Nineteenth-Century Literature at Goldsmiths

Chris Baldick’s research in the field of 19th-century literature has followed a number of strands. In the history of literary criticism, he has traced the evolution of critical thought from Arnold, Pater and Wilde into twentieth-century adaptations. Chris has also focused on Gothic fiction, as in the widely-used anthology The Oxford Book of Gothic Tales (1990), and further work on shorter Gothic and related fiction has included two annotated selections (both edited with the Canadian scholar Robert Morrison). With regard to writings of the Decadent tradition: he was co-editor with Jane Desmarais of Decadence: An Annotated Anthology (2012) and of Arthur Symons: Selected Early Poems (2017).

Jane Desmarais is Director of the Decadence Research Unit.  Her research is primarily focused on nineteenth-century literature and visual culture: she is interested in literary, visual, and musical decadence and its relationship to other forms of discourse; Anglo-French cultural relations at the fin de siècle; and decadence and translation. She also publishes on history and psychoanalysis. Her monograph, Monsters under Glass: A Cultural History of Hothouse Flowers, 1850 to the Present was published by Reaktion Books in 2018.  She is Editor-in-Chief of an online open-access interdisciplinary journal of Decadence studies, Volupté, and is currently editing (both with David Weir) a volume of essays on Decadence and Literature for the Cambridge Critical Concepts series (forthcoming in 2019) and The Oxford Handbook of Decadence (forthcoming in 2021).

Miranda El-Rayess’s main area of research is late nineteenth- and early twentieth-century literature and culture, particularly the work of Henry James. She is the author of Henry James and the Culture of Consumption (Cambridge UP, 2014) as well as several essays on James. She is currently co-editing a volume of short stories for The Cambridge Edition of the Complete Fiction of Henry James, and working on two essays inspired by her research for this scholarly edition.

Isobel Hurst’s research examines the reception of Greek and Latin literature in English, looking at the connection between classical education and authorship and women writers’ creative engagement with the classical tradition. She is the author of Victorian Women Writers and the Classics: The Feminine of Homer (2006) and is currently completing a book, Muse and Minerva: Transatlantic Women Writers and the Classical Tradition. She has written essays on Victorian poetry and the classics for the Oxford Handbook of Victorian Poetry (2013) and the Oxford History of Classical Reception in English Literature (2015), and has recently contributed to two volumes in Oxford University Press’s Classical Presences series: Oscar Wilde and Classical Antiquity (2017) and Pater the Classicist (2017).

Uttara Natarajan’s current research is in the Romantic legacy in Victorian prose, and she is particularly concerned with the changing configurations of the relations between aesthetics, ethics, and affect in nineteenth-century literature.  She has published extensively on Romantic and Victorian authors, the latter including, most recently, Ruskin and Dickens.  Uttara is an established authority on the Romantic essayist, William Hazlitt. She is on the founding committee of the Hazlitt Society and edits The Hazlitt Review. She also co-organizes the annual Hazlitt Day School with Professor Gregory Dart at UCL.  To hear Uttara in conversation on Hazlitt in BBC Radio 4’s In Our Time.  For information on the Hazlitt Society, The Hazlitt Review and the annual Hazlitt Day School.

Michael Simpson has published critical work across the broad field of Romantic literary culture on drama and theatre, poetry and the novel. Before coming to Goldsmiths, he held teaching and research positions at several universities in the USA. Michael is also a scholar of Classical Reception, and contributed the entry on ‘Classical Greek Drama’ to The Encyclopedia of Romantic Literature (ed. Fred Burwick, 2012). On the Romantics & Victorians MA pathway, he teaches the module ‘Romantic Shakespeare’, concerning the Romantic reception of Shakespeare’s plays. Michael’s current research is on the theme of distraction in Romantic literary culture, on which he has a book in the making.

Nell Stevens is a writer of memoir and fiction. Her memoir Mrs Gaskell & Me (2018) combines life writing with historical fiction to explore the personal and transformative relationship between researcher and subject.  Her first book Bleaker House (2017), is an exploration of the narrow spaces between life and fiction, and the ways that writing can traverse and complicate genre.

Frances Wilson’s research is focused on Romantic life-writing, particularly memoirs, journals and the ‘growth of the mind’ described by Wordsworth and Thomas De Quincey. Her biographies include The Courtesan’s Revenge: Harriette Wilson, the Woman Who Blackmailed the King (2003), The Ballad of Dorothy Wordsworth (2008), and Guilty Thing: A Life of Thomas De Quincey (2016). Recent essays include the chapter on ‘Romantic Autobiography’ in The Cambridge Companion to Autobiography (ed. Maria DiBatista, 2015) and ‘Wordsworth’s Sweating Pages: The Love Letters of William and Mary Wordsworth’ in Letter Writing Among Poets (ed. Jonathan Ellis, Edinburgh University Press, 2015). Frances judged the Man Booker Prize in 2010 and is a regular contributor to the TLS.