Dr Simon Sheikh

Book Section

Hernández Velázquez, Y. M.. 2019. Imagining Curatorial Practice after 1972. In: Paul O'Neill; Simon Sheikh; Lucy Steeds and Mick Wilson, eds. Curating after the Global: Roadmaps for the Present. Cambridge, Massachusetts: MIT Press, pp. 255-270. ISBN 9780262537902

Sheikh, Simon. 2017. The Magmas: On Institutions and Instituting. In: Paul O'Neill; Lucy Steeds and Mick Wilson, eds. How Institutions think: Between Contemporary Art and Curatorial Discourse. Cambridge, MA: MIT Press, pp. 126-131. ISBN 978-0-262-53432-1

Sheikh, Simon. 2017. A Contemporary Observatory for the City. In: Kate Gray, ed. Towards a City Observatory – Constellations of art, collaboration and locality. Edinburgh: Collective, pp. 12-18. ISBN 978-1-873653-18-0

Schuppli, Susan. 2017. Computing the Law / Searching for Justice. In: Boris Buden,; Maria Hlavajova and Simon Sheikh, eds. Former West Art and the Contemporary after 1989. MIT Press: MIT Press. ISBN 9780262533836

Malik, Suhail. 2017. When is Contemporary Art? In: Simon Sheikh and Maria Hlavajova, eds. Former West: Art and the Contemporary after 1989. Cambridge, MA: MIT Press. ISBN 9780262533836

Sheikh, Simon. 2015. A Long Walk to the Land of the People: Contemporary Art in the Spectre of Spectatorship. In: Maria Hlalvajova and Ranjit Hoskote, eds. Future Publics. Amsterdam: Valiz, pp. 230-261. ISBN 978-90-78088-94-3

Sheikh, Simon. 2013. ‘Articulation: On the Position of the Curator’. In: Ann Demester; Edna van Duyn and Hendrik Folkerts, eds. The Shadowfiles 3 - Curatorial Education. Amsterdam: Appel. ISBN 978-9073501782

Sheikh, Simon. 2013. ‘Towards the Exhibition as Research’. In: Paul O'Neill and Mick Wilson, eds. Curating Research. London: Open Editions. ISBN 978-0949004031

Sheikh, Simon. 2012. ‘Instituting the Institution’. In: Joao Mourao and Luis Silva, eds. Performing the Institution(al), Volume 2. Lisbon: Kunsthalle Lissabon, pp. 90-103.

Sheikh, Simon. 2012. Burning From the Inside – New Institutionalism Revisited. In: Beatrice von Bismarck; Jörn Schafaff and Thomas Weski, eds. Cultures of the Curatorial. Berlin, Germany: Sternberg Press, pp. 361-373. ISBN 9781934105979

Sheikh, Simon. 2011. Avant-garde Citizens. Double Agents, and Model Workers. In: Ellen Blumenstein, ed. Under Deconstruction: Libia Castro & Olafur Olafsson. Berlin: Sternberg Press, pp. 27-33. ISBN 9781934105443

Sheikh, Simon. 2011. ‘What Remains? – Chto Delat?, Post-Communism and Art’. In: Johan Holten, ed. What Is To Be Done? – Survey of the Works of the Russian Collective Chto Delat? Cologne: Verlag der Buchhandlung Walther König, pp. 56-65.

Sheikh, Simon. 2011. Constitutive Effects: The Techniques of the Curator. In: Zoya Kocur, ed. Global Visual Cultures. Oxford: Wiley-Blackwell, pp. 48-56. ISBN 978-1405169202

Sheikh, Simon. 2010. ‘Letter to Jane’. In: Paul O'Neill and Mick Wilson, eds. Pedagogical Subjects. London: Open Editions, pp. 61-75.

