MA in Script Writing

Course overview

The skills of storytelling are timeless. Tackle the creative, analytical and professional sides of script writing for film, television and radio on this industry-accredited MA.

This course is accredited by Creative Skillset.


With myriad new media platforms there are more opportunities to create content than ever before. And all these require a script and a story. But how do you get your work to industry-standard and in front of the right people? 

The questions we explore

The main question you have to ask yourself for this MA programme is: do I really need to be a writer more than anything else? That’s quite brutal, but script writing is a tough profession. You’re totally exposed as a creative person, it’s you and the page and the tradition in which you’re working, and that can be a liberating but also uncomfortable place to be. 

The processes we use

The programme is not about learning how to be a writer; it’s about developing and pushing forward your own writing projects as far and as fast as you can within 12 months. You’ll be developing your own voice, learning how to critique the work of others, and getting to grips with marketing your projects. You’ll also be making industry contacts so you can pitch for employment in an extremely competitive industry. 

You’ll cover every aspect of the writing process from getting ideas, maintaining productive writing practices and developing characters and story lines, to presenting your work to an industry standard and pitching your ideas. Writing is a lonely business – that’s why the community of writers that the programme gives you is such a creative advantage.

The approach we take

This is an MA that really focuses on you as the student. There are lectures, but most of the time you’ll be working one-to-one with a writing tutor or within small group workshops (with a maximum of 13 people). 

We keep the course small deliberately. In this way we know your individual work and you know other students’ work through the weekly feedback process. We also believe you don’t know who you are until you’re relating to another person, and ultimately this is what script writing is about: making that connection. 

Contact the department

If you have specific questions about the degree, contact Professor Julian Henriques

Modules & structure


A core course is designed to give you the skills and understanding required to develop your Treatment for a feature film or equivalent television or radio script. The course is taught mostly with workshops, in which you present and discuss your own work with other students in a supportive environment. There are also class exercises, lectures, screenings, master classes, seminars and individual tutorials.

Starting in the Spring Term, the course then develops your Treatment into a second draft feature script (or its equivalent).

You'll then be able to pick from a selection of option modules. 


The MA is composed of:

Module title Credits
  Long Form Script (Scriptwriting Portfolio) 90 credits

You also produce a Reflection Essay (15 credits), and choose option modules to the value of 75 credits from the following list:

Module title Credits
  Short Form Script 30 credits
  Strategies in World Cinema 15 credits
  The Ascent of the Image 15 credits
  Filmmakers Make Theory 15 credits
  Social Activist Film 15 credits
  Representing Reality 15 credits
  Sound Design Fundamentals 15 credits
  Camera Fundamentals 15 credits
  Film Producing Fundamentals 15 credits
  Visual Storytelling 15 credits
  Adaptation and Script Editing 30 credits
  Sound Story Telling and Intertextuality of Narrative 15 credits


You are assessed on your portfolio, which consists of your long form treatment and second draft feature script or equivalent, your 4,000-word Reflection essay on this script, linked to issues in Media and Culture and a radio script adapted from a source text. In addition, depending on your options, your portfolio could also include a 10-12 page short script or script-editing proposal and coverage. Other modules are assessed by 5-6,000-word essays.

Download the programme specification. If you would like an earlier version of the programme specification, please contact the Quality Office.

Please note that due to staff research commitments not all of these modules may be available every year.


We are ranked:
1st in the UK for the quality of our research* Joint 1st in the UK for effective teaching** 8th in the world for communication and media studies***

Media and Communications

We’ve also been ranked by LinkedIn as one of the top graduate universities for media professionals, because so many of our graduates go on to find jobs in the industry.

The department includes some of the top academics in the world for this discipline – the pioneers of media, communications and cultural studies. They actively teach on our programmes, and will introduce you to current research and debate in these areas. And many of our practice tutors are industry professionals active in TV, film, journalism, radio and animation.

We also run – our 24/7 student news website – which gives students the opportunity to gain experience working in a real-time news environment.

And we run regular public events featuring world-renowned writers and practitioners that have recently included Danny Boyle, Gurinda Chadha, Noel Clark and Tessa Ross. So you’ll get to experience the latest developments and debates in the industry.

Find out more about the Department of Media and Communications

*Research Excellence Framework 2014, Times Higher Education research intensity subject rankings
**Guardian University Guide League Tables 2017
***QS World University Rankings by Subject 2017


Student work

At the end of the Summer Term every year MA Scriptwriting students organise and present a showcase for their work.

This consists of the first ten pages of the feature or TV script in a table read with professional actors. Friends, family and industry professionals are invited.




Samples of student work

MA Script Showcase Video Recordings, July 2013

At the end of the first term there is also a table read - Short Film Readings 2013

Alumni from the programme often go onto work together afterwards, as with Screen Rebels.

Skills & careers

MA Script Writing is all about the product. So when you complete this masters, you leave with a whole portfolio of writing, a set of professional skills, a list of industry contacts, and a set of professional friendships through the Goldsmiths Screen School. 

The programme gives you a safe, supportive and stimulating environment to unpack your ideas, get constructive feedback, make mistakes, and find the story you want to tell. In the end though, it’s down to you as an individual to become the writer you want to be.

