Dr Emily Rosamond

Staff details

Position Lecturer in Visual Cultures and Joint Programme Leader, BA Fine Art and History of Art
Department Visual Cultures
Email Emily.Rosamond (@gold.ac.uk)
Dr Emily Rosamond

Emily Rosamond is a writer and artist, whose research stems from an interest in how historically situated performances of self are intertwined with developments in financial and informatic infrastructures. Her current work focuses on the implications of financialization and metrification for recent art practices that explore online identity and selfhood. She examines how the identification of users’ behaviours, habits, and tendencies in the age of big data – by audience measurement companies, fintech startups, credit scoring corporations, online reviewers, and investors – newly foregrounds character and reputation as speculative logics of networked personhood. 

Recent publications have focused on shifting logics of represented selfhood in the surveillance performances of SWAMP, Hasan Elahi and Erica Scourti (International Journal of Performance Arts and Digital Media, 2015); rethinking modernist legacies of abstraction in light of information politics (Message, 2015); reputation and character in the entrepreneurial imaginary (Paragrana, 2016); the implications of social impact bonds – new financial products allowing investors to speculate on social outcomes – for socially engaged art practices (Finance and Society, 2016); and addressivity in online dating platforms (Journal of Aesthetics & Culture, 2018). 

Currently, Emily is working on a monograph on online reputation, and collaborative research project that aims to formalize Critical Reputation Studies as a transdisiplinary subfield. 

Emily’s art practice spans performance, painting, sculpture, drawing, and video. It often involves experiments in inhabiting personas through intense engagements with materials. Her ongoing project, Weathervane, explores how experiences of personal decision-making are inflected by the emergence of an oracular mode of address in prediction-rich online environments.

Recent exhibitions include Small Things Considered – Ceterus Paribus (Leu Gallery, Belmont University, Nashville, 2018); Plymouth Contemporary (Karst, 2017); Tenderflix, Horse Hospital, London (2016); Weathervane (Goldsmiths, 2016); Say What?, ASC Gallery, London (2016); and before breakfast we talked about the furthest visible point before it all disappeared, Tenderpixel, London (2014). Past exhibitions include solo shows at AceArt, Inc, Winnipeg (2010), and the Richmond Art Gallery, B.C., Canada (2008), as well as two-person exhibitions at the Art Gallery of Southwestern Manitoba and Truck Contemporary, Calgary (2011).

Academic Qualifications

PhD Art, Goldsmiths, University of London (2016)
MFA Interdisciplinary Studies, Simon Fraser University, Vancouver (2007)
Interdisciplinary Studio Program, Toronto School of Art (2005) 
BFA Visual Arts, York University, Toronto (2002)

Teaching Qualifications

PG Certificate Course in the Management of Teaching and Learning in Higher Education, Goldsmiths, University of London (2015)
Certificate Course in University Teaching and Learning, Simon Fraser University (2007)
Fellow, Higher Education Academy (2015)

Teaching 

Emily is Joint Programme Leader on the BA Fine Art and History of Art. She currently teaches the second-year History of Art option module Frontiers of Performance Art, co-teaches the second-year core History of Art module Contemporaneities, and leads a teaching block on Digital and Data Publics on the BA Curating module Curating and the Public Sphere. Previous lectureships have included art history, theory and studio teaching on a wide range of topics including modern and contemporary art, painting, materiality, affect theory and algorithmic culture. Emily also writes and lectures on pedagogical issues – for instance, on cultivating metacognitive skills in teaching writing.

Scholarships and Awards

2012-2014 Commonwealth Scholarship - Doctoral, CSC United Kingdom

2009-2012 Joseph-Armand Bombardier Canada Graduate Scholarship – Doctoral Social Sciences and Humanities Research Council of Canada

2006-2007 Canada Graduate Scholarship – Masters, Social Sciences and Humanities Research Council of Canada

1998-2002 President’s Scholarship, York University, Toronto

 

Research Interests

Reputation, literary character, contemporary art, performance art, financialization, metrification, creditworthiness, information politics, algorithmic governmentality.

