- Music Composition and Epistemic Injustice Redhead, L. 2022. Music Composition and Epistemic Injustice. Tempo, 76(302), pp. 32-41. ISSN 0040-2982
- Iterative Processes: Notating, Composing, and Performing as Journey Forms Redhead, L. 2022. Iterative Processes: Notating, Composing, and Performing as Journey Forms. Contemporary Music Review, 41(2-3), pp. 266-280. ISSN 0749-4467
- Vibrant Echoes: A Material Semiotics of the Voice in Music by Iris Garrelfs and Marlo Eggplant Redhead, L. 2020. Vibrant Echoes: A Material Semiotics of the Voice in Music by Iris Garrelfs and Marlo Eggplant. Contemporary Music Review, 39(5), pp. 564-579. ISSN 0749-4467
- hearmleoþ-gieddunga: temporal and material layeredness Redhead, L. 2020. hearmleoþ-gieddunga: temporal and material layeredness. ECHO, 1, ISSN 1424-3644
- Language as a Material Process Redhead, L. 2020. Language as a Material Process. Contemporary Music Review, 39(3), ISSN 0749-4467
- Introduction: Musik und Sprache: Music/Language/Speech Redhead, L. 2020. Introduction: Musik und Sprache: Music/Language/Speech. Contemporary Music Review, 39(3), ISSN 0749-4467
- Chris Newman’s Song to God (1994) for Solo Organ: Blurred Repetition, Visual Communication, and Embodied Information Redhead, L. 2019. Chris Newman’s Song to God (1994) for Solo Organ: Blurred Repetition, Visual Communication, and Embodied Information. Context, 45, pp. 19-30.
- The Avant Garde as Exform Redhead, L. 2018. The Avant Garde as Exform. Tempo, 72(286), pp. 7-16. ISSN 0040-2982
- Performing Temporal Processes Redhead, L; Zaldua, Alistair; Gisby, S and Stone, S. 2017. Performing Temporal Processes. New Sound International Journal of Music, 50, pp. 113-127. ISSN 0354-818X
- entoptic landscape and ijereja: music as an iterative process Redhead, L. 2017. entoptic landscape and ijereja: music as an iterative process. New Sound International Journal of Music, 49, pp. 97-113. ISSN 0354-818X
- The Beautiful and the Political Redhead, L. 2015. The Beautiful and the Political. Contemporary Music Review, 34(2-3), pp. 247-255. ISSN 0749-4467
- /’(h)weTH: VOICE - BREATH - BODY - FORM/S Armstrong, R and Redhead, L. 2015. /’(h)weTH: VOICE - BREATH - BODY - FORM/S. New Sound International Journal of Music, 46, pp. 155-167. ISSN 0354-818X
- Quotation and Psychogeographic Experience as Repetition in the Music of Bernhard Lang and Chico Mello. Redhead, L. 2014. Quotation and Psychogeographic Experience as Repetition in the Music of Bernhard Lang and Chico Mello. Contemporary Music Review, 33(2), pp. 148-166. ISSN 0749-4467
- Introduction: Musical Borrowing and Quotation in the Twentieth and Twenty-first Centuries ap Sion, Pwyll and Redhead, L. 2014. Introduction: Musical Borrowing and Quotation in the Twentieth and Twenty-first Centuries. Contemporary Music Review, 34(2), pp. 125-127. ISSN 0749-4467
Dr Lauren Redhead
Lauren’s research spans composition, performance and contemporary musicology., with a focuses on the music and aesthetics of the 21st Century and the methodological critique of practice research.
Staff details
My primary interests are in 20th and 21st Century Music; my musicological work focuses on the aesthetics and sociosemiotics of music, psychoanalytic perspectives on music, minority discourse, anti-aesthetics, materialism and notation. I am also a composer of experimental music whose scores are published by Material Press (Berlin) and a performer of music for organ and electronics. My music has been released on the engraved glass, sfz music, Innova, and pan y Rosas discos labels. My current research falls into three broad areas: the methodological critique of practice research, concentrating on its epistemology and phenomenology; the investigation of materiality and notation through experimental approaches to composition; and the development of live-interactive approaches to performance for organ and electronics through collaboration with other composers. I have recently published on the music of composers Michael Finnissy, Chris Newman, and Annette Schmucki. From 2013-2018 I was the president of the RMA’s Music and/as Process Study group, in which role I organised many conferences and edited two collected volumes of research. I am the chair of the conference committee for the RMA’s 56th Annual Conference in 2020 which will take place as an online event.