Find out more about employability at Goldsmiths


Student profiles

Danielle Tan

"Goldsmiths is a school that celebrates diversity and equality"

Studying in Goldsmiths, University of London, with the intention of better understanding script writing, is like learning the tricks of the trade at the marketplace itself. Internationally renowned for being not only a leader academically but also a breeding ground for industry-coveted professionals, being here has been catalytic for my personal development. I have had the pleasure of interacting and working with highly talented youth from a plethora of cultures, fields and niches that (without exaggerating) are many times more diverse than I have
experienced in my life. Previously, I was studying Media and Communications in Singapore Polytechnic and in the future, I hope to continue my career as a scriptwriter and director.

Having founded and served as a president of the Goldsmiths’ Singapore Society (GSS), I have also found a greater desire and immense pride to ultimately see my tiny country’s culture being promoted and shared with other Goldsmiths students. At GSS, we aim to promote cohesiveness between students from different backgrounds through social activities and facilitate integration for members based in Singapore into Goldsmiths. We believe that Goldsmiths is a school that celebrates diversity and equality and aim to raise the profile and awareness of Goldsmiths University domestically and internationally as well.


"I enjoyed the group dynamic the most. Writing is usually a very isolated act so it was a wonderful change to be around like-minded people."

"The most important thing I learned was a solid method for writing a script. I learned that the majority of work goes into actually preparing the world of the story, the narrative and characters so that I now have a very solid idea of what I mean to write before I even start the first draft. This has made creative writing more rewarding and less frustrating. I enjoyed the group dynamic the most. Writing is usually a very isolated act so it was a wonderful change to be around like-minded people who are also dedicated to script writing. After the initial nerves about showing my work I really appreciated the constructive criticism and feedback I got from the group. It helped develop my ideas and clarify what it is that I wanted to write. If you want to improve your craft and iron-out those problems that always seem to strike at page 22. I would recommend this course. It provides you a comprehensive understanding of script writing and a supportive environment to be creative."


"The overall most important thing I've learned from the course is how to use the script writing tools to try and hopefully keep your audience interested in what you have to say - your story."

"The overall most important thing I've learned from the course is how to use the script writing tools to try and hopefully keep your audience interested in what you have to say - your story. Learning and practising these tools I've been enabled to explore them through my own work and through other people's work, being the latter from my own student colleagues, other scripts and/or films already made. What I have enjoyed the most about the course has been the wide and rich variety of professionals coming through to lecturer, teach, and/or guide us, as well as the array of people and backgrounds within my the student cohort. Also, to have met some of the alumni from the MA has provided me with a new dimension on what possibilities lay ahead of me after having studied this MA course, which is an enjoyable thing to think about throughout the course too."

See more profiles for this programme

Entry requirements

You will be considered for this programme on the basis of your submitted creative work and your interview. If you are not a graduate you may be asked to show that you have the ability to work at postgraduate level.

Equivalent qualifications
We accept a wide range of international qualifications. Find out more about the qualifications we accept from around the world.

English language requirements
If English isn’t your first language, you’ll need to meet our English language requirements to study with us.

For this programme we require:

IELTS 7.0 with a 7.0 in writing

If you need assistance with your English language, we offer a range of courses that can help prepare you for postgraduate-level study.

How to apply

You apply directly to Goldsmiths using our online application system. 

Before submitting your application you’ll need to have:

  • Details of your education history, including the dates of all exams/assessments
  • The email address of your referee who we can request a reference from, or alternatively an electronic copy of your academic reference
  • personal statement – this can either be uploaded as a Word Document or PDF, or completed online

          Please see our guidance on writing a postgraduate statement

  • If available, an electronic copy of your educational transcript (this is particularly important if you have studied outside of the UK, but isn’t mandatory)


Please include evidence of your fiction writing abilities in the form of:

  • A short film script, in standard screenplay format, of 10-12 pages in length (please add a brief summary of the rest of the story if the script is longer than 12 pages). OR
  • The opening 10 pages of a full length script, in standard screenplay format, together with a summary of the rest of the story. OR:
  • A 10 page short story. (Please note you may be asked to demonstrate your ability to write scripts by submitting scenes to a brief defined by the course convenor if you don’t have a ‘calling card’ script yet written)


  • Three 1 page ideas (single spaced) for short film or feature film projects which you might wish to develop further on the programme.

You'll be able to save your progress at any point and return to your application by logging in using your username/email and password.

When to apply/deadline for application

Application open in October and will be considered on a rolling basis. There is no deadline for applications, however applicants are encouraged to apply early to avoid disappointment.


Applicants who are considered suitable for the programme based on their application will be shortlisted to attend an interview. Overseas applicants who can’t attend an interview day are interviewed by Skype.


You'll be required to submit a portfolio along with your application. Portfolios should consist of:

  • A completed short script or an expert from a feature film script of no less than 10 pages
  • 3 ideas for a original feature film (each 1 page in length)

Find out more about applying.

Fees, funding & scholarships

Find out more about tuition fees.

Find out more about funding opportunities for home/EU applicants, or funding for international applicants. If you're applying for funding, you may be subject to an application deadline.


The Department of Media and Communications often offers fee waivers for this MA. Find out more on our departmental funding page

The Olive Till Memorial Bursary
Since 2003 this bursary been offered to one female student on this course each year. Once an offer of a place has been accepted, the application for this contribution towards fees is by letter, as advised by the course convenor.

BAFTA Scholarships
UK students offered a place on this course are eligible for the BAFTA UK Scholarships Programme

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