Course information


1 year full-time or 2 years part-time

Course overview

We will be making some changes to the way our programmes will be delivered in 2021-22 to ensure we continue to respond to the ongoing Covid-19 pandemic. All programmes will be delivered in-person on campus with some specific sessions within each programme being delivered online in a pre-recorded format. Where necessary, changes will also be made to assessment formats.

‘Culture is a paradoxical commodity. So completely is it subject to the law of exchange that it is no longer exchanged; it is so blindly consumed in use that it can no longer be used. [...] The whole world is made to pass through the filter of the culture industry.’ –Theodor W. Adorno and Max Horkheimer, ‘The Culture Industry’, 1947

Our MA Culture Industry will allow you to explore the interface between contemporary economics and culture, from the scale of a start-up or artwork, to that of governmental policy, a city, or the global marketplace. It will also provide the approaches in critical and theoretical analysis that will enable you to conduct further academic research in areas ranging from art history, to urban studies and critical theory.

In distinction from postgraduate programmes in the Cultural and Creative Industries, this Master’s programme focuses on the paradoxes and potentials of the relationship between culture and capitalism evoked by the term ‘culture industry’.

Taking full advantage of the UK’s leading role in the creative industries, and London’s status as a world city, this course creates opportunities for you to:

  • make projects
  • go on field trips
  • do placements
  • carry out academic learning and research
  • meet diverse creative practitioners and theorists

This will give you first-hand experience of the fast moving creative economy, as well as giving you indispensable skills in understanding that economy from a cultural, philosophical and political standpoint. By combining theoretical and practical approaches to study, the course will not only help you to prepare for a career in the cultural sector, but also to engage with it imaginatively, critically and tactically. 

Engage with the cultural sector

Within the accelerated climate of digital networks and globalisation, the forms and behaviour of culture are mutating, converting the workshop into the handheld device and the cinema and gallery into the bedroom. This course is aimed at creative practitioners, entrepreneurs and theorists wanting to experiment with these changes, and set them into a historically and discursively rich framework.

The Research Lab will help you develop analytical practices with which to study the culture industry in action. We undertake field trips which help you learn to relate first-hand experience to the theoretical ideas introduced by the course. We develop ethnographic skills with which to record, document and make sense of cultural and working practices. We think about ways to read and decode visual culture such as film, advertising and artworks. With these mixed methodologies, students are equipped to extend initial questions and observations into systematic research methods of their own design. 


Placements are self-initiated by students and supported by the research and organisational network of the course leaders. Students on the MA Culture Industry have undertaken placements at the BBC, Stephen Graham Gallery, White Cube gallerySHAPE ArtsChinatown Oral History ProjectMaximum Rock n Roll, the British CouncilBlack Dog PublishingResonance FMGlasgow BiennaleLondon Architecture WeekGlastonbury FestivalLondon Film Festival, the British MuseumSouth Bank CentreGrizedale Arts, the Japan Foundation, the London Anime and Gaming Con, and Sound and Music.

Contact the department

If you have specific questions about the degree, contact Marina Vishmidt.

What you'll study

Compulsory modules

Module title Credits
  Theories of the Culture Industry 30 credits
  Practices of the Culture Industry 30 credits
  MA Culture Industry Major Placements/Major Projects/Dissertation 90 credits
  Research Lab Supports projects, placements and dissertation

Recommended option modules

You take option modules to the value of 30 credits. Modules can be chosen from across Goldsmiths departments and centres. There are a number of Media modules, which are recommended for your programme.

Other option modules by department

You may prefer to look through the full range of option modules available across Goldsmiths departments:

You can also choose modules from the Institute for Creative and Cultural Entrepreneurship (ICCE) and the Department of Visual Cultures. For details of the modules available please email the relevant department at or

Please note that not all the modules listed may be open to you. Your final selection will depend upon spaces available and timetable compatibility.


Essays; project report and documentation/placement report and documentation; research lab participation.

Download the programme specification. If you would like an earlier version of the programme specification, please contact the Quality Office.

Please note that due to staff research commitments not all of these modules may be available every year.

