Professor Jorella Andrews
Staff details
Having trained as a fine artist, worked in media, and re-trained as an art theorist, Jorella Andrews joined the Visual Cultures Department at Goldsmiths in 1998, working with Irit Rogoff and colleagues to help develop the emergent field of visual cultures from pedagogical as well as theoretical perspectives. Having served as a former Head of Department (2009-13) her current departmental role is as Director of Research.
Andrews' work examines the relations between philosophical inquiry, the image-world, and art practice. Her current focus is on the practical potential of aesthetics and image-based phenomenological research to intervene in key areas of contemporary concern such as the development of non-ego-centric approaches to personal and collective identity, the importance of self-directed, situated learning in academic and non-academic contexts, and the development of non-coercive approaches to change-making in personal and public life.
Academic qualifications
- PhD in Art Theory, Essex University: Merleau-Ponty and the Question of Painting 1997
- MA in Art Theory (with Distinction), Essex University: Merleau-Ponty on Intersubjectivity 1992
- BA (Hons) in Fine Art Printmaking, Central School of Art, London 1984
Teaching and Supervision
I teach two undergraduate modules, ‘Ornamentation’ and ‘Materiality,’ that explore aesthetics and the socio-politics of style, an undergraduate module 'Patterns of Perception,' and an MA Core Course 'Aesthetics and the Stewardship of Public Space'. The PhD dissertations I supervise have a common orientation towards phenomenological and aesthetic themes or have a focus on processes of making.
Research interests
Key publications by Andrews that explore the intersections between philosophical inquiry, the image-world, and art practice in terms of their impact on lived experience include the essay ‘Interviewing Images: How Visual Research Using IPA (Interpretative Phenomenological Analysis) Can Illuminate the Change-Making Possibilities of Place, Space, and Dwelling (2020) and her two monographs, ‘The Question of Painting: Rethinking Thought with Merleau-Ponty’ and 'Showing Off! A Philosophy of Image' (2018 and 2014, both Bloomsbury). She is now researching ‘How to Turn Around Trouble: Aesthetic Strategies for Deep Change’ (working title), which combines theoretical reflection with findings drawn from collaborative community-based projects. A book chapter entitled ‘Pictorial Rationalities and why they matter in our struggles for identity and community’ is forthcoming.
Andrews also advocates for visual culture and art history beyond academia. She is the editor of the ‘Visual Cultures as…’ series (Sternberg Press; 5 titles) and has written two books collaboratively with illustrators: ‘This is Cézanne’ (2015) with Patrick Vale and ‘This is Rembrandt’ (2016) with Nick Higgins, both part of Laurence King Publishing’s ‘This is…’ series.
More generally, Andrews is curious about 20th-century and contemporary visual culture in its diversity and has a longstanding interest in 17th-century Dutch art and in debates and queries of a theological nature.
Andrews has a long history of involvement in local community-based activities as a volunteer, activities which have been increasingly intertwining with her academic concerns and providing opportunities for site-specific research and development. For instance, she has co-facilitated a local, faith-based arts forum with painter Walter Hayn since 2013 and is Chair of Albion Millennium Green Trust, which stewards a small public green space in London in terms of its biodiversity and as a site for community gatherings and events.
Publications and research outputs
Book
Andrews, Jorella G. and Durner, Leah. 2019. Painting, Largesse and Life: A Conversation with Leah Durner. New York: Leah Durner.
