Chloe Wang

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It provided an integration between practice and theory, an ideal balance between output of thoughts and absorbing theoretical knowledge.

A perfect balance between practice and theory

The crossover between fine art and history of art is my favourite part of the degree. It provided an integration between practice and theory, an ideal balance between output of thoughts and absorbing theoretical knowledge.

I was also surprised by how many workshops Goldsmiths offers – wood, metal, constructed textiles, print and dye, fine art print, casting, photography, ceramic, stitch and fabric, as well as the generous amount of studio space.

Creative practice

My main focus has shifted to ceramics and paintings from textiles works to explore the unseen constraints that shape our unconscious lives – socially and politically.

I examine the tension between freedom and containment, and the quiet psychological boundaries that continue to confine us.

Advice for future students

Make the most of the resources available. Tutors and lecturers are here to fully support your practice and studies. Go to the library, go to every workshop, reach out to tutors, join a society, try everything. There is nothing to worry about, you just have to take the first step.

Most importantly, be consistent. You don't have to be extreme from the beginning, small, steady progress adds up.

Proximity to galleries and exhibitions

Being so close to central London is a huge advantage at Goldsmiths.

One of the best things is that you can visit exhibitions and galleries as often as you want, which is amazing for inspiration and learning outside class.

Favourite spot on campus

My favourite place on campus has to be my own studio space. You get to talk to people who have the same passion as yours, to share thoughts and ideas which might inspire you.

A painting of a yellow table and chairs

Chloe Wang