Publications

Book Section

Techniques of Aberrant Extraction: Transacting Surplus Acts in an Age of Speculation
Rosamond, Emily. 2019. Techniques of Aberrant Extraction: Transacting Surplus Acts in an Age of Speculation. In: Marsha Bradfield; Metod Blejec; Cinzia Cremona; Verina Gfader; Amy McDonnell and Eva Sajovic, eds. A Market of Values: Transacting. Bristol: Intellect Books.

Surveillance Capitalist Aesthetics
Rosamond, Emily. 2018. Surveillance Capitalist Aesthetics. In: Katleen Vermeir and Ronny Heiremans, eds. A Modest Proposal. Brussels: Jubilee vzw, pp. 31-35. ISBN 9789082966206

It Sees (Notes Toward a Cultural History of Financial Vision)
Rosamond, Emily. 2017. It Sees (Notes Toward a Cultural History of Financial Vision). In: Inte Gloerich; Geert Lovink and Patricia de Vries, eds. Moneylab Reader Reader 2: Overcoming the Hype. Amsterdam: Institute of Network Cultures, pp. 101-114. ISBN 978-94-92302-19-9

Reputation Addiction
Rosamond, Emily. 2017. Reputation Addiction. In: Vanessa Bartlett and Henrietta Bowden-Jones, eds. Are We All Addicts Now? Liverpool: Liverpool University Press, pp. 96-103. ISBN 978-1-78694-081-0

Theatre of Information
Rosamond, Emily. 2017. Theatre of Information. In: Sam Smith and Andrea Zucchini, eds. Here the Sun does not enter. London: Assembly Point. ISBN 978-0-9957691-0-6

Speculative Labour: On the Work of Charlotte Warne Thomas
Rosamond, Emily. 2015. Speculative Labour: On the Work of Charlotte Warne Thomas. In: Margarida Bröco Amorim; Alejandro J. Ball; Miriam La Rosa and Stefania Sorrentino, eds. In Transition: The Artistic and Curatorial Residency. London: CTC Press, pp. 24-33. ISBN 9780993358708

Electricity Enslaved: Tonal Imagery of Progress, Incorporation, Extinction
Rosamond, Emily. 2012. Electricity Enslaved: Tonal Imagery of Progress, Incorporation, Extinction. In: , ed. Necrospective. London: Danielle Arnaud. ISBN 9780955872167

Factory-esque: Temporalities of Critique in Michael Landy's Breakdown
Rosamond, Emily. 2011. Factory-esque: Temporalities of Critique in Michael Landy's Breakdown. In: Ahlia Moussa and Simon Bentley, eds. Revisiting Ephemera. London, Ontario, Canada: MacIntosh Gallery/Blue Medium Press, pp. 37-52. ISBN 9780986750663 0986750662

Article

Le capital de tempérament : les Actions à impact social et la financiarisation du comportement
Rosamond, Emily. 2019. Le capital de tempérament : les Actions à impact social et la financiarisation du comportement. Mouvements, 97, pp. 63-72.

Developing an Experimental Retreat-Based Model for Fine Art Theory-Practice Teaching and Learning
Rosamond, Emily. 2019. Developing an Experimental Retreat-Based Model for Fine Art Theory-Practice Teaching and Learning. Creative Pedagogies, 1(2), pp. 1-8.

The Sketch in the Work of Frances Stark, Jacolby Satterwhite, and Sue Tompkins
Rosamond, Emily. 2018. The Sketch in the Work of Frances Stark, Jacolby Satterwhite, and Sue Tompkins. Esse, 93, pp. 38-49. ISSN 0831-859X

Inflation
Rosamond, Emily. 2018. Inflation. Catalogue essay, Adrienne Spier, Lump, Slump, Sunk, Hamilton Artists Inc,

The Common Sense - Q+A
Rosamond, Emily; Skinner, Kristie; Weeks, Harry and Gregory, Karen. 2018. The Common Sense - Q+A. The Two-Way Patch,

Moods of Identification
Rosamond, Emily. 2018. Moods of Identification. Furtherfield Spring Editorial,

To sort, to match and to share: addressivity in online dating platforms
Rosamond, Emily. 2017. To sort, to match and to share: addressivity in online dating platforms. Journal of Aesthetics & Culture, 10(3), pp. 32-42.

Developing Student-Centred Metacognitive Parameters for Writing Feedback
Rosamond, Emily. 2017. Developing Student-Centred Metacognitive Parameters for Writing Feedback. Creative Pedagogies, 1(1), pp. 15-19.