Andrews, Jorella G.. 2018. The Question of Painting: Rethinking Thought with Merleau-Ponty. London: Bloomsbury Academic. ISBN 9781472574282
Andrews, Jorella G.. 2016. This is Rembrandt. London: Laurence King. ISBN 9781780677453
Andrews, Jorella G.. 2015. This is Cézanne. London: Laurence King Publishing. ISBN 978-1780674780
Andrews, Jorella G.. 2014. Showing Off! A Philosophy of Image. London: Bloomsbury Academic. ISBN 9781472531797
Andrews, Jorella G. and O'Sullivan, Simon D.. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 978-3-943365-38-2
Edited Book
Andrews, Jorella G., ed. 2023. Visual Cultures as World Forming. Berlin: Sternberg Press. ISBN 9783956795374
Andrews, Jorella G., ed. 2021. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381
Andrews, Jorella G., ed. 2016. Visual Cultures as Opportunity. Berlin: Sternberg Press. ISBN 3956791002
Andrews, Jorella G., ed. 2013. Visual Cultures as Seriousness. Berlin: Sternberg Press. ISBN 9783943365399
Andrews, Jorella G., ed. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 9783943365382
Andrews, Jorella G., ed. 2013. Visual Cultures As Recollection. Berlin: Sternberg Press. ISBN 9783943365405
Book Section
Andrews, Jorella G.. 2023. Quodlibet and Cortesia: Alastair Gordon’s Painterly Debates with Art, Nature, and ‘the Real’. In: Jorella G. Andrews, ed. Alastair Gordon – Quodlibet. London: Anomie Publishing, pp. 13-23. ISBN 9781910221488
Andrews, Jorella G.. 2022. Pictorial Rationalities and why they matter in our struggles for identity and community. In: Helen Fielding and Mariana Ortega, eds. Life in Art—Phenomenological Approaches to Aesthetics and World-Making. Bloomington: Indiana University Press.
Andrews, Jorella G.. 2016. The Socialities of Things. In: Barbara Kapusta; Rocco Pagel and Jenni Tischer, eds. Dinge und Dialoge. Berlin and Vienna: Saprophyt, pp. 10-15.
Andrews, Jorella G.. 2013. Intending Objects and “Signs which have no meaning”. In: Jorella G. Andrews, ed. Visual Cultures as Objects and Affects. Berlin: Sternberg Press, pp. 29-58. ISBN 978-3-943365-38-2
Andrews, Jorella G.. 2011. Contemporary Art, "Counter-Environmentalism," and the Politics of A-Signification. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: Transcript Verlag, pp. 43-58. ISBN 978-3-8376-1847-1
Andrews, Jorella G.. 2010. ‘How to be counter-environmental: art, research and the techniques of discovery’. In: José Quaresma, ed. Research in Art: A Forest, Many Paths. Lisbon: Edição CIEBA, Faculty of Fine Arts, University of Lisbon, pp. 180-203.
Andrews, Jorella G.. 2007. Vision, Violence and the Other: A Merleau-Pontean Ethics. In: G. Weiss and D. Olkowski, eds. Feminist Interpretations of Merleau-Ponty. Penn State University Press, pp. 167-182. ISBN 027102917X
Andrews, Jorella G.. 2006. Critical Materialities. In: A. Nollert; Irit Rogoff; B. de Baere; Y. Dziewior; C. Esche; K. Nieman and D. Roelstraete, eds. A.C.A.D.E.M.Y. Revolver, pp. 178-186. ISBN 3865883036
Andrews, Jorella G.. 2006. Losing Labels and Liking It. In: Heather Maitland, ed. Navigating Difference: cultural diversity and audience development. London: Arts Council England, pp. 141-147. ISBN 9780728710771
Andrews, Jorella G.. 2004. Painterly Transubstantiations/Political Change. In: A. Tymieniecka, ed. Metamorphosis: Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations: 81 (Analecta Husserliana). Kluwer Academic Publishers, pp. 141-151. ISBN 9781402017094
Andrews, Jorella G.. 2002. Identity - An Introduction. In: Rasheed Araeen; Sean Cubitt and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 135-137. ISBN 9780826458506
