This book is not about the future of video games. It is not an attempt to predict the moods of the market, the changing profile of gamers, the benevolence or malevolence of the medium. This book is about those predictions.
In a world dominated by the visual, could contemporary resistances be auditory? This timely and important book from Goldsmiths Press highlights sound’s invisible, disruptive, and affective qualities and asks whether the unseen nature of sound can support a political transformation.
The bicycle in Victorian Britain is often celebrated as a vehicle of women's liberation. Less noted is another critical technology with which women forged new and mobile public lives—cycle wear. This illustrated account of women’s cycle wear from Goldsmiths Press brings together Victorian engineering and radical feminist invention to supply a missing chapter in the history of feminism.
From the libertarian economics of Ayn Rand to Aldous Huxley’s consumerist dystopias, economics and science fiction have often orbited each other. In Economic Science Fictions, editor William Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalise economic thinking.
Television is on the verge of both decline and rebirth. Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors and viewers. This volume examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology.
The Goldsmiths Shorts pamphlet series brings together poetry, fiction and non-fiction by alumni from across the creative writing programmes and modules, taught within the Department of English and Comparative Literature. Students who attained final marks in the top classification awarded at their respective level of study were invited to submit writing suitable for the pamphlet form. They were asked to consider the pamphlet as an introduction to their work so far, as a unit that requires brevity, but also allows room for them to declare themselves.
Meta Gesture Music: Embodied Interaction, New Instruments and Sonic Immersion, is a CD anthology featuring musicians who crossed paths during Meta Gesture Music, a European research project which ran between 2012–17 at Goldsmiths that explored gesture in musical performance and the engagement of the human body with sound.
The Death of Public Knowledge? insists upon the value of shared, publicly accessible information, and suggests that the erosion of its most visible forms, including public service broadcasting, education and the network of public libraries, will have worrying outcomes for democracy.
What does it mean to be liberal in neoliberal conditions? In this collection of short essays, contributors from sociology, politics and media and communications argue for the continued relevance of liberals and liberalism in a seemingly illiberal age.
Les Back has chronicled three decades of his academic career, turning his sharp and often satirical eye to the everyday aspects of life on campus and the larger forces that are reshaping it. Presented as a collection of entries from a single academic year, the diary moves from the local to the global, from PowerPoint to the halls of power.
The Goldsmiths Prize app celebrates the winners and shortlistees of this prestigious literary award and explores the broader tradition of experimental and inventive fiction in which writers make full use of the novel genre's near limitless resources and possibilities.