The Infinite Mix
Rosamond, Emily. 2017. The Infinite Mix. Esse, 89, ISSN 0831-859X

Shared Stakes, Distributed Investment: Socially Engaged Art and the Financialization of Social Impact
Rosamond, Emily. 2016. Shared Stakes, Distributed Investment: Socially Engaged Art and the Financialization of Social Impact. Finance and Society, 2(2), pp. 111-126. ISSN 2059-5999

All Data is Credit Data: Reputation, Regulation and Character in the Entrepreneurial Imaginary
Rosamond, Emily. 2016. All Data is Credit Data: Reputation, Regulation and Character in the Entrepreneurial Imaginary. Paragrana, 25(2), pp. 112-124. ISSN 0938-0116

Ghosted Clients, Oriented Strands: Composites and Class in Ian Gonczarow's Painting
Rosamond, Emily. 2016. Ghosted Clients, Oriented Strands: Composites and Class in Ian Gonczarow's Painting. Ian Gonczarow, Mr. and Mrs. Andrews,

Francis Alÿs, Ciudad Juárez Projects
Rosamond, Emily. 2016. Francis Alÿs, Ciudad Juárez Projects. Esse, 88, pp. 110-111. ISSN 0831-859X

A Premonition of the Act, Rose English / with, and, or, without, Florian Roithmayr, Camden Arts Centre
Rosamond, Emily. 2016. A Premonition of the Act, Rose English / with, and, or, without, Florian Roithmayr, Camden Arts Centre. Esse(87), pp. 112-113. ISSN 0831-859X

The Surveillance Economy: Toward a Geopolitics of Personalization
Rosamond, Emily. 2016. The Surveillance Economy: Toward a Geopolitics of Personalization. Geopolitics, 86, pp. 22-29. ISSN 0831-859x

Technologies of Attribution: Characterizing the Citizen-Consumer in Surveillance Performance
Rosamond, Emily. 2015. Technologies of Attribution: Characterizing the Citizen-Consumer in Surveillance Performance. International Journal of Performance Arts and Digital Media, 11(2), pp. 148-164. ISSN 1479-4713

Transfusing Abstraction: Darren Harvey-Regan's Metalepsis
Rosamond, Emily. 2015. Transfusing Abstraction: Darren Harvey-Regan's Metalepsis. Esse, 83, pp. 14-21. ISSN 0831-859x

Rafael Lozano-Hemmer: Obra Sonora
Rosamond, Emily. 2015. Rafael Lozano-Hemmer: Obra Sonora. Esse, 83, pp. 72-75. ISSN 0831-859X

The Background Speaks: David Mabb's Announcer and the Emergence of Information
Rosamond, Emily. 2015. The Background Speaks: David Mabb's Announcer and the Emergence of Information. Message, 2(1), pp. 20-25.

Perte de Signal at the Kinetica Art Fair
Rosamond, Emily. 2014. Perte de Signal at the Kinetica Art Fair. Esse,

Species of Futurity in Business, Law and Finance
Rosamond, Emily. 2014. Species of Futurity in Business, Law and Finance. Who Thinks the Future?, pp. 7-11.

(Im)material Pedagogies
Rosamond, Emily. 2013. (Im)material Pedagogies. P.A.R.T.S.,

Object Lessons: David Askevold's Learning About Cars and Chocolates
Rosamond, Emily. 2012. Object Lessons: David Askevold's Learning About Cars and Chocolates. Esse, 75, pp. 30-33. ISSN 0831-859X

Un-designing: Serge Murphy, Architecture and Felt Time
Rosamond, Emily. 2012. Un-designing: Serge Murphy, Architecture and Felt Time. Esse, 74, ISSN 0831-859X

Narrative Interrupted: Painting Between Progression and Duration
Rosamond, Emily. 2012. Narrative Interrupted: Painting Between Progression and Duration. Lucky 7 Chanceux: Studio Arts MFA, pp. 72-75.