For 2021-22 and 2020–21, we have made some changes to how the teaching and assessment of certain programmes are delivered. To check what changes affect this programme, please visit the programme changes page.

What our students say

Martin Crasbon

The fact that Goldsmiths is located in New Cross makes it feel more intimate, and a little less institutionalised than university campuses in the city centre.

My favourite thing about Goldsmiths is the university's dedication to the arts and the humanities, and the unique courses it offers as a result. I was amazed to find a masters programme that delved so deeply and specifically into the niche I had written my bachelor thesis in. Moreover, I was very impressed by the expertise of my lecturers, both leaders in their respective fields, and the quality of their support during my research process.

The fact that Goldsmiths is located in New Cross makes it feel more intimate, and a little less institutionalised than university campuses in the city centre. The campus feels more like a home, and inspires a lot of creativity and student-led initiatives.

After finishing my masters at Goldsmiths I moved to Ghent, Belgium. I am currently studying filmmaking at an art school there.


Xueqing Yu

Never limit your imagination at Goldsmiths, just like never stop looking for who you are and where you're going. There is no distance between people here, unless you set it yourself.

As I came to Goldsmiths as a graduate student after working for 3 years – I valued my year of study more than most recent undergraduates in China. My experience at Goldsmiths was exactly what I wanted. During my MA, I attended a variety of classes at the department of Media and Communication & Cultural Studies and experimented with a variety of media, including making short films, animations, fieldwork and, of course, writing my essays. Goldsmiths offers the freedom to experiment and find your own direction. The process of studying at Goldsmiths has given me a new understanding of what it means to think independently and to work independently on my own projects, which has been a huge boost to my work.

I am currently working on a sci-tech art exhibition at a listed company in Shanghai. At the same time, I am still experimenting with my own work. While open calling the best sci-tech artists in China, I also find better sources of ideas and working methods in the process of talking with them, which is also very helpful for my own creation. Therefore, I really enjoy the part where my work and my own creations complement each other.

Pau Delgado Iglesias

Studying at Goldsmiths was a great opportunity to delineate my interests.

"Studying at Goldsmiths was a great opportunity to delineate my interests, focusing on the areas I was interested in, building a profile related to the politics of contemporary art. I had the chance to get a placement in the Whitechapel Gallery, working with curator Nayia Yiakoumaki for the Guerrilla Girls exhibition 'Is it even worse in Europe?', in 2016."

See more profiles for this programme

Entry requirements

You should have (or expect to be awarded) an undergraduate degree of upper or at least second class standard in a relevant/related subject. 

It is highly desirable to have previous experience in studying and analysing contemporary theory, policy and sociology, especially as it applies to the creative and artistic fields. You might also be considered for this programme if you aren’t a graduate or your degree is in an unrelated field, but have relevant experience and can show that you have the ability to work at postgraduate level.

International qualifications

We accept a wide range of international qualifications. Find out more about the qualifications we accept from around the world.

If English isn’t your first language, you will need an IELTS score (or equivalent English language qualification) of 6.5 with a 6.5 in writing and no element lower than 6.0 to study this programme. If you need assistance with your English language, we offer a range of courses that can help prepare you for postgraduate-level study.

Fees, funding & scholarships

Annual tuition fees

These are the fees for students starting their programme in the 2021/2022 academic year.

  • Home - full-time: £8990
  • Home - part-time: £4495
  • International - full-time: £16120

If your fees are not listed here, please check our postgraduate fees guidance or contact the Fees Office, who can also advise you about how to pay your fees.

It’s not currently possible for international students to study part-time if you require a Student Visa, however this is currently being reviewed and will be confirmed in the new year. Please read our visa guidance in the interim for more information. If you think you might be eligible to study part-time while being on another visa type, please contact our Admissions Team for more information.

If you are looking to pay your fees please see our guide to making a payment.

Additional costs

In addition to your tuition fees, you'll be responsible for any additional costs associated with your course, such as buying stationery and paying for photocopying. You can find out more about what you need to budget for on our study costs page.

There may also be specific additional costs associated with your programme. This can include things like paying for field trips or specialist materials for your assignments. Please check the programme specification for more information.

