- A Withdrawing Vital Material Roberdeau, Wood. 2017. A Withdrawing Vital Material. TAKE on art magazine, 3(1), pp. 22-28.
- You Must Carry Me Now: The Cultural Lives of Endangered Species by Bryndís Snæbjörnsdóttir and Mark Wilson Roberdeau, Wood. 2016. You Must Carry Me Now: The Cultural Lives of Endangered Species by Bryndís Snæbjörnsdóttir and Mark Wilson. Antennae: The Journal of Nature in Visual Culture, ISSN 1756-9575
- Gastronomic Worldviews of Transubstantiation Roberdeau, Wood. 2013. Gastronomic Worldviews of Transubstantiation. Parallax, 19(1), pp. 128-131. ISSN 1353-4645
- Meal Time as Medium: Duration and the work of AO& Roberdeau, Wood. 2012. Meal Time as Medium: Duration and the work of AO&. Performance Research, 17(5), pp. 130-134. ISSN 1352-8165
- Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme Roberdeau, Wood. 2012. Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme. Journal of the International Association of Research Institutes in the History of Art,
- Going Public by Boris Groys Roberdeau, Wood. 2011. Going Public by Boris Groys. Art & the Public Sphere, 1(2), pp. 229-233.
- Developing the Negative Roberdeau, Wood. 2011. Developing the Negative. Philosophy of Photography, 2(1), pp. 169-173. ISSN 2040-3682
- Affirming Difference: Everyday Aesthetic Experience after Phenomenology Roberdeau, Wood. 2011. Affirming Difference: Everyday Aesthetic Experience after Phenomenology. Contemporary Aesthetics, 9,
- Immanence as Aesthetic Documentation Roberdeau, Wood. 2010. Immanence as Aesthetic Documentation. rubric: document(3), pp. 10-14.
- Ordinary Origins: Encountering Others Encountering Objects Roberdeau, Wood. 2009. Ordinary Origins: Encountering Others Encountering Objects. rubric: nascent(1), pp. 6-9.
Dr Wood Roberdeau
Staff details
Position
Senior Lecturer in Visual Cultures, Programme Leader BA in History of Art
Department
w.roberdeau (@gold.ac.uk)
Links
Goldsmiths Research Centres/Groups
Wood’s ongoing work concentrates on art practices that address ecology, environment, and social consciousness.
My background in the art world has directed me to develop a more theoretical or philosophical approach to contemporary creative practices within the wider environmental humanities. I explore modes of everyday experience through phenomenology and philosophical post-humanism to ask how a poetics of space and place or the 'lived environment' might resonate with climate change and futurity. My writing and pedagogy have been grounded by the spatial theme of dwelling or 'inhabitation' and new concepts of political ecology or 'cohabitations' following twentieth- and twenty-first century eco-criticism. I am particularly interested in questions concerning cultural production and reception in times of climate crisis and activism that explore a poetics of encounter, observation and participation (an 'eco-poetics'). I have published on visual practices, the alimentary, vital materiality, pollution, phenomenology, the rural, and the planetary as complex spatio-temporal paradigms for criticality.
Academic qualifications
- PhD in Visual Cultures, Goldsmiths, University of London 2008
- MA in Contemporary Art, Sotheby's Institute of Art, London 2002
- BA in French Literature and Philosophy, Colorado College, Colorado Springs 1999
Teaching and supervision
From 2019-22 I was Head of Department in Visual Cultures. During that time, I convened the MA Contemporary Art Theory Core Course entitled Conceptual Ecologies. I currently teach across our programmes and on the following undergraduate and postgraduate modules:
Space & Time (BA year 1, 30 credits)
Inhabitations (BA year 2, 15 credits)
Cohabitations (BA year 2, 15 credits)
MA CAT Core Course (MA, 60 credits)
Previous modules I have convened include: Introduction to Art History, Contemporary Art Worlds, London Art Worlds, Postmodernities, Contemporaneities, and Ecopoetics.
Additionally, I am an examiner/contributor for the MA Research Architecture Symposium. I have supervised MA dissertations at the Royal College of Art and I currently supervise dissertations on both MA CAT and MARA at Goldsmiths.
Being part of the Department's research clusters on 'Environmental Humanities and Ecologies', 'Philosophy, Critical and Visual Theory', and 'Political Aesthetics', I have supervised and am currently supervising doctoral theses on networked retreat, shadow aesthetics, the computational museum, the politics of food, territorial film fables, theatres of farming, colonial dispossession, contemporary animism, and wildfire aesthetics/politics. I have examined doctoral theses at Goldsmiths, the University of Westminster, the University for the Creative Arts, and the University of St. Andrews.
Research interests
My research within Visual Cultures and Contemporary Art Theory turns to environmental studies, everyday aesthetics, eco-feminism, eco-phenomenology, and emerging discourses within the fields of New Materialism and Speculative Realism. Using these coordinates, I consider the activation of visual art within philosophical post-humanism, particularly in terms of subjectivity and agency, the ontology of objects and materiality, the politics of food, cultivation and agriculture, temporal scale effects, and geopower. I am the Chair of the Critical Ecologies Research Stream, a member of the Centre for Art and Ecology, the Centre for Critical Global Change, and the Kitchen Research Unit. I am also the Goldsmiths Pathway Lead for Sustainability and Climate Emergency on the South and East Network for Social Sciences Doctoral Training Programme (SENSS).