Sheikh, Simon. 2010. ‘The State We are In, Or, What a State We are In! Notes on the State of a Global Artworld, its Subjects and Circulations’. In: Lex ter Braak; Lilet Breddels and Steven van Teeseling, eds. 6(0) Ways… Framing Cultural Diversity. Amsterdam: NAi Publishers. ISBN 978-9056626921

Sheikh, Simon. 2010. Aesthetic Subjects in Urban Spaces – Some Remarks on the Films of Knut Åsdam. In: , ed. Knut Asdam: The Long Gaze, the Short Gaze. Berlin/New York: Sternberg Press, pp. 190-205. ISBN 978-1934105283

Sheikh, Simon. 2010. The Art of Imagination. In: Marie Nerland, ed. An Anthology for the 25th Anniversary of BIT Teatergarasjen. Oslo: BIT Teatergarasjen, pp. 47-51. ISBN 978-8299667845

Sheikh, Simon. 2009. ‘The Representation of Banking, Banking on Representation: Reflections on John Strauss’ ‘Transparency’ and its Reframing’. In: , ed. Printed Project. Dublin: , pp. 47-49

Sheikh, Simon. 2009. Exhibition-Making and the Political Imaginary. In: , ed. Malmö Art Academy yearbook.

Sheikh, Simon. 2009. Once Upon a Time in the West. In: , ed. Passengers. Warsaw: In Situ.

Sheikh, Simon. 2009. In the Place of the Public Sphere? Or, The World in Fragments. In: Claire Doherty, ed. Situation. Cambridge, Mass.: MIT Press, pp. 137-141.

Sheikh, Simon. 2008. Publics and Post-Publics: The Production of the Social. In: Jorinde Seijdel, ed. Art as a Public Issue: how art and its institutions reinvent the public dimension. 14 Rotterdam: NAi Publishers, pp. 28-36. ISBN 9789056624354

Sheikh, Simon. 2008. The End of an Idea. In: Mel Jordan and Malcolm Miles, eds. Art and Theory After Socialism. Bristol: University of Chicago Press, pp. 67-75. ISBN 978-1841502113

Sheikh, Simon. 2008. Talk Value: Cultural Industry and the Knowledge Economy. In: Maria Hlavajova; Jill Winder and Binna Choi, eds. Concerning Knowledge Production. Utrecht: BAK, pp. 182-197.

Sheikh, Simon. 2008. No lugar da Esfera Pública? In: , ed. Urbania 3. , pp. 127-135

Sheikh, Simon. 2008. In the Place of the Public Sphere? Or, The World in Fragments. In: , ed. Public Good. , pp. 46-55

Sheikh, Simon. 2007. Correcting the Principles of Correction (its Facilities and Discourses). In: , ed. Crime and Punishment, catalogue. Tallinn: Tallinn Kunstihoone, pp. 64-67.

Sheikh, Simon. 2007. In Dreams Begin Responsibilites – Notes on Art, Horizons, and the Imaginary. In: Dorothee Bienert, ed. Don’t Worry – Be Curious! Frankfurt/Main: Revolver, pp. 33-36. ISBN 978-3865883872

Sheikh, Simon. 2007. Revolution in the Head, or, Free Your Mind and Your Ass Will Follow’. In: Maja Fowkes and Reuben Fowkes, eds. Revolution is Not a Garden Party. Manchester: MIRIAD, pp. 52-55. ISBN 978-1905476121

Sheikh, Simon. 2007. Oplæg. In: Katya Sander, ed. Produktion af handlingsrum. Arhus: Det Jyske Kunstakademi, pp. 30-39.

Sheikh, Simon. 2007. ‘Constitutive Effects: The Techniques of the Curator’. In: Paul O'Neill, ed. CURATING SUBJECTS. Amsterdam: De Appel, pp. 174-185.

Sheikh, Simon. 2007. The Production of Knowledge – An Introduction to Critical Studies. In: Katarina Stenbeck, ed. There’s Gonna Be Some Trouble – The Five Year Rooseum Book. Malmö, pp. 218-225.

Sheikh, Simon. 2007. Maria Eichhorn: The Aesthetics of Administration and the Administration of Aesthetics. In: , ed. Untitled 43. London: , pp. 38-43

Sheikh, Simon. 2007. What are the Challenges of Teaching Critical Discourse. In: Nikolaus Schafhausen and Julia Moritz, eds. The Question of the Day. Berlin/New York: Sternberg Press, p. 90.