Funding opportunities

Find out more about postgraduate fees and explore funding opportunities. If you're applying for funding, you may be subject to an application deadline.

How to apply

You apply directly to Goldsmiths using our online application system. 

Before submitting your application you’ll need to have:

  • Details of your education history, including the dates of all exams/assessments
  • The email address of your referee who we can request a reference from, or alternatively an electronic copy of your academic reference
  • personal statement – this can either be uploaded as a Word Document or PDF, or completed online

          Please see our guidance on writing a postgraduate statement

  • If available, an electronic copy of your educational transcript (this is particularly important if you have studied outside of the UK, but isn’t mandatory
  • A sample of your academic written work – this can either be uploaded as a Word Document or PDF.
    As part of your application, you should upload an essay from your undergraduate studies. Alternatively, you can submit a writing sample (1000 - 1500 words) on a topic that you feel relates to the prospectus of the course.

You'll be able to save your progress at any point and return to your application by logging in using your username/email and password.

When to apply

Applicants are encouraged to submit by 31 May, though applications after this date may still be considered to start the following September if spaces are still available.

We encourage you to complete your application as early as possible, even if you haven't finished your current programme of study. It's very common to be offered a place that is conditional on you achieving a particular qualification. 

If you're applying for funding you may be subject to an application deadline.

Selection process

Admission to many programmes is by interview, unless you live outside the UK. Occasionally, we'll make candidates an offer of a place on the basis of their application and qualifications alone.

Find out more about applying.

Student work

Xueqing Yu

In this project, I have attempted to use the shaping of fiction as a starting point to depict and explore the possibilities of these issues through storytelling, frame-by-frame animation, and audio-visual.

Read more

Suggested reading

  • Theodor W Adorno, The Culture Industry: Selected Essays on Mass Culture, London: Routledge Classics, 2005
  • Franco “Bifo” Berardi, The Soul at Work, Cambridge MA; MIT Press, 2009
  • Bernadette Corporation, Reena Spaulings, LA: Semiotexte, 2004
  • Isabelle Graw, High Price, Sternberg Press, 2010
  • Richard Florida, ‘The 3T’s of Economic Development’, in The Rise of the Creative Class Revisited, Basic Books, New York, 2011, pp. 228-265
  • Stefano Harney and Fred Moten, The Undercommons: Fugitive Planning and Black Study, Wivenhoe, New York and Port Watson, Minor Compositions, 2013
  • David Harvey, Rebel Cities, London: Verso, 2012
  • Robert Hewison, Cultural Capital, London: Verso, 2014
  • Grant H Kester, The One and The Many, USA: Duke University Press, 2011
  • Thorbjorn Knudsen, Marcus Becker, Richard Swedberg, The Entrepreneur: Classic Texts by Joseph A. Schumpeter, Stanford Business Books, 2011
  • Scott Lash and Celia Lury, Global Culture Industry, Cambridge: Polity, 2006
  • Maurizio Lazzarato, ‘Immaterial Labour’, in Radical Thought in Italy, Paolo Virno and Michael Hardt (eds), Minneapolis: University of Minnesota Press, 1996
  • Angela McRobbie, Be Creative: Making a Living in the New Culture Industries, Polity Press, 2015
  • Andrew Ross, No Collar, the Humane Workplace and its Hidden Costs, New York: Basic Books, 2003
  • Richard Sennett, The Craftsman, London: Penguin, 2009
  • Tiziana Terranova, Network Culture: Politics for the Information Age, Pluto Press, London, 2004, pp. 73-97



The programme provides advanced training for labour market-relevant skills in trans-disciplinary analysis of cultural work, aesthetics, urban development, governmentality, financialisation, cultural policy development, technology, intellectual property rights, and the role of cultural institutions.


Suitable careers and areas of work for graduates of the programme include:

  • Government and non-government sectors
  • Arts and arts administration
  • Design
  • Curation
  • Publishing
  • The academic sphere
  • Journalism
  • Media
  • The cultural sector

Find out more about employability at Goldsmiths.

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