variation of image quality, and witty musical score" - Time Out
Clayton, Sue; Gupta, Anna and Willis, Katie. 2018. Unaccompanied Asylum Seekers Policy Response and Research Directions. In: Tracey Skelton and Stuart Aitken, eds. Establishing Geographies of Children and Young People. Springer Singapore: Springer; 2016 edition. ISBN 978-981-287-040-7
Clayton, Sue. 2015. The Therapeutic use of Film and Theatre to liberate Young Refugees from Disempowering Identities. In: Taiwo Afuape and Gillian Hughes, eds. Liberation Practices: Towards Emotional Wellbeing Through Dialogue. Routledge. ISBN 978-1138791121
Clayton, Sue and Chaudhuri, Shohini. 2013. Clouds of Unknowing: Buddhism and Bhutanese Cinema. In: Lina Khatib, ed. Storytelling in World Cinemas: Contexts: Vol 2. Columbia University Press, pp. 157-171. ISBN 978-0231163378
Clayton, Sue. 2011. Flawed Heroes, Fragmented Heroines: The Use of Myth in Cinema Screenwriting. In: Sanja Bahun-Radunovic and V.G. Julie Rajan, eds. Myth and Violence in the Contemporary Female Text. Ashgate; New edition, pp. 161-186. ISBN 978-1409400011
Clayton, Sue and Chaudhuri, Shohini. 2012. Storytelling in Bhutanese cinema: Research context and case study of a film in development. Journal of Screenwriting, 3(2), pp. 197-214. ISSN 1759-7137
Clayton, Sue. 2007. Visual and Performative Elements in Screen Adaptation. Journal of Media Practice, 8(2), pp. 129-145. ISSN 1468-2753
Clayton, Sue. 1994. Dancing at the Crossroads, a writer's autobiography. Vertigo, 3,
Clayton, Sue. 1983. Notes on Teaching Film- includes synopses of many original taught courses. Feminist Review, 14(1), pp. 84-95. ISSN 0141-7789