Teaching
I currently lead the following modules: Approaches to Contemporary Music (Level 4), Aesthetics, Meaning and Culture (Level 5); Music/Modernities (Level 6); Creative Research Project (Level 6); Philosophies of Music (MA/Level 7). I have also contributed to topics on contemporary performance and 20th and 21st Century Music across the curriculum. I also supervise dissertations and creative projects at Undergraduate and Masters level. I have previously taught composition across all levels of Higher Education. I am a Senior Fellow of the Higher Education Authority and am currently the Co-Head of the Department of Music, the Head of Undergraduate studies and the Chair of the Learning and Teaching Committee for Music.
Publications and research outputs
Article
- Listening Intertextually in Beat Furrer's Music Theatre Works Redhead, L. 2024. Listening Intertextually in Beat Furrer's Music Theatre Works. Tempo, 78(307), pp. 51-61. ISSN 0040-2982
- Teaching music theory in UK higher education today: contexts and commentaries Attah, Tom; Cavett, Esther; Dueck, Byron; Miller, Sue and Redhead, L. 2024. Teaching music theory in UK higher education today: contexts and commentaries. Music Education Research, 26(1), pp. 71-81. ISSN 1461-3808
- ‘Developing Live-interactive Approaches to New Music for Organ and Electronics Through Collaboration’ Redhead, L. 2023. ‘Developing Live-interactive Approaches to New Music for Organ and Electronics Through Collaboration’. Contemporary Music Review, 42(3), pp. 339-350. ISSN 0749-4467
Audio
- thinking through knowing through doing Redhead, L. 2024. thinking through knowing through doing.
- the octopus Redhead, L. 2020. the octopus.
- hearmleoþ—gieddunga Redhead, L; Zaldua, Alistair and Cannon, J. 2018. hearmleoþ—gieddunga.
Book Section
- Sound as a Method: Creative Textual Practices as Critical Re-writings Redhead, L. 2024. Sound as a Method: Creative Textual Practices as Critical Re-writings. In: Marc Estibeiro; Dave Payling and David Cotter, eds. Collaboration, Engagement, and Tradition in Contemporary and Electronic Music: NoiseFloor Perspectives. Abingdon: Routledge, pp. 173-188. ISBN 9781032553740
- ‘Nothing Really Changes’: Material Processes in and as Time in hearmleoþ—gieddunga Redhead, L. 2022. ‘Nothing Really Changes’: Material Processes in and as Time in hearmleoþ—gieddunga. In: Michelle Phillips and Matthew Sergeant, eds. Music and Time: Psychology, Philosophy, Practice. Woodbridge, Suffolk: Boydell & Brewer. ISBN 9781783277087
- The Medium is Now the Material: The ‘Folklore’ of Chris Newman and Michael Finnissy Redhead, L. 2019. The Medium is Now the Material: The ‘Folklore’ of Chris Newman and Michael Finnissy. In: I Pace and N McBride, eds. Critical Perspectives on the Music of Michael Finnissy: Bright Futures, Dark Pasts. Routledge. ISBN 9781138491977
Composition
- puer natus est Redhead, L. 2019. puer natus est.
- The Whale Redhead, L. 2019. The Whale.
- ore Redhead, L. 2018. ore.
Conference or Workshop Item
- The Practice of Practice Research Redhead, L. 2023. 'The Practice of Practice Research'. In: Public Research Seminar: Dr Lauren Redhead - The Practice of Practice Research. Royal Birmingham Conservatoire, United Kingdom 21 February 2023.
- Using Collaborative Event Ethnography to Explore Embodied Approaches to Performing Experimental Music Redhead, L. 2022. 'Using Collaborative Event Ethnography to Explore Embodied Approaches to Performing Experimental Music'. In: Performance Studies Network Conference 2022. University of Surrey, United Kingdom 30 June - 3 July 2022.
- Practice Research: Accessibility and Reproducibility Enhancing searchability: archiving practice research Redhead, L. 2021. 'Practice Research: Accessibility and Reproducibility Enhancing searchability: archiving practice research'. In: Enhancing searchability: archiving practice research. Online workshop, United Kingdom 15 November 2021.