Sheikh, Simon. 2007. Exhibition as Medium. In: Rael Artel and Airi Triisberg, eds. Public Preparation. Tallinn: , pp. 56-62

Sheikh, Simon. 2007. Battle Lines are Being Drawn – The Cultural Politics of Identity in Denmark. In: Minna Henriksson and Sezgin Boynik, eds. Contemporary Art and Nationalism. Critical Reader. Pristhina: University of Kosovo, pp. 56-60. ISBN 978-9951874403

Sheikh, Simon. 2007. The Trouble with Institutions, or, Art and its Publics. In: , ed. Dreamlands Burn. Budapest: Múcsarnok, pp. 42-47.

Sheikh, Simon. 2007. Scattered (War) Opposition. In: Johanna Billing; Maria Lind and Lars Nilsson, eds. Taking the Matter into Common Hands: On Contemporary Art and Collaborative Practices. London: Black Dog Publishing, pp. 108-110.

Sheikh, Simon. 2007. ‘Scattered (War) Opposition’. In: Johanna Billing; Maria Lind and Lars Nilsson, eds. Taking the Matter into Common Hands. London: Black Dog Publishing, pp. 108-110. ISBN 978-1906155186

Sheikh, Simon. 2007. Identification of a Woman. In: , ed. Ann Lislegaard – Science Fiction and Other Worlds. Oslo: Astrup Fearnley Museum of Modern Art, pp. 76-82.

Sheikh, Simon. 2006. Battle Lines are Being Drawn – The Cultural Politics of Identity in Denmark. In: , ed. : Framework 5. Helsinki: , pp. 104-106

Sheikh, Simon. 2006. The Trouble with Institutions, or, Art and its Publics. In: Nina Möntmann, ed. Art and its Institutions. London: Black Dog Publishing, pp. 142-149.

Sheikh, Simon and Hunt, Ashley. 2006. Creating Publics. In: Tara Byrne, ed. Cork Caucus: on art, possibility & democracy. Frankfurt A.M.: Revolver, pp. 321-327.

Sheikh, Simon. 2006. Representation, Contestation and Power: the Artist as Public Intellectual. In: Sarah Pierce, ed. The Paraeducation Department. Belfast: Interface.

Sheikh, Simon. 2006. Public Spheres and the Functions of Progressive Art Institutions. In: Vanessa Muller and Nikolaus Schafhausen, eds. Under Construction – Perspectives on Institutional Practice. Köln: Verlag der Buchhandlung Walther König, pp. 192-194.

Sheikh, Simon. 2005. Representation, Contestation and Power: the Artist as Public Intellectual. In: Inára Drulle, ed. Artists as Producers. Transformation of Public Space. Riga: Latvian Centre for Contemporary Art, pp. 39-42.

Sheikh, Simon. 2005. A Conversation. In: , ed. Gregor Neuerer – A Stolen Moment, catalogue. Innsbruck: Kunstpavillon der Tiroler Künstlerschaft, pp. 35-40.

Sheikh, Simon. 2005. Anstelle der öffentlichkeit? Oder: Die Welt in Fragmenten. In: Gerald Raunig and Ulf Wuggenig, eds. Publicum – Theorien der öffentlichkeit. Vienna: Turia + Kant, pp. 80-88.

Sheikh, Simon. 2004. Imagining Berlin – Some Attempts at Entries into a City Space. In: Ute Meta Bauer, ed. Komplex Berlin / Complex Berlin. Verlag Buchhandlung Walter König: Verlag Buchhandlung Walter König, pp. 148-160.

Sheikh, Simon. 2004. Uundgåeligt eksploderende plastik – Andy Warhol og the Velvet Underground (og Nico). In: Klaus Lyngaard and Henrik Queitsch, eds. Loaded. København: Informations Forlag, pp. 47-55.

Sheikh, Simon. 2004. Christiania: Networks of Anti-Discipline. In: , ed. Territories: The Frontiers of Utopia and Other facts on the Ground, catalogue. Malmö: Malmö Konsthall, pp. 29-30.