Patterning Particularity: Adrienne Spier's Furniture Sculptures
Rosamond, Emily. 2011. Patterning Particularity: Adrienne Spier's Furniture Sculptures. Esse, 73, ISSN 0831-859X

Pavillon levé (dix jours à vaincre les mortes-eaux)
Rosamond, Emily. 2011. Pavillon levé (dix jours à vaincre les mortes-eaux). C Magazine, 112, pp. 47-48. ISSN 1480-5472

Still Life with Easter Everywhere
Rosamond, Emily. 2010. Still Life with Easter Everywhere. Esse, 69, ISSN 0831-859X

Conference or Workshop Item

Addressivity in Online Platforms
Rosamond, Emily. 2019. 'Addressivity in Online Platforms'. In: School of Fine and Performing Arts Visiting Speaker Programme. University of Lincoln, United Kingdom 20 February 2019.

Respondent, Art After Money, Money After Art
Rosamond, Emily. 2018. 'Respondent, Art After Money, Money After Art'. In: Art After Money, Money After Art. Furtherfield Commons, United Kingdom 9 December 2018.

The Investment-Image of Contemporary Art
Rosamond, Emily. 2018. 'The Investment-Image of Contemporary Art'. In: Post-Capitalist Photography Now!. The Photographers' Gallery, London, United Kingdom 24 November 2018.

Testing
Rosamond, Emily. 2018. 'Testing'. In: Guest Lecture, PC Certificate Course in the Management of Teaching and Learning in Higher Education. Goldsmiths, United Kingdom 18 November 2018.

Choreopolitics in the Age of Big Data
Rosamond, Emily. 2018. 'Choreopolitics in the Age of Big Data'. In: Choreopolitics in the Age of Big Data. The Place, London, United Kingdom.

Reputation and Surveillance Capitalist Aesthetics
Rosamond, Emily. 2018. 'Reputation and Surveillance Capitalist Aesthetics'. In: Futures of Finance and Society Conference. University of Edinburgh, United Kingdom 6-7 December 2018.

Surveillance Capitalist Aesthetics
Rosamond, Emily. 2018. 'Surveillance Capitalist Aesthetics'. In: A Modest Proposal Symposium. Royal College of Art, United Kingdom 27 October, 2018.

John Chilver in conversation with Emily Rosamond
Chilver, John and Rosamond, Emily. 2018. 'John Chilver in conversation with Emily Rosamond'. In: John Chilver in conversation with Emily Rosamond. Xero, Kline and Coma, London, United Kingdom 22 July, 2018.

Distortions
Rosamond, Emily. 2018. 'Distortions'. In: Conspiracy of the Real. Tenderpixel, London, United Kingdom 3 May, 2018.

Volatile Measurement Environments
Rosamond, Emily. 2018. 'Volatile Measurement Environments'. In: New Narratives 2: Thinking Economics Differently. Kunstgebaude, Stuttgart, Germany 15 April, 2018.

Second Selves: Auto/Biography, Figuration and the Financial Subject
Rosamond, Emily. 2018. 'Second Selves: Auto/Biography, Figuration and the Financial Subject'. In: Tenth Critical Finance Studies Conference. University of Gothenburg, Sweden 9-11 August 2018.

Profiling and Predictive Cultures
Rosamond, Emily. 2018. 'Profiling and Predictive Cultures'. In: Brookes Fine Art Lecture Series. Oxford Brookes University, United Kingdom 6 February 2018.

It Sees
Rosamond, Emily. 2018. 'It Sees'. In: Moneylab #4: Art, Culture and Financial Activism. Somerset House, United Kingdom 18 January 2018.

Identity Trouble
Rosamond, Emily. 2017. 'Identity Trouble'. In: Identity Trouble (on the blockchain). Goethe Institute, London, United Kingdom 23 November, 2017.

Discussion: Telepathy as Feminist Methodology
Rosamond, Emily and Zubillaga, Luciano. 2017. 'Discussion: Telepathy as Feminist Methodology'. In: Post-Cyber Feminist International. ICA, London, United Kingdom 19 November, 2017.

On Reputation and Addiction
Rosamond, Emily. 2017. 'On Reputation and Addiction'. In: Are We All Addicts Now? Symposium and Book Launch. Central St Martins, United Kingdom 7 November.

Financial Vision and the Disinterested Gaze of Power
Rosamond, Emily. 2017. 'Financial Vision and the Disinterested Gaze of Power'. In: Intersections of Finance and Society. City, University of London, United Kingdom 2-3 November, 2017.