Edited Book
- Collaborative and Distributed Processes in Contemporary Music-Making Redhead, L and Glover, R, eds. 2018. Collaborative and Distributed Processes in Contemporary Music-Making. Newcastle: Cambridge Scholars. ISBN 978-1-5275-1398-3
- Music and/as Process Hawes, V and Redhead, L, eds. 2016. Music and/as Process. Newcastle: Cambridge Scholars. ISBN 978-1-4438-9491-3
Edited Journal
- Musik und Sprache: Music/Language/Speech Redhead, L, ed. 2020. Musik und Sprache: Music/Language/Speech, Contemporary Music Review, 39(3). 0749-4467
- Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries ap Sion, Pwyll and Redhead, L, eds. 2014. Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries, Contemporary Music Review, 33(2). 0749-4467
Film/Video
- Performing ‘the radicality of unknowing who we are becoming’ Redhead, L. 2021. Performing ‘the radicality of unknowing who we are becoming’.
- Language as a Material Process Redhead, L. 2021. Language as a Material Process.
- Ijereja - Music as an interative process performance lecture Redhead, L. 2016. Ijereja - Music as an interative process performance lecture.
Performance
- what are notes anyway? Redhead, L; Kirby, Jenn and Zaldua, Alistair. 2024. what are notes anyway?. In: "Noise Floor", Escola Superior de Música de Lisboa, Portugal, 27-29 May 2024.
- Creative Textual Practices as Critical Re-writings Redhead, L. 2022. Creative Textual Practices as Critical Re-writings. In: "NoiseFloor 2022", Staffordshire University, United Kingdom, 12 May 2022.
- vox humana Redhead, L and Zaldua, Alistair. 2020. vox humana. In: "vox humana", Ideas of Noise Festival, United Kingdom, February 2020.
Printed Ephemera
- False relationships: Nicola Lefanu, I am Bread Redhead, L. 2014. False relationships: Nicola Lefanu, I am Bread.
Report
- Technology and Contemporary Classical Music: Methodologies in Practice-Based Research Kanga, Zubin; Dyer, Mark; Rowley, Caitlin; Packham, Jonathan; Benjamin, Mira; Climent, Ricardo; Gioti, Artemi-Maria; Gorton, David; Hayden, Sam; Howard, Emily; Hunt, Edmund; Laidlow, Robert; McLaughlin, Scott; Nickel, Luke and Redhead, L. 2024. Technology and Contemporary Classical Music: Methodologies in Practice-Based Research. Project Report. National Centre for Research Methods, Southampton.
Other
- 54 stops, grésillement, alphabet des rauschens: collaboration and/as performance autoethnography Redhead, L. 2024. 54 stops, grésillement, alphabet des rauschens: collaboration and/as performance autoethnography. Deutschlandfunk Kultur.
- the whale: Creative Textual Practices Redhead, L. 2022. the whale: Creative Textual Practices. INMM Darmstadt, Buxton Fringe Festival.
- hearmleoþ-gieddunga (research portfolio) Redhead, L. 2022. hearmleoþ-gieddunga (research portfolio). pan y rosas discos, Orpheus Instituut, Boydell & Brewer.
Research Interests
20th and 21st century music; music aesthetics; music and philosophy; music semiotics; analysis of 20th century music; contemporary music performance practices; practice research; composition
Areas of supervision
At present I supervise 9 PhD students at Goldsmiths.My completed PhD students have undertaken research on the performance of contemporary microtonal music for the recorder, the composition and facilitation of experimental music projects for community choirs, and interrelation in the performance of Improvised Music.My current PhD students are focused on a range of topics, including interdisciplinary approaches to Practice Research that encompass sound, performance, and art; the aesthetics and historiography of the presentation of the ‘past’ in music; and composition projects embracing opera, the theatre, experimental music and sound art. I am interested in supervising projects in the areas of practice research in music, the aesthetics and philosophy of contemporary music, the analysis of 20th and 21st century music, and experimental approaches to performance.I have examined PhDs at the University of Bangor, the University of Salford, Edinburgh Napier University and Kings College, London as well as internally at Goldsmiths and Canterbury Christ Church University. I have also supervised many undergraduate and masters dissertations on topics including film music, music education, music analysis, contemporary aesthetics and music in the community.