Sheikh, Simon. 2004. ‘Uundgåeligt eksploderende plastik – Andy Warhol og the Velvet Underground (og Nico)’. In: Klaus Lyngaard and Henrik Queitsch, eds. Loaded. København: Informations Forlag, pp. 47-55.

Sheikh, Simon. 2003. ‘[Shift]Work’. In: , ed. The Project, catalogue. Tallinn: Tallinn Kunstihoone, pp. 10-13.

Sheikh, Simon. 2003. Number One and Number Two and Point Zero: Jean-Luc Godard between Film, Video and Art. In: Gareth James and Florian Zeyfang, eds. I said I love. That is the promise – The tvideo politics of Jean-Luc Godard. Berlin: b_books, pp. 124-163.

Sheikh, Simon and Jakobsen, Jakob. 2003. Spredt (krigs)modstand. In: Kristina Ask, ed. Re/aktion. Copenhagen: , p. 16

Sheikh, Simon. 2003. Counter-Public Works: Remapping Public Space. In: , ed. Printed Project 1. Dublin: , pp. 37-42

Sheikh, Simon. 2003. ‘[Shift]Work’. In: , ed. The Project. Tallinn: Tallinn Kunstihoone, pp. 10-13.

Sheikh, Simon. 2003. ‘Number One and Number Two and Point Zero: Jean-Luc Godard between Film, Video and Art’. In: Gareth James and Florian Zeyfang, eds. I Said I Love. That is the Promise: The TVideo-politics of Jean-Luc Godard /Die TVideo-Politik des Jean-Luc Godard. Berlin: b_books, pp. 124-163. ISBN 978-3933557315

Sheikh, Simon and Jakobsen, Jakob. 2003. ‘Spredt (krigs)modstand’. In: Kristina Ask, ed. Re/aktion. Copenhagen: , p. 16

Sheikh, Simon. 2003. ‘Counter-Public Works: Remapping Public Space’. In: , ed. Printed Project 1. Dublin: , pp. 37-42

Sheikh, Simon. 2002. Space Fellow Travellers. In: Peter Weibel, ed. Olafur Eliasson: Surroundings Surrounded. Cambridge, Mass: MIT Press, pp. 566-571. ISBN 978-0262731485

Sheikh, Simon. 2002. ‘Double Vision – The Drama Documents of Joachim Koester’. In: Joahim Koester, ed. Joachim Koester Werke 1992 - 2001 - Different Stories, Different Places: 28.2 - 14.4.2002. Nürnberg: Kunsthalle Nürnberg, pp. 26-50.

Sheikh, Simon. 2002. ‘Double Vision – The Drama Documents of Joachim Koester’. In: , ed. Oito relatos nórdicos. , Centro Galego de Arte Contemporánea, Santiago de Compostel, pp. 88-102.

Sheikh, Simon. 2002. ‘Notes on Amel Ibrahimovic’s Field of Dreams’. In: Amel Ibrahimovic, ed. u.m.a.s.p. Helsinki: NICFA.

Sheikh, Simon. 2002. ‘Efterskrift’. In: Brian O'Doherty, ed. I den hvide kube (in Danish). Copenhagen: Rævens Sorte Bilbiotek,, pp. 125-131. ISBN 978-8773781852

Sheikh, Simon. 2002. In the Place of the Public Sphere. In: Stephan Dilemuth, ed. The Academy and the Corporate Public. Köln: Permanent Verlag, pp. 218-221.

Sheikh, Simon. 2002. Identification of a Woman. In: , ed. Ann Lislegaard – Eyes Wide Open. Copenhagen: The National museum of Photography.

Sheikh, Simon. 2002. Under Deconstruction, Notes on Under Construction, Mainstreaming and Marginalization in the Changing Welfare States of the Nordic Countries. In: Marita Muukkonen, ed. Under [De]Construction. Helskinki: NIFCA, pp. 85-92.

Sheikh, Simon. 2001. ‘CUDI – en mod-offentlighed?’. In: , ed. CUDI – Center for Urbanitet, Dialog og Information. Odense: Kunsthallen Brandts Klædefabrik.

Sheikh, Simon. 2001. ‘Between Thought and Expression – Notes on Leif Kath’s Work Between Form and Formlessness’. In: Leif Kath, ed. Leif Kath. New York: DCA Gallery, pp. 5-9.

Sheikh, Simon. 2001. ‘Christiania: Netzwerke der Anti-Disziplin’ / ‘Christiania: Networks of Anti-Discipline’. In: Jochen Becker, ed. Bignes. b_books, pp. 82-87.

Sheikh, Simon. 2000. ‘The Art World Between Fragmentation and Globalization’. In: , ed. Encuentro de Teoria y Critica. Bienal De La Habana, pp. 104-106.

Sheikh, Simon and Mathisen, Lars. 2000. ‘Fucking Naust – Notes on Art, Locality, Tourism, and so on’. In: , ed. Naust. Bergen: Øygarden, pp. 4-7.

Sheikh, Simon. 2000. Site Specificity: From the Margins to the Social. In: Gardar Eide Einarsson and Eivind Slettemeas, eds. Offshore. Bergen: KHiB, pp. 8-15.

Sheikh, Simon. 1999. Imagining Berlin – Some Attempts at Entries into a City Space. In: Ute Meta Bauer, ed. Komplex Berlin (Complex Berlin) : 3rd Berlin Biennale for Contemporary Art. Koln: Verlag der Buchhandlung Walther Konig, pp. 148-160. ISBN 978-3883757889

Sheikh, Simon. 1999. Christiania: Netzwerke der Anti-Disziplin’ / ‘Christiania: Networks of Anti-Discipline. In: , ed. 45. Internationale Kurzfilmtage Oberhausen Festival Katalog 1999. , pp. 89-93

Sheikh, Simon. 1999. ‘Spillets Regler. Bemærkninger om kunstobjektet, kunstrummet og kunstscenen’. In: Hans Dam Christensen; Anders Michelsen and Jacob Wamberg, eds. Kunstteori. Copenhagen: Borgen, pp. 361-382. ISBN 978-8721011277

Sheikh, Simon. 1999. ‘Melting in Time 1995’. In: , ed. Kirsten Justesen: Re Kollektion. Aalborg: Nordjyllands Kunstmuseum, p. 44.

Sheikh, Simon. 1999. Close-Up, Face Off – Contemporary Art, Film and Fragmentation. In: , ed. Close-Ups – Contemporary Art and Carl Th. Dreyer. NIFCA & Nikolaj, Copenhagen Contemporary Art Center, pp. 93-96.

Sheikh, Simon. 1998. Site Specificity: From the Margins to the Social. In: Katya Sander; Simon Sheikh and Cecilie Høgsbro Østergaard, eds. The Meaning of Site. Copenhagen: Ø, pp. 70-95.

Sheikh, Simon. 1998. ‘Der bedauernswerte Entertainer – das Typen Repertoire von Peter Land’ / ‘The Sorry Entertainer – the Typecasting of Peter Land’. In: , ed. Come Closer. Köln: Liechensteinische Staatliche Kunstsammlung / Octagon, pp. 86-89.

Sheikh, Simon. 1998. Social-specific Strategies – The Interactive Work of Olafur Gislason. In: , ed. Places in Gothenburg. Gothenburg City:

Sheikh, Simon. 1997. Caught in the Crossfire. In: , ed. Claus Carstensen: Crossover. Arken Museum of Modern Art, pp. 28-31.

Sheikh, Simon. 1996. The Production of Space. In: , ed. Frans Jacobi, Imagine. Copenhagen: Space Poetry.

Sheikh, Simon. 1995. Behaviour and Destruction: The Video Works of Søren Martinsen. In: , ed. Land, Lipski, Martinsen, Videos. Copenhagen: Galleri Nicolai Wallner.

Sheikh, Simon. 1995. Self / Non-Self – Subjectivity Beyond the Open Canvas. In: , ed. I Confess. Copenhagen: Nikolaj – Copenhagen Contemporary Art Center.

Sheikh, Simon. 1995. Hin hlidin. In: , ed. Sólgin / Addicted. Iceland: Slunkaris, pp. 5-7.

Sheikh, Simon. 1995. The Empty Stage. In: , ed. Lars Mathisen: Safe Condition, Live Play Act. Malmö Konstmuseum, pp. 2-16.

Sheikh, Simon. 1994. Subjektet, Objektet og Sven Dalsgaard. In: Soren Houmann; Simon Sheikh; Peter Holst Henckel and Peter Rossell, eds. Ja til Sven Dalsgaard! Copenhagen: Edition Globe/ Art Action, pp. 8-11. ISBN 978-8790040086

Sheikh, Simon and Koester, Joahim. 1993. Tingenes Blik. In: Mette Thelle, ed. Vilhelm Lundstrøm. Copenhagen: Charlottenborg, pp. 105-111.

Article

Sheikh, Simon. 2017. From Para to Post: The Rise and Fall of Curatorial Reason. Springerin, XXIII(1, 201), pp. 16-20.

Sheikh, Simon. 2016. Biennales and conflict questionnaire. Art and the Public Sphere, 5(2), pp. 137-166. ISSN 2042-793X

Sheikh, Simon. 2014. Once upon a time in the west: Or, the rise and fall of the (bourgeois) public sphere, as told by Jürgen Habermas. Art and the Public Sphere, 3(2), pp. 151-160. ISSN 2042-793X

Sheikh, Simon. 2012. Die Währung umstellen – Zur Problematik von Wert und Kritik in der Kunst. Springerin, 2, pp. 18-22.

Sheikh, Simon. 2012. ‘Theoretisch chinesisch – Über die hypothetischen Archive in der Austellung ”Taiping Tiangua – A History of Possible Encounters”’. Springerin, 4, pp. 30-33.

Sheikh, Simon. 2011. Positively Representation of Banking Revisited. E-Flux Journal, 24,

Sheikh, Simon. 2011. ‘On the Standard of Standards, or, Curating and Canonization’. Manifesta Journal, 11, pp. 13-18.

Sheikh, Simon. 2011. None of the Above: From Hybridity to Hyphenation. The Artist as Model Subject, and the Biennial Model as Apparatus of Subjectivity. Humboldt # 156/104,

Sheikh, Simon. 2010. The Politics of Art and the Process of Biennalization. Texte Zur Kunst, 80, pp. 112-117.

Sheikh, Simon. 2010. Positively Protest Aesthetics Revisited. E-Flux Journal, 20,

Sheikh, Simon. 2009. Positively White Cube Revisited. E-Flux Journal, 3,

Sheikh, Simon. 2009. Objects of Study or Commodification of Knowledge? Remarks on Artistic Research. Art & Research: A Journal of Ideas, Contexts and Methods, 2(2),

Sheikh, Simon. 2009. Marks of Distinction, Vectors of Possibility – Questions for the Biennial. OPEN 16, pp. 68-79.

Sheikh, Simon. 2009. Positively Counter-Publics Revisited. E-Flux Journal, 5,

Sheikh, Simon. 2009. Positively Trojan Horses Revisited. E-Flux Journal, 8,

Sheikh, Simon. 2008. Room for Thought. Mahkuzine – Journal of Artistic Research, 5, pp. 28-32.

Sheikh, Simon. 2008. Positively East Village Revisited. E-Flux Journal, 1,

Sheikh, Simon. 2006. A War of Words, A Review of Muhammadgate. Translate,

Sheikh, Simon. 2006. Notes on Institutional Critique. Transform,

Sheikh, Simon. 2006. ‘Räume für das Denken’. Texte Zur Kunst, 62, pp. 110-121.

Sheikh, Simon. 2005. How Does It Feel? NIFCA Info, p. 1.

Sheikh, Simon. 2005. Whatever Happened to Social Democracy - review. Springerin, 11(1), pp. 64-65.

Sheikh, Simon. 2004. öffentlichkeit und die Aufgaben der ‘progressiven’ Kunstinstitutionen. Kulturisse, pp. 7-8.

Sheikh, Simon. 2004. Kaspar Bonnén vs. Simon Sheikh: Debat om signaturer. Apparatur 8, pp. 99-102.

Sheikh, Simon. 2004. Planes of Immanence, or the Form of Ideas: Notes on the (anti-)Monuments of Thomas Hirschhorn. Afterall, 9, pp. 91-98.

Sheikh, Simon. 2004. Common Property/Allgemeingut. Springerin, 10(3), pp. 62-63.

Sheikh, Simon and Villar, Alex. 2004. A Conversation. Danger Museum Newsletter, 18,

Sheikh, Simon. 2004. Christiania: Netzwerke der Anti-Disziplin. Malmoe, 21, pp. 22-23.

Sheikh, Simon. 2004. ‘Planes of Immanence, or the Form of Ideas: Notes on the (anti-)Monuments of Thomas Hirschhorn’. Afterall, 9, pp. 91-98.

Sheikh, Simon. 2004. ‘Common Property/Allgemeingut’. Springerin, 3, pp. 62-63.

Sheikh, Simon. 2004. ‘Christiania: Netzwerke der Anti-Disziplin’. Malmoe, 21, pp. 22-23.

Sheikh, Simon and Montmann, Nina. 2003. The Power of Institution(s). NIFCA Info, pp. 4-8.

Sheikh, Simon. 2003. Christiania: Netzwerke der Anti-Disziplin. An Architectur, 10, pp. 41-43.

Sheikh, Simon. 2003. F for Fake... Om signaturer, pseudonymer, auteur-rollen og kunstproduktion. Apparatur, 7, pp. 13-17.

Sheikh, Simon. 2003. ‘A Conversation’. Danger Museum Newsletter, 18,

Sheikh, Simon and Montmann, Nina. 2003. ‘The Power of Institution(s)’. NIFCA Info, 2, pp. 4-8.

Sheikh, Simon. 2003. ‘Christiania: Netzwerke der Anti-Disziplin’. An Architectur, 10, pp. 41-43.

Sheikh, Simon. 2003. ‘F for Fake... Om signaturer, pseudonymer, auteur-rollen og kunstproduktion’. Apparatur, 7, pp. 13-17.

Sheikh, Simon. 2002. Visioner for kunstpolitikken. Bulletinen, 28, pp. 4-6.

Sheikh, Simon. 2001. CUDI: A Counter Public. Arsis, 3, pp. 30-31.

Sheikh, Simon. 2001. Lisa Strömbeck. Kunstbeeld – tijdschrift voor bildende kunst Nederlands, 5,

Sheikh, Simon. 2000. ‘The Concept of DIY as a Mode of Cultural Production’. Valdez, 4, pp. 144-147.

Sheikh, Simon. 1999. ‘Udenfor eller indefra? Noter om internationalisme og provinsialisme I nyere dansk kunst med særligt henblik på receptionen af den såkaldte 90erkunst I forhold til den såkaldte 80erkunst’. Månedsskrift for kunst og kunstrelateret materiale, 53,

Sheikh, Simon. 1999. Kunstens Sted og Stedets Kunst. Øjeblikket, 39/40, pp. 26-30.

Sheikh, Simon and Michelsen, Anders. 1999. Kunstudstillingen: En Ny Refleksiv Model. Øjeblikket, 39/40, pp. 53-56.

Sheikh, Simon. 1999. 2nd International Performance Festival. NU, p. 80.

Sheikh, Simon. 1998. Joachim Koester’s Double Vision. World Art, 15, pp. 33-35. ISSN 2150-0894

Sheikh, Simon. 1998. Rumidentifikation og rumanalyse. Øjeblikket, 36/37, pp. 12-15.

Sheikh, Simon. 1997. Strategies of Difference and Differentiation. Atlantica(17), pp. 3-13.

Sheikh, Simon. 1997. Compartments, why Bother? Xerox, 4,

Sheikh, Simon. 1997. ‘Hal Foster: The Return of the Real’. Periskop, 6, pp. 124-125.

Sheikh, Simon. 1997. ‘Udsigelses magt’. Louisiana Revy, 38(1), pp. 42-43.

Sheikh, Simon. 1997. ‘Udsigelses magt’. Art Planet, 1, pp. 150-153.

Sheikh, Simon. 1997. I Los Angeles’ spejlbillede. Øjeblikket, 32/33, pp. 62-64.

Sheikh, Simon. 1997. Byrummet som forlystelsespark. Øjeblikket, 34, pp. 8-9.

Sheikh, Simon. 1997. Baustop, Randstadt. Spex, 11(98), pp. 60-61.

Sheikh, Simon. 1996. Mellemkomster – Bevægelse og fortabelse. Louisiana Revy, 36(3), pp. 70-74.

Sheikh, Simon. 1996. Conditions of the Gaze: An index to the installation of Joachim Koester. Index, 3/4, pp. 66-71.

Sheikh, Simon. 1996. Spejlstadier – Om Dan Grahams Pavilloner. Øjeblikket, 28, pp. 28-29.

Sheikh, Simon. 1996. The Choice of a New Generation? Siksi, XI(2), pp. 76-77.

Sheikh, Simon. 1996. Column. Plum Velvet, 1,

Sheikh, Simon. 1996. ‘Hemmelig Kunst – Bemærkninger om gallerirummets diskrete charme’. Passepartout, 4(7), pp. 17-32.

Sheikh, Simon. 1996. Tilstedeværelse og utilstedelighed. Øjeblikket, 29, pp. 22-27.

Sheikh, Simon. 1996. Den sorte kasse i den hvide kube. Øjeblikket, 30, pp. 19-21.

Sheikh, Simon. 1995. The Other Side: Ann Lislegaard. Index(3/4), pp. 24-29.

Sheikh, Simon. 1994. The Grey Area. Film & Video Newsletter 6, pp. 3-4.

Sheikh, Simon. 1994. Det Minimale Objekt – Serialitet og Fænomenologi. Passepartout, 2(3), pp. 75-92.

Sheikh, Simon. 1993. Multiples: Kopiens Diskurs. edition Campbells Occasionally, 2(3), pp. 8-9.

Sheikh, Simon. 1992. Dette er ikke et kunstværk. North-debat, 21, pp. 15-17.

Exhibition Catalogue

Sheikh, Simon. 2005. Random Precision – Re-Representing Berlin.

Sheikh, Simon and Koester, Joahim. 1995. Authority and Incident: A Conversation with Michael Joo.

Sheikh, Simon. 1994. Stain of the Real.

Show/Exhibition

Sheikh, Simon and Hlalvajova, Maria. 2011. On Horizons. In: "Vectors of the Possible", BAK – basis voor actuele kunst, Utrecht, Netherlands, 2010-11.

Sheikh, Simon. 2010. Vectors of the Possible. In: "Vectors of the Possible", Utrecht, Netherlands, 12 September - 28 November 2010.

Sheikh, Simon. 1994. The Reality of Future. In: "Zukunft Versus No More Reality", Galleri Nicolai Wallner.

Sheikh, Simon. 1993. Exclusion. In: "Exclusion", Consul, Århus, Denmark.

Edited Book

Hlavajova, Maria and Sheikh, Simon, eds. 2017. Former West: Art and the Contemporary After 1989. Cambridge, MA: MIT Press. ISBN 9780262533836

Hlavajova, Maria; Sheikh, Simon and Winder, Jill, eds. 2011. On Horizons: A Critical Reader on Contemporary Art. Rotterdam and Utrecht: Post Editions and BAK basis voor actuele kunst. ISBN 9789460830372

Sheikh, Simon, ed. 2007. Konst, makt och politik, Skriftserien Kairos 12. Stockholm: Raster förlag.

Sheikh, Simon, ed. 2006. Capital: It Fails Us Now. Berlin: b_books. ISBN 978-3933557698

Sheikh, Simon, ed. 2005. In the Place of the Public Sphere? Berlin: b_books.

Sheikh, Simon, ed. 2004. Knut Asdam Speech, Living, Sexualities, Struggle. Fine Arts Unternehmen Books. ISBN 978-3037200032

Sheikh, Simon and Sander, Katya, eds. 2001. We are All Normal. London: BLACK DOG UK. ISBN 978-1901033236

Sheikh, Simon; Sander, Katya and Høgsbro Østergaard, Cecilie, eds. 1998. The Meaning of Site. Copenhagen:

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