Featured publications
2023:
' Experiments in Eco-poiesis: herman de vries and an Art of Immediacy'
In: Fröydi Laszlo and Anna Risell, eds. The Anthropocene Laboratory. Gothenburg: Förlaget 284.
2021:
'Fog (a Delegation for Atmosphere)'
In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr barcelona.
2018:
'After Baruchello: Agricultural Encounters in Contemporary Art'
In: Ben Stringer, ed. Rurality Re-imagined: Villagers, Farmers, Wanderers and Wild Things. Novato, California: ORO Editions/Applied Research & Design.
Publications and research outputs
Book Section
- Experiments in Eco-poiesis: herman de vries and an Art of Immediacy Roberdeau, Wood. 2023. Experiments in Eco-poiesis: herman de vries and an Art of Immediacy. In: Fröydi Laszlo and Anna Risell, eds. The Anthropocene Laboratory. Gothenburg: Förlaget 284. ISBN 978-9198165005
- Fog (a Delegation for Atmosphere) Roberdeau, Wood. 2022. Fog (a Delegation for Atmosphere). In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr-barcelona. ISBN 9788494938870
- After Baruchello: Agricultural Encounters in Contemporary Art Roberdeau, Wood. 2018. After Baruchello: Agricultural Encounters in Contemporary Art. In: Ben Stringer, ed. Rurality Re-imagined: Villagers, Farmers, Wanderers and Wild Things. Novato, California: ORO Editions/Applied Research & Design. ISBN 978-1-940743-34-9
Article
- Counter-attacking Pollution in Three Aerial Acts Roberdeau, Wood. 2022. Counter-attacking Pollution in Three Aerial Acts. Performance Research, 26(7), pp. 23-30. ISSN 1352-8165
- Scalar Aesthetics of Ecocinema: The Wall and The Survivalist Roberdeau, Wood. 2018. Scalar Aesthetics of Ecocinema: The Wall and The Survivalist. Transformations Journal of Media, Culture and Technology(32),
- Kurt Schwitters and 27 Senses: Resonances in Norway, England and Time Roberdeau, Wood. 2017. Kurt Schwitters and 27 Senses: Resonances in Norway, England and Time. Dada/Surrealism, 21, ISSN 0084-9537
Conference or Workshop Item
- Tsunami Listening Roberdeau, Wood. 2025. 'Tsunami Listening'. In: The Stories We Tell Ourselves - Reimagining Ecologies. University of Exeter, Penryn Campus, United Kingdom 21 - 22 March 2025.
- Solastalgic Aesthetics and Living Extinctions in SGAAWAAY K’UUNA (Edge of the Knife) Roberdeau, Wood. 2024. 'Solastalgic Aesthetics and Living Extinctions in SGAAWAAY K’UUNA (Edge of the Knife)'. In: The Aesthetics of Geopower: Imagining Planetary Histories and Hegemonies. University of Amsterdam, Netherlands 4 - 5 April 2024.
- The Seeds of Vandana Shiva: Story, Politics, Life and the Ravages of Biotech Roberdeau, Wood. 2023. 'The Seeds of Vandana Shiva: Story, Politics, Life and the Ravages of Biotech'. In: Screening and discussion co-hosted by MCCS and Critical Ecologies. Goldsmiths, University of London, United Kingdom 7 June 2023.
Broadcast
- Guest speaker: https://research.gold.ac.uk/id/eprint/27458/ Roberdeau, Wood. 2013. Guest speaker: https://research.gold.ac.uk/id/eprint/27458/.
Printed Ephemera
- Poetic|Baroque|Differential Roberdeau, Wood. 2015. Poetic|Baroque|Differential.
- Quiet Totemism Roberdeau, Wood. 2014. Quiet Totemism.
- 'Happiness Is Closer than You Think' Roberdeau, Wood. 2010. 'Happiness Is Closer than You Think'.
Conferences and talks
2025:
Tsunami Listening, The Stories We Tell Ourselves – Reimagining Ecologies, University of Exeter (Penryn)
Speaker
2024:
Participatory Art in the Age of Ecology, The Courtauld Institute of Art, London
Workshop Presenter
2019:
Feed Our Progress, organised by a/political and Visual Cultures Society, Goldsmiths, London
Chair and Speaker with Petr Davydtchenko (artist) and Naomi Leake (Extinction Rebellion)
2019:
Cohabiting the Microcosm and Macrocosm, Study Sessions: Calculative Environments, Nottingham Contemporary
Speaker
2016:
A Bridge to Christo, discussion and film presentation, Goldsmiths, London
Chair and Speaker
2017:
Rurality Re-imagined, MA Free Seminar, Centre for Research Architecture, Goldsmiths, London
Speaker
2017:
Isabel Lewis’s ‘Occasion’, BMW Tate Live Exhibition: Ten Days Six Nights, Tate Modern, London
Respondent
2015:
Friday Salon: On Skeuomorphism, Institute of Contemporary Arts, London
Chair and Speaker
2011:
Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme, 4th Annual RIHA Lecture, The Courtauld Institute of Art, London
Keynote Lecture