Andrews, Jorella G.. 2002. Post Theory - An Introduction. In: Rasheed Araeen and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 229-232. ISBN 9780826458506
Andrews, Jorella G.. 2001. Maria Sibylla Merian: Collecting Metamorphosis. In: G. Ecker; M. Stange and U. Vedder, eds. Sammeln, Ausstellen, Wegwerfen. Ulrike Helmer Verlag, pp. 71-89. ISBN 3897410702
Andrews, Jorella G.. 2001. Dispossessing the Land. In: , ed. Landscape Trauma in the Age of Scopophilia. London: Autograph, pp. 57-63. ISBN 1 899282 80 7
Andrews, Jorella G.. 2000. The Virtual Intersection: A Meditation on Domestic Virtue. In: Fran Lloyd and Catherine O'Brien, eds. Secret Spaces, Forbidden Places: Re-thinking Culture. New York and Oxford: Berghahn, pp. 171-183. ISBN 9781571817884
Andrews, Jorella G.. 1998. Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective. In: Anna-Teresa Tymieniecka, ed. The Reincarnating Mind, or the Ontopoietic Outburst in Creative Virtualities. 53 Springer Netherlands, pp. 335-343. ISBN 978-94-010-6055-4
Andrews, Jorella G.. 1997. Renegotiating the Familiar, Inhabiting the Strange: The Installations of Permindar Kaur. In: , ed. Crosscurrents/Krysninger. Norway: Riksutstillinger/National Touring Exhibitions, Norway, pp. 19-21.
Article
Andrews, Jorella G.. 2023. Close Looking - Yuki Katsura. RA The Royal Academy of Arts Magazine(158), p. 21. ISSN 0956-9332
Andrews, Jorella G.. 2022. A Close Encounter with Paul Cézanne. RA The Royal Academy of Arts Magazine(156), p. 23. ISSN 0956-9332
Andrews, Jorella G.. 2020. Interviewing Images: How visual research using IPA (Interpretative Phenomenological Analysis) can illuminate the change-making possibilities of place, space, and dwelling. Advances in Social Science, Education and Humanities Research, 475, pp. 20-31. ISSN 2352-5398
Andrews, Jorella G.. 2019. Erasure and epoche: phenomenological strategies for thinking in and with devastation. ISSUE, 8, pp. 69-79. ISSN 2315-4802
Andrews, Jorella G.. 2019. Mystical Materialities: Jorella Andrews on recent re-orientations towards Christian mystic traditions in art. Art and Christianity, 97, pp. 7-10. ISSN 1746-6229
Andrews, Jorella G.. 2016. The Forge of Vision: A Visual History of Modern Christianity David Morgan. Art and Christianity, 86, pp. 12-13. ISSN 1746-6229
Andrews, Jorella G.. 2011. The Photographic Stare. Philosophy of Photography, 2(1), pp. 41-56. ISSN 20403682
Andrews, Jorella G.. 2000. Easels and Amazons (‘Amazons of the Avant‐Garde’). Third Text, 50, pp. 109-113. ISSN 0952-8822
Andrews, Jorella G.. 1998. Telling tales: Five contemporary women artists from India. Third Text, 43, pp. 81-89. ISSN 0952-8822
Conference or Workshop Item
Andrews, Jorella G.. 2021. 'His Artistry; His Imagery: Visuality, spiritual formation, intercession'. In: Session 8 - Religion & Art Forum. Online, United Kingdom 13 December 2021.
Andrews, Jorella G.. 2021. 'Welcome Home: Red Ribbon Living Well Support Group Celebrate World AIDS Day 2021 (plus preparatory workshops)'. In: Welcome Home. The Somerville, New Cross, London, United Kingdom 5 March - 1 December 2021 (and ongoing).
Andrews, Jorella G.. 2021. 'Identity as Openness'. In: Ways of Seeing 2021: Identities in Art and Architecture. National Gallery, London, United Kingdom 20 November 2021.
Andrews, Jorella G.. 2021. 'Pictorial Rationality, Trans-culturalism, and the Work of Art'. In: Critical Phenomenology & Merleau-Ponty’s Open Futures: 45th Annual Conference of the International Merleau-Ponty Circle. Western University, Canada 22 - 24 October 2021.