Reputation Capital/Reputation Warfare: Two Versions of the Optimal
Rosamond, Emily. 2017. 'Reputation Capital/Reputation Warfare: Two Versions of the Optimal'. In: All Things Optimal. Centre for Interdisciplinary Methodologies, University of Warwick, United Kingdom 25 October, 2017.

New Fluidities: Borders in the Age of Continuous Transformation
Rosamond, Emily. 2017. 'New Fluidities: Borders in the Age of Continuous Transformation'. In: Uncertain Identities. Haus Für Kunst Uri, Altdorf, Switzerland 30 September, 2017.

Removing the Cap: Institutional Affectivity and the Financialization of British Art Education
Rosamond, Emily. 2017. 'Removing the Cap: Institutional Affectivity and the Financialization of British Art Education'. In: Ninth Critical Finance Studies Conference. University of Leicester, United Kingdom.

Reputation Management, Surveillance Capitalism and the Politics of Nudging
Rosamond, Emily. 2017. 'Reputation Management, Surveillance Capitalism and the Politics of Nudging'. In: London Conference in Critical Thought. London South Bank University, United Kingdom 30 June - 1 July, 2017.

The Future-Oracular: Prediction, Divination and the Politics of Certainty
Rosamond, Emily. 2017. 'The Future-Oracular: Prediction, Divination and the Politics of Certainty'. In: AUB Research Conference. Arts University Bournemouth, United Kingdom 3 April, 2017.

Reputation Power
Rosamond, Emily. 2017. 'Reputation Power'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom.

Financial Witness: Investing in Rehabilitation in an Actuarial Age
Rosamond, Emily. 2016. 'Financial Witness: Investing in Rehabilitation in an Actuarial Age'. In: MoneyLab #3. Institute of Network Cultures, Amsterdam, Netherlands.

Office/Surface/Tension
Rosamond, Emily. 2016. 'Office/Surface/Tension'. In: Tensegrity - and Other Contradictory Complicities. Tenderpixel, London, United Kingdom 18-19 November 2018.

What is Reputation Capital? Character, Power and the Reputation Economy
Rosamond, Emily. 2016. 'What is Reputation Capital? Character, Power and the Reputation Economy'. In: Capital as Power: Broadening the Vista. York University, Canada 28-30 September, 2016.

Socially Engaged Art and the Financialization of Social Impact
Rosamond, Emily. 2016. 'Socially Engaged Art and the Financialization of Social Impact'. In: 8th Critical Finance Studies Conference. University of Southampton, United Kingdom 4-6 August 2016.

What Moves Us: Immersive Economies and Composite Bodies
Rosamond, Emily. 2016. 'What Moves Us: Immersive Economies and Composite Bodies'. In: Banner Repeater New Materialisms Reading Group. Banner Repeater, United Kingdom 8 June, 2016.

First Person Finance
Rosamond, Emily. 2016. 'First Person Finance'. In: Abstract Cities, Spatial Practices and the Urban Commons. Tenderpixel, London, United Kingdom 13 April - 4 June 2016.

Risky Behaviour: Social Impact Bonds and the Financialization of Rehabilitation
Rosamond, Emily. 2016. 'Risky Behaviour: Social Impact Bonds and the Financialization of Rehabilitation'. In: Risking Everything: The Computational Politics of Prediction, Security and Secrecy. Goldsmiths, University of London 20 May 2016.

Character, Creditworthiness and Reputation: on Representational Logics of Control in the Surveillance Economy
Rosamond, Emily. 2016. 'Character, Creditworthiness and Reputation: on Representational Logics of Control in the Surveillance Economy'. In: Control. Stockholm University, Sweden 14-17 June 2016.

Algorithmic Witnesses
Rosamond, Emily. 2016. 'Algorithmic Witnesses'. In: 8th Beyond Humanism Conference. Universidad Complutense de Madrid, Spain 25-27 May 2016.

Algorithmic Witnesses
Rosamond, Emily. 2016. 'Algorithmic Witnesses'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom.

Dating Big Data: OkCupid's OkTrends
Rosamond, Emily. 2016. 'Dating Big Data: OkCupid's OkTrends'. In: Love's Archive. Arts University Bournemouth, United Kingdom 14-15 March 2016.

