Perchard, Tom. 2017. 'Historiography and Popular Music'. In: 53rd Royal Music Association annual conference. University of Liverpool, United Kingdom.
Perchard, Tom. 2017. 'Experiments in Critical Music Writing'. In: Experimental Approaches to Writing Research symposium. Birmingham City University, United Kingdom.
Perchard, Tom. 2017. 'What Next for the History of Popular Music?'. In: 19th Biennial Conference of the International Association for the Study of Popular Music. Kassel, Germany.
Perchard, Tom. 2016. 'Towards a History of Pop Music in the British Home'. In: Research symposium. University of York, United Kingdom.
Perchard, Tom. 2016. 'Utopia in the Living Room'. In: Jazz Utopia. Birmingham City University, United Kingdom.
Perchard, Tom. 2016. 'The Look of Listening: Audio Technology and the British Home, 1955-70'. In: Research Symposium. Canterbury Christ Church University, United Kingdom.
Perchard, Thomas. 2015. 'Roundtable contributor'. In: ‘New Directions in Jazz Studies’ symposium.. Senate House, University of London, United Kingdom.
Perchard, Tom. 2014. 'Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014.'. In: Voice, Memory, Song symposium, University of Oxford. University of Oxford, United Kingdom.
Perchard, Tom. 2014. '‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’.'. In: Invited seminar, Royal Holloway, University of London. Royal Holloway, University of London, United Kingdom.
Perchard, Tom. 2014. '‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’'. In: Musical Materialities in the Digital Age. University of Sussex, United Kingdom.
Perchard, Tom. 2012. 'Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’'. In: Invited research seminar. King’s College London.
Perchard, Tom. 2012. '“We must expand the domain of jazz so we never have to leave it”: André Hodeir and the search for a European jazz art'. In: Invited research seminar. University of Edinburgh.
Perchard, Tom. 2012. 'Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology'. In: Perspectives on Musical Improvisation. University of Oxford.
Perchard, Tom. 2012. 'Jazz Trumpet and the Semiotics of Vulnerability'. In: 19th International Congress of the International Musicological Society. Rome, Italy.
Perchard, Tom. 2012. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Unofficial Histories. Bishopsgate Institute, London.
Perchard, Tom. 2012. 'Monk Meets the French Critics'. In: Piacenza Jazz Fest study day. Piacenza, Italy.
Perchard, Tom. 2011. 'Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud'. In: Invited research seminar. University of York.
Perchard, Tom. 2011. 'Re-reading Primitivism in Hugues Panassié’s Writing on Jazz'. In: Jazz and Race, Past and Present. Open University.
Perchard, Tom. 2011. 'Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum'. In: Salford Jazz Research Seminar. University of Salford.
Perchard, Tom. 2011. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Invited research seminar, ‘Directions in Musical Research’ series.. Institute of Musical Research, School of Advanced Study.
Perchard, Tom. 2011. 'Four Histories of 20th-Century Music.'. In: Cabaret Voltaire art foundation course. GBS University, St. Gallen, Switzerland.
Perchard, Tom. 2009. 'Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism'. In: Invited research seminar. University of Sheffield.
Perchard, Tom. 2009. 'Thelonious Monk Meets the French Critics: Improvisation and its Simulacra'. In: Mediating Jazz. University of Salford.