Andrews, Jorella G.. 2021. 'Art and Aesthetics in and after Phenomenology of Perception: Post-Launch Discussion'. In: Philosophy Video Premiere & Launch: Art and Aesthetics in and After Phenomenology of Perception (A Conversation in Five Parts). Concordia University, Canada 1 October 2021.
Andrews, Jorella G.. 2021. 'Public Art, Personal Depth'. In: Association for Art History: Art History Festival | Public Art, Personal Depth. National Gallery, London, United Kingdom 24 September 2021.
Andrews, Jorella G.. 2021. 'Rights of Passage Session 2: Powerful Voices (Deptford Peoples Heritage Museum)'. In: Rights of Passage: Intergenerational Music and History Exchanges between London and Dakar. Pepys Resource Centre, London, United Kingdom 11 June 2021.
Andrews, Jorella G.. 2021. 'How can Objects and Images help us Reflect, Share and Educate?'. In: The New Cross Fire Collection at the Deptford People's Heritage Museum: Reflection and Planning. London, United Kingdom 27 March 2021.
Andrews, Jorella G.. 2021. 'Visual Cultures Now - Field Reports, Public Programme Lecture Series, 2020-21'. In: Visual Cultures Public Programme: Field Reports 2020-21. Goldsmiths University of London, United Kingdom 8 October 2020 - 25 March 2021.
Andrews, Jorella G.. 2021. 'Using “extreme list-making” to explore objects and images: What Could Deptford People’s Heritage Museum Be? An Online Community Gathering and Launch Event'. In: What Could Deptford People’s Heritage Museum Be? An Online Community Gathering and Launch Event. London, United Kingdom 20 February 2021.
Andrews, Jorella G.. 2021. 'The Mark Fisher Memorial Lecture 2021: Notes from the Underground with Test Dept'. In: Mark Fisher Memorial Lecture 2021 with Test Dept. Goldsmiths, University of London, United Kingdom 29 January 2021.
Andrews, Jorella G.. 2021. 'Interviewing Images Workshop'. In: Interviewing Images Workshop Western Arts & Humanities, Western University. Western University, Canada 27 January 2021.
Andrews, Jorella G.; Gordon, Alastair and Smith, James K.A.. 2020. 'Material Thought - Make Good Lecture'. In: Make Good Lecture: Material Thought. Morphe Arts, Dundee, United Kingdom 7 December 2020.
Andrews, Jorella G.. 2020. 'Circling squares: Phenomenology, change-making, and the idea of the creation as theophany'. In: Religion & Art Symposium. Goldsmiths, University of London, United Kingdom 13 November 2020.
Andrews, Jorella G.. 2020. 'Interviewing Images: How visual research using IPA (Interpretative Phenomenological Analysis) can illuminate the change-making possibilities of place, space, and dwelling.'. In: 3rd International Conference on Dwelling Form (IDWELL 2020). Department of Architecture Universitas Indonesia, Indonesia 27 - 28 October 2020.
Andrews, Jorella G. and Smith, James K.A.. 2020. 'Material Futures, with Jorella Andrews and James K.A Smith | Morphe Arts, Make Good Lecture'. In: Material Futures, with Jorella Andrews and James K.A Smith | Morphe Arts, Make Good Lecture 5 October 2020. Morphe Arts, Dundee, United Kingdom 5 October 2020.
Andrews, Jorella G.. 2020. 'Labyrinth Walking/Labyrinth Walking Resources: Goldsmiths Mental Health Awareness Day Sessions'. In: Goldsmiths Mental Health Awareness Day Sessions. Goldsmiths, University of London, United Kingdom 4 - 5 March 2020.
Andrews, Jorella G.. 2019. 'Abstraction'. In: Philosophy and Painting: Sharing Concepts. University of Tel Aviv, Israel 23 December 2019.