Politics of the Shared Interior: on Digital Intimacy and Tangible Space
Rosamond, Emily. 2015. 'Politics of the Shared Interior: on Digital Intimacy and Tangible Space'. In: Intimacies. Goldsmiths, United Kingdom 1-2 June, 2015.

The Umwelt and the Operational Image
Rosamond, Emily. 2015. 'The Umwelt and the Operational Image'. In: Nematode. Wysing Arts Centre, United Kingdom 9 May, 2015.

Economies of (Mis)Trust: Reputation as Capital in the Digital Age
Rosamond, Emily. 2015. 'Economies of (Mis)Trust: Reputation as Capital in the Digital Age'. In: Seventh Critical Finance Studies Conference. Copenhagen Business School, Denmark 19-21 August 2015.

Phantom Limbs and the Image-Object: Toward a Feminist Materialist Account of the Points of Contact Between Tangible and Digital Space
Rosamond, Emily. 2015. 'Phantom Limbs and the Image-Object: Toward a Feminist Materialist Account of the Points of Contact Between Tangible and Digital Space'. In: Material Environments: Sensing Time And Matter In Digital And Visual Culture, University of Greenwich. University of Greenwich, United Kingdom 24-25 July 2015.

Character in the Age of Big Data
Rosamond, Emily. 2015. 'Character in the Age of Big Data'. In: Commonwealth Scholars Regional Network Conference. University of Nottingham, United Kingdom 20 July 2015.

Surveillance, Preemption and the Production of Character in the Age of Big Data
Rosamond, Emily. 2015. 'Surveillance, Preemption and the Production of Character in the Age of Big Data'. In: London Conference in Critical Thought 2015. University College London, United Kingdom 26-27 June 2015.

Weathervane
Rosamond, Emily. 2015. 'Weathervane'. In: Questioning Practice: Art/CRA Research Seminar. Goldsmiths, University of London 2 March 2015.

Futures of the Future: Agriculture Between Business and Culture
Rosamond, Emily. 2014. 'Futures of the Future: Agriculture Between Business and Culture'. In: Vertical Farming and the Future of Food Conference. Foundation for Art and Creative Technology, Liverpool, United Kingdom 10 October, 2014.

Economic Figuration
Rosamond, Emily. 2014. 'Economic Figuration'. In: Critical Finance Studies VI. University of Amsterdam, Netherlands 13-15 August, 2014.

Luxurious Renunciations: Wealth, Destruction and Critical Duration in Michael Landy's Breakdown
Rosamond, Emily. 2011. 'Luxurious Renunciations: Wealth, Destruction and Critical Duration in Michael Landy's Breakdown'. In: Luxuries of the Literary Mind Conference. McGill University, Canada 4-5 March 2011.

Impersonating Ideology: The “Factory-Esque” and Temporalities of Critique in Recent Installation
Rosamond, Emily. 2010. 'Impersonating Ideology: The “Factory-Esque” and Temporalities of Critique in Recent Installation'. In: Revisiting Ephemera Conference. University of Western Ontario, Canada.

Spatializing Character: on the Work of Geoffrey Farmer
Rosamond, Emily. 2009. 'Spatializing Character: on the Work of Geoffrey Farmer'. In: A Measure of Place: Space in Text and Context. McGill University, Canada 5-7 February 2010.

Respondent, Rated Agency Book Launch
Rosamond, Emily. 'Respondent, Rated Agency Book Launch'. In: Michel Feher, Rated Agency Book Launch. Goldsmiths, United Kingdom 28 November 2018.

Art Object

Wifi Coming Through the Wallpaper
Rosamond, Emily. 2016. Wifi Coming Through the Wallpaper.

Decision Aperture in Light Heat (simmer in the measure)
Rosamond, Emily. 2016. Decision Aperture in Light Heat (simmer in the measure).

A trigger for each of the oracle's moods, as if she could cut through the thick through the thick crust
Rosamond, Emily. 2016. A trigger for each of the oracle's moods, as if she could cut through the thick through the thick crust.

The premise does its job and then it's rolled up, it's rolled up like a carpet
Rosamond, Emily. 2016. The premise does its job and then it's rolled up, it's rolled up like a carpet.

Weathervane (a score, a spell, a story, a sculpture)
Rosamond, Emily. 2016. Weathervane (a score, a spell, a story, a sculpture).

That's one way of belonging, that's one way of getting the future to circle around the sharkifin of the present
Rosamond, Emily. 2016. That's one way of belonging, that's one way of getting the future to circle around the sharkifin of the present.

Performance

Tall Grass Tells the Time
Rosamond, Emily. 2019. Tall Grass Tells the Time. In: "Performance Night!", A.P.T. Gallery, London, United Kingdom, 16 February 2019.

Zine//o//morph
Rosamond, Emily; Milne, Alexis and Oi, Lu Ma. 2018. Zine//o//morph. In: "Zine//o//morph", ASC Studios, Empson Street, London, United Kingdom, 26 January 2018.

You must answer in the form of a question!
Rosamond, Emily; Harris, Rowena; Prevett, James; Zaharia, Madalina and Craig, Kit. 2016. You must answer in the form of a question!. In: "You must answer in the form of a question!", ASC Gallery, London, United Kingdom, 3 October 2016.

Printed Ephemera

The Ethylene Trio, Part 3: Oracles
Rosamond, Emily. 2018. The Ethylene Trio, Part 3: Oracles.

Office/Surface/Tension
Rosamond, Emily. 2016. Office/Surface/Tension.

Pixelated City
Rosamond, Emily. 2016. Pixelated City.

The Fog Generator
Rosamond, Emily. 2015. The Fog Generator.

States of Statue
Rosamond, Emily. 2014. States of Statue.

All Things Now Measured in Loveliness
Rosamond, Emily. 2013. All Things Now Measured in Loveliness.

Imaginary Sculptures for an Infinite Economy
Rosamond, Emily. 2012. Imaginary Sculptures for an Infinite Economy.

Show/Exhibition

Mimesis; Narrative; Against Hegemony!
Rosamond, Emily; Charlesworth, Dave; Cove, Ben; Estna, Merike; Gainan, Justin; Goodwin, Katie; Hughes, Catherine; Kiernander, Trevor; Pathan, Alia; Selby, Lisa; Systems House, M.; Taylor, Ross; Tilley, Annabel; Whatmore, Poppy and Zaharia, Madalina. 2019. Mimesis; Narrative; Against Hegemony!. In: "Mimesis; Narrative; Against Hegemony!", A.P.T. Gallery, London, United Kingdom, 25 January - 16 February 2019.

Small Things Considered - Ceteris Paribus
Rosamond, Emily. 2018. Small Things Considered - Ceteris Paribus. In: "Small Things Considered - Ceteris Paribus", Leu Gallery, Belmont University, Nashville, Tennessee, United States, 12 March - 4 May 2018.

Plymouth Contemporary
Rosamond, Emily. 2017. Plymouth Contemporary. In: "Plymouth Contemporary", Karst, Plymouth, United Kingdom.

Say What?
Rosamond, Emily; Craig, Kit; Lawler, Alex; Prevett, Jim; Selby, Lisa; Harris, Rowena and Zaharia, Madalina. 2016. Say What?. In: "Say What?", ASC Gallery, London, United Kingdom, 9 September - 28 October 2016.

before breakfast we talked about the furthest visible point before it all disappeared
Rosamond, Emily; Pickering, Kate and Ounanian, Steven. 2014. before breakfast we talked about the furthest visible point before it all disappeared. In: "before breakfast we talked about the furthest visible point before it all disappeared", Tenderpixel, London, United Kingdom, 27 June - 26 July 2014.

Night Shift
Rosamond, Emily. 2010. Night Shift. In: "Night Shift", AceArt, Inc., Winnipeg, Canada, 1-31 June 2010.

The Patron Saint of Waterskiers and Other Entities
Rosamond, Emily. 2008. The Patron Saint of Waterskiers and Other Entities. In: "The Patron Saint of Waterskiers and Other Entities", Richmond Art Gallery, Richmond, British Columbia, Canada, 11 September - 16 November, 2008.

Thesis

Economies of Character (or, Character in the Age of Big Data)
Rosamond, Emily. 2016. Economies of Character (or, Character in the Age of Big Data). Doctoral thesis, Goldsmiths, University of London