Wood Roberdeau is a theorist working on contemporary art and exhibition practices within the wider environmental humanities. His writing is informed by the spatial theme of dwelling and new concepts of political ecology after twentieth-century eco-criticism; it investigates the activation of visual art within philosophical post-humanism, particularly in terms of subjectivity and agency, the ontology of objects and materiality, cultivation and agriculture, temporal scale effects, everyday aesthetics, and geopoetics. Wood also co-chairs the Critical Ecologies research stream, as part of Technologies, Worlds, Politics.
- PhD, Visual Cultures, Goldsmiths, University of London, 2008
- MA, Contemporary Art, Sotheby’s Institute of Art, London, 2002
- BA, French Literature, Colorado College, Colorado Springs, 1999
Wood teaches Conceptual Ecologies, a core course on the MA in Contemporary Art Theory. For the BA in History of Art and BA in Fine Art/History of Art, he convenes Space & Time (year 1), Inhabitations (year 2) and Cohabitations (year 2). Past BA teaching has included core module Introduction to Art History (year 1), London Art Worlds (study abroad students), Postmodernities (years 2 and 3) and core module Contemporaneities (year 2). From 2016-2019, he takes up the key departmental role of Chair of Learning and Teaching.
Areas of supervision
Projects that connect with the following thematic research clusters in the department of Visual Cultures are welcome: Environmental Humanities and Ecologies; Philosophy, Critical and Visual Theory; Political Aesthetics.
Wood is a member of the following learned societies: Association of Art Historians; Centre for Studies of Home; Edinburgh Environmental Humanities Network; Society for Literature, Science and the Arts.
- 'Eco-Aesthetic Opacity and the Moving Image', Darkness, Island Dynamics, Longyearbyen, Svalbard, 13-17 January, 2019
- 'Monochrome Green: On Eco-Aesthetics, Reductionism and Abstraction', Green, The European Society for Literature, Science and the Arts 12th Annual Conference, Copenhagen, Denmark, 13-16 June, 2018
- 'Time and Environment in The Survivalist', Out of Time, Society for Literature, Science and the Arts 31st Annual Conference, Arizona State University, Tempe, 9-12 November, 2017
- ‘Nature vs. Culture: Xenotext and the Poetic Limit’, After Biopolitics, Society for Literature, Science and the Arts 29th Annual Conference, Rice University, Houston, 12-15 November, 2015
- What Does Climate Change? 80 Years of Environmental Politics – Left and Right, Platypus Affiliated Society, Goldsmiths, 23 October, 2015
- Critical Environments, co-curated with Lynn Turner, Visual Cultures Public Programme, Goldsmiths, Spring Term, 2015
- ‘Readymade Rurality and Ecological Non-knowledge: Imagining the Art Farm’, Re-imagining Rurality, Faculty of Architecture and the Built Environment, University of Westminster, London, 27-28 February, 2015
- ‘Sites of Vital Materiality: Art History’s Apiaries and Ecologies of Everyday Life’, Art History and Ecology, Association of Art Historians 40th Anniversary Conference, Royal College of Art, London, 10-12 April, 2014
- ‘Centralizing the Periphery: Social Art, Eco-aesthetics and Liminal Space’, Ordinary/Everyday/Quotidian, University of York, York, 26-27 September, 2013
Environmental Studies; Everyday Aesthetics; Domesticities; Political Ecologies (Guattari, Latour); Phenomenology, Speculative Realism, New Materialism (Heidegger, Morton, Bennett); Eco-Psychology (Gibson); Sociology (De Certeau, Lefebvre).
After Baruchello: Agricultural Encounters in Contemporary Art
Roberdeau, Wood. 2018. After Baruchello: Agricultural Encounters in Contemporary Art. In: Ben Stringer, ed. Rurality Re-imagined: Villagers, Farmers, Wanderers and Wild Things. Novato, California: ORO Editions/Applied Research & Design. ISBN 978-1-940743-34-9
Scalar Aesthetics of Ecocinema: The Wall and The Survivalist
Roberdeau, Wood. 2019. Scalar Aesthetics of Ecocinema: The Wall and The Survivalist. Transformations Journal of Media, Culture and Technology(32),
Kurt Schwitters and 27 Senses: Resonances in Norway, England and Time
Roberdeau, Wood. 2017. Kurt Schwitters and 27 Senses: Resonances in Norway, England and Time. Dada/Surrealism, 21, ISSN 0084-9537
You Must Carry Me Now: The Cultural Lives of Endangered Species by Bryndís Snæbjörnsdóttir and Mark Wilson
Roberdeau, Wood. 2016. You Must Carry Me Now: The Cultural Lives of Endangered Species by Bryndís Snæbjörnsdóttir and Mark Wilson. Antennae: The Journal of Nature in Visual Culture, ISSN 1756-9575
Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme
Roberdeau, Wood. 2012. Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme. Journal of the International Association of Research Institutes in the History of Art,
Affirming Difference: Everyday Aesthetic Experience after Phenomenology
Roberdeau, Wood. 2011. Affirming Difference: Everyday Aesthetic Experience after Phenomenology. Contemporary Aesthetics, 9,
Ordinary Origins: Encountering Others Encountering Objects
Roberdeau, Wood. 2009. Ordinary Origins: Encountering Others Encountering Objects. rubric: nascent(1), pp. 6-9.