Andrews, Jorella G.. 2019. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. University of Tel Aviv, Israel 25 December 2019.
Andrews, Jorella G.. 2019. 'Practices of Stewardship: Albion Millennium Green and the Albion Millennium Green Labyrinth as an Agent of Care'. In: Redesigning Stewardship. Goldsmiths, University of London, United Kingdom 16 September 2019.
Andrews, Jorella G.. 2019. 'Making our way in semi-obscurity'. In: Extending the Image Workshop with Susan Sentler (LASALLE) for MA Design Expanded Practice students. Goldsmiths, University of London, United Kingdom 14 June 2019.
Andrews, Jorella G.. 2019. '‘Interviewing Images’: Using IPA (Interpretative Phenomenological Analysis) in visual arts research.'. In: Pictures and words: combining verbal accounts and visual images within interpretative phenomenological analysis. Phenomenology of Health and Relationships Conference: Creativity and Affect. Aston University, Birmingham, United Kingdom 22-23 May 2019.
Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: Test Lab Central St Martins. Central Saint Martins, University of the Arts London, United Kingdom 1 May 2019.
Andrews, Jorella G.; Say, Jeffrey and Veal, Clare. 2019. 'Using Phenomenology in Contemporary Arts Reserach & Pedagogy Workshop 2: Phenomenological encounters with non-western and diasporic objects-images-architeves-&-artworlds (Phenomenology, displacement and decoloniality)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. Goldsmiths, University of London, United Kingdom 21-23 February 2019.
Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: PhD Workshop. SOAS London, United Kingdom 10 January 2019.
Andrews, Jorella G.. 2018. 'Challenging Identities'. In: Ways of Seeing 2018: Identities, Art and Architecture. National Gallery, London, United Kingdom 24 November 2018.
Andrews, Jorella G.. 2018. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. SOAS, United Kingdom 22 November 2018.
Andrews, Jorella G.. 2018. 'The Courage to Persevere: Contemporary re-interrogations of faith and their public implications'. In: The Faiths and Civil Society Unit Public Programme: Faith and the Future of Civil Society. Goldsmiths, University of London, United Kingdom.
Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts-based Research and Pedagogy. Two-day Workshop'. In: Using Phenomenology in Contemporary Arts Workshop: 2 Day Workshop. Goldsmiths, University of London, United Kingdom 19 and 26 October 2018.
Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts Research and Pedagogy (Handbook for 3-day Workshop led by Jorella Andrews)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24-26 September 2018.
Andrews, Jorella G.. 2018. 'Starting from below: Phenomenological Interventions in Art History and Visual Culture'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24 September 2018.
Andrews, Jorella G.. 2018. 'Description, the unorphaned eye, and the cultivation of care'. In: Visual Pedagogies: IAVC (International Association for Visual Culture) Conference, 2018. London College of Communication, University of the Arts London, United Kingdom 14 September 2018.
Andrews, Jorella G.. 2018. 'How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge,'. In: World Phenomenology Institute, 2018 Conference on Phenomenology and Aesthetics. Harvard University, United States 13-15 June 2018..
Andrews, Jorella G. and Martinon, Jean-Paul. 2018. 'A Fearless Look at the Unspeakable: Visual Cultures Public Programme Sping Term 2018'. In: Visual Cultures Public Programme. Goldsmiths, University of London, United Kingdom Jan-Feb 2018.
Andrews, Jorella G. and Durner, Leah. 2016. 'Immeasurable Extravagance: Proposals for an Economy of Abundance in an Age of Scarcity'. In: Panel at CAA (College Art Association) Conference 2017. New York Hilton Midtown, NYC, United States 15 February 2017.
Andrews, Jorella G.. 2016. '‘Where is called Thinking?’'. In: Series: HCT Debates: Dis-locutions, the architectural and the political. AA (Architectural Association) School, London, United Kingdom 4 March 2016.
Andrews, Jorella G.. 2007. 'Appearance is Everything: Phenomenology, art and critical enquiry'. In: Institut für Kultur und Kunstwissenschaften. Humboldt University, Berlin, Germany.
Andrews, Jorella G.. 2007. 'Phenomenologies/Perceptions/Interpretations'. In: International Association for Philosophy and Literature Conference. University of Cyprus.
Andrews, Jorella G. and Osborne, Peter. 2007. 'Critical Materialities'. In: Day Seminar: Research and the matter of art: ‘Thinking by Doing’ and a Materialist’s Method. Royal College of Art, London, United Kingdom 21 February 2007.
Andrews, Jorella G.. 2005. ''Showing Off': A Merleau-Pontean Approach to the Ethical'. In: IAPL (International Association for Philosophy and Literature) Conference 2005. Chiasmatic Encounters. Special Panel: 'Bodily Écarts : Encountering Merleau-Ponty in the 21st Century'. University of Helsinki, Finland 2-8 June 2005.
Andrews, Jorella G.. 2004. 'Intending objects and signs ”which have no meaning”'. In: Presentation. Royal College of Art, London, United Kingdom.
Andrews, Jorella G.. 2003. 'Field Work: Reports from the Field of Visual Culture'. In: Field Work: Reports from the Field of Visual Culture. Victoria Miro Gallery.
Andrews, Jorella G.. 2002. 'Of Ethics and Intermundane Space'. In: IAPL (International Association for Philosophy and Literature) Conference 2002 - Intermedialities. Erasmus University, Rotterdam, Netherlands 3-8 June 2002.
Andrews, Jorella G.. 2002. 'Painterly Transubstantiations/Political Change'. In: Seventh Annual Meeting of the International Society for Phenomenology, Aesthetics and the Fine Arts. Harvard Divinity School, Cambridge, MA, United States 10-12 May 2002.
Andrews, Jorella G.. 2002. ''Phenomenological Orientations: Art/Perception/Ethics''. In: The Future Past of Visual Culture (Conference 1). Tate Britain, London, United Kingdom.
Andrews, Jorella G.. 2001. ''The Dance of the Hand: The Material Space of Language''. In: Presentation. Central St. Martins College of Art, London, United Kingdom.
Andrews, Jorella G.. 2001. 'Dis-alienation and the Eye'. In: Exils/Exiles - 2001. Herstmonceux Castle, East Sussex, United Kingdom.
Andrews, Jorella G.. 2000. 'Moufida Tlatli's "The Silences of the Palace": A Cartography of Servitude.'. In: Geographies of Home Conference. University College London, United Kingdom.
Andrews, Jorella G.. 2000. 'Vision, Violence and the Other: A Merleau-Pontean Ethics'. In: The 25th Annual Meeting of the International Merleau-Ponty Circle. Washington DC, United States.
Andrews, Jorella G.. 2000. 'The Creative Circuit: The Experience of Cultural Translation'. In: The Creative Circuit: The Experience of Cultural Translation. Victoria & Albert Museum.
Andrews, Jorella G.. 2000. ''Performing Space''. In: Inhabiting Technology Conference,. ICA London.
Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Collecting Metamorphosis'. In: Workshop: Sammeln und Ausstellen. Literatur- und kulturwissenschaftliche Perspektiven. University of Paderborn, Germany.
Andrews, Jorella G.. 1999. 'Staying Embodied: Merleau-Ponty, Integrated Being and the Creation of New Structures'. In: The 1999 International Conference of the Merleau-Ponty Circle. Wrexham, Wales, United Kingdom.
Andrews, Jorella G.. 1999. 'The Dance of the Hand: on gestural writing, epistemology and creativity'. In: Talk. Central St. Martins College of Art, London, United Kingdom.
Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Painting the Microcosm'. In: Association of Art Historians 1999 Conference. Southampton, United Kingdom.
Andrews, Jorella G.. 1999. ''The Forensic Aesthetic: Iconographies of Violence'. In: Presentation. . Central St. Martins, London, United Kingdom.
Andrews, Jorella G.. 1999. 'Pacific Asia Cultural Studies Forum Conference'. In: Pacific Asia Cultural Studies Forum Conference. Goldsmiths, University of London.
Andrews, Jorella G.. 1998. 'The Virtual Intersection: Pieter de Hooch's Woman with a Broom and Pail in a Courtyard'. In: Secret Spaces, Forbidden Places (international colloquium). Herstmonceux Castle, United Kingdom.
Andrews, Jorella G.. 1998. 'Merleau-Ponty, non-philosophy and painting'. In: Talk. Central St. Martins, London, United Kingdom.
Andrews, Jorella G.. 1998. 'Story-Time: An exhibition of artists living in Israel/Palestine'. In: Story-Time: An exhibition of artists living in Israel/Palestine. Candid Arts Gallery, London.
Andrews, Jorella G.. 1997. 'Merleau-Ponty, Phenomenology and Processes of Describing'. In: Presentation. Kingston University, United Kingdom.
Andrews, Jorella G.. 1997. 'Instabilities, Uncertainties, Aliens: A Perspective upon our Searches for Security'. In: Presentation. University of Oslo, Ethnographic Museum, Norway.
Andrews, Jorella G.. 1997. 'Carrie Mae Weems and the Question of Criticism'. In: Presentation. Essex University, United Kingdom.
Andrews, Jorella G.. 1997. 'Matisse, Merleau-Ponty and the Search for Depth'. In: Aesthetics: A Day School in Philosophy. Birkbeck College, University of London, United Kingdom.
Andrews, Jorella G.. 1995. 'Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective'. In: World Phenomenology Congress. Guadalajara, Mexico.
Art Object
Andrews, Jorella G.. 2023. Holdings (2020-23).
Broadcast
Andrews, Jorella G.. 2021. Talking History: Cezanne - A Life.
Andrews, Jorella G. and Mirzoeff, Nicholas. 2014. Visual Cultures In Conversation: Nicholas Mirzoeff's The Right to Look, Journal of Visual Culture Podcast 2014..
Digital
Andrews, Jorella G.. 2021. How to find great galleries and exhibitions (and what to do when you get there).
Film/Video
Andrews, Jorella G.. 2021. Art and Aesthetics in and after Phenomenology of Perception.
Printed Ephemera
Andrews, Jorella G.. 2021. How to find great galleries and exhibitions (and what to do when you get there) 2nd Edition.
Andrews, Jorella G.. 2018. How to find great galleries and exhibitions (and what to do when you get there).
Professional Activity
Andrews, Jorella G.. 2019. Trustee, Association for Art History.
Project
Andrews, Jorella G.. 20 February 2021 - Present "Interviewing" Images & Objects: Community Engagement Workshops and Projects.
Andrews, Jorella G.. 24 November 2018 - Present Advocacy for Art History/Visuals Cultures (via the Association for Art History): 2018- Present.
Andrews, Jorella G.. 22 Sept 2018 - present Using Phenomenology in Contemporary Arts Research/Interviewing Images: Academic Workshops September 2018 - Present.
Andrews, Jorella G.. 15 June 2016 - Present Philosophy, Art and Religion.
Further profile content
Featured publications
2020:
Interviewing Images
An exploration of how visual research using Interpretative Phenomenological Analysis (IPA) can illuminate the change-making possibilities of place, space, and dwelling
2018:
The Question of Painting: Rethinking Thought with Merleau-Ponty
A phenomenological exploration of painterly practices as modes of 'material' thought.
2014:
Showing Off! A Philosophy of Image
Offers an ethics of visuality in which phenomenological explorations of human and non-human self-showing are prioritised.
Professional projects
Trustee